Reviews with content warning for Blood - Fourth Wing

3,75 Pretty good, the fantasy world with the dragons, powers and all that stuff as amazing. I less enjoyed the romance part because it was open doored and

a little too obsesed on Xaden some chapters

but on general it was a really goos read. For me worth the hype. If you want a cloeds door read like I did, I advice to skip chapter 30 and half of chapter 32

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basilroad's review against another edition

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adventurous dark emotional funny inspiring mysterious sad tense fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

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hannah_lilli's review against another edition

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adventurous dark mysterious slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

4.5

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bubblebot's review against another edition

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adventurous slow-paced

Plot- or character-driven? Plot
Strong character development? No
Loveable characters? N/A
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

1.0

would give 0*, but added one, because of the queer & disability (however brief) rep

it feels like mc is held hostage by the plot lmao

glad to see that rotten zionist world views produce rotten books. shame it's popular tho for some reason

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spl2d's review against another edition

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adventurous emotional hopeful fast-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

4.75

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shayna_hadassah's review against another edition

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adventurous dark medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.75

This was a fun book! I thoroughly enjoyed it, but it is definitely brain candy.

I really enjoyed the intense scenes and how punchy they were - it kept everything moving along and kept the energy up. The fights and aerial battles especially were hard to put down.

The world was super interesting and fun to get into! I wish there had been more interaction with the other quadrants on a personal basis, rather than out of necessity, but I understand from a story perspective why they were limited. The dragon lore and magic system were interesting, if heavily biased towards the dragons. Which - point of the book, obviously, but also a little unfair within the world.

The sources of conflict felt very real. I greatly appreciated that there were no overly complicated conflicts. Very simple - we're going to become a rider even though we don't want to because of a, and we have b as an intrinsic hurdle to overcome, and c is personally holding back my development. Very easy. That leaves much more room to flesh out the conflict, rather than forcing readers to follow something convoluted while also being introduced to a new world and magic system.

The stakes definitely felt higher in this book than in other similar stories because of how often people actually got hurt and the way the narrative both highlighted it and dismissed it. When a character is gone, they're gone. That's it. I think it would have come across stronger if those deaths had lingered in some way though.

Violet's shortcomings were a really strong part of the story, really showing that she had something to overcome and the deck was stacked against her. I kept waiting for the dragon magic to hand-wave it all away, but having that power never gave her a shortcut, which I thought was really admirable.

That being said, there was a lot of telling when there should have been showing. Several times, Violet expressed some kind of discomfort with how deaths were handled,

with the only acknowledgement being a recital of a roll call of everyone who died and then nothing else,

but she also rarely mentioned those who had died when they were gone. Don't tell me it sits wrong with her, show me that she is continually affected. Or show me that she is uncomfortable with her own ability to dismiss all of this.

I felt the writing was repetitive, which I thought went along with the problem of telling vs showing.

"I used his previous words against him" was a phrase that I remember coming up at least three times in some way. Please just trust that I was there when it was said the first time and I understand that we're repeating ourselves. Please just show me how the characters react.

We were also told ad nauseum that Violet is one of the smartest people in the story. I felt that there were reasonable limits on this, but I also felt that there were times that she should have been able to use her smarts to get out of a scrape and didn't. She knew a lot of information, but at times she felt more knowledgeable than quick thinking. Those are both smart! But I feel like they were used interchangeably rather than treated as distinct.

A pet peeve of mine is constant character description when it isn't necessary, which I understand kind of goes with the territory with romance, but I do believe there are more important things to focus on when certain death is one wrong step away.

The enemies-to-lovers thing felt fumbled, since, in a book with pretty high stakes, the enemies phase involved very little trying to kill each other and a lot of sniping at each other. Also, enemies to lovers are not usually immediately attracted to each other and if they are, I think it's more fun if they take it out on each other, but maybe that's just me. Related, the love triangle could be spotted from a mile away and then didn't present both options as viable options, so that felt flat too. Mostly I was just getting frustrated with Violet on the relationship front.

I appreciated that the characters talked like normal people, i.e., that when they swore, I believed that they would swear. There were a few instances of more modern speech patterns and phrases that absolutely kicked me out of the story. I understand that the beginning of the book had a note that the story had been translated in-universe to "the modern language," but if your setting is vaguely middle ages, please don't make me read phrases like "I'm not attracted to toxic men." It didn't happen often, but there were three or four times that my suspension of disbelief abandoned me.

I did feel that some of the characters sounded too much alike. It could have had something to do with the narrator of the audiobook (whom I think did a pretty good job, considering all the characters she had to deal with), but I had a lot of trouble in certain scenes with being able to tell which character was talking and had to back up the narration to pay closer attention and keep track without dialogue tags to help.

Overall it was fun! I like the twists at the end, even though I think more clues thrown in here and there would have been nice. I like the baby dragon. I like the magic powers. Overall a fun, engaging read.

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madsgrace_'s review against another edition

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adventurous challenging dark emotional mysterious tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

i couldn’t put it down, stayed up each night reading it!

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