Reviews tagging 'Grief'

Paul Takes the Form of A Mortal Girl by Andrea Lawlor

15 reviews

katewhite77's review against another edition

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emotional hopeful mysterious reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

3.0

A Modern Retake On The Fairytale Set In The 1990's.

Our main protagonist Paul/Paulie can slip between genders at will. 

Paul/Paulie is one of life's drifters, who works in various bars, both whilst  studying and  on a brake from university. This book  is quite spicy, so if graphic sex scenes aren't your thing, then maybe swerve this one.

This is more of a character driven novel than a plot driven one. That being said, that plot which is, is important in bringing the book together. However, for the most part, it can be read as a series of set pieces to give yourself over to.

A fresh take on the fairytale literary esthetic. 





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silascaptor's review against another edition

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adventurous emotional mysterious reflective sad fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5


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librarymouse's review against another edition

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adventurous dark emotional sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

What an odd book. Paul is a strange, yet often lovely character. His hedonism was off putting at first, and I initially had a hard time reconciling my enjoyment of the writing with my dislike of Paul, but the further the novel progressed, the more sympathetic of a character Paul became. Paul's experience of gender and the way Lawlor represents that on the page is something unique and special. It shows the ways in which we try and fail and try again to externally represent our interior experiences of selfhood, but made magical in its visibility. Similarly, Paul's struggles to maintain expression of exclusively male or female features at different points throughout the novel, in order to fulfil the desires of someone else felt so real and exemplary of the struggle between external expression and internal experience when trying to find an aesthetic that feels comfortable as someone who doesn't feel that either gender fits quite right. I think I liked the consistent use of "he" as Paul's pronouns despite his spending a large portion of the novel as a girl. I think it's an interesting comment, again, on the way selfhood is experienced, but also for the idea that gender expression doesn't necessarily equate to gender identity/experience. However, I can understand the critiques of the use of "he" exclusively as falling into the pitfalls of gender essentialism. It's a very narrow line.
Paul being made a more sympathetic character for me, comes to fruition as he finally flashes back to when and why he chose to leave New York for the Midwest after the boy he loved and left; and to whom he always assumed he'd return to at some point, dies of HIV/AIDS before Paul works up the courage to call him back. The slips of memories of the friends and lovers there one day and gone the next, blurry around the edges with grief and the rapidity of their deaths offer an alternative lens through which to view Paul's escape and the risks he's willing to take, thinking he's found a safe place where illness can't take those he cares for. While it's never quite clear whether or not he can get HIV/AIDS, the risks he takes after his love's death take on a nihilistic tone, ready and willing to put himself in danger for the thrill of it. Behind the hedonism, there's such raw and tender humanity.

At the start I almost DNF'd this book. After some post-reading contemplation, this is a 5 star read,

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crackedspines_'s review against another edition

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adventurous emotional mysterious reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

I really don’t know what to say about this one except that it genuinely changed my life and me as a person and it made me feel every single emotion ever and it made me cry and the ending wasn’t even an ending and I wanted a real ending so badly and I honestly think this might be my favorite book of all time.

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clarkg's review against another edition

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adventurous challenging emotional funny reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

I really enjoyed this book! At first blush, it's about shapeshifting, perception, queer life, and the refusal to be defined by any one thing--whether that be gender, genre, or subculture. Based on this premise alone, I worried that genderbending would be played for shock value, which would have been kind of tired as far as queer fiction goes. Lawlor's prose quickly burned away my misgivings and delivered a sharp, complicating, and tender tableau of queer desire and community. 

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sarah984's review against another edition

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adventurous emotional slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0

This was an interesting portrait of a tumultuous time, but the pov character (and most of the other characters honestly) was almost unbearable to read about, and the ending felt like it kind of petered out. 

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james1star's review

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emotional reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.25

I find this book quite a hard one to cement my thoughts on…. overall I think it was a decent read but also had quite a few issues too. In it we’re following Paul (/Polly), a twenty two year old old queer person in the early nighties. But he (the character is very likely what we’d call non-binary with they/them pronouns now but Lawlor decides to only use ‘he’ so I will too) is also a shapeshifter, able to change his body and parts and flips between male and female biologically. It’s set first in Iowa city with a more emerging queer scene, but moves to Provincetown and San Francisco where the queer history of these places are more established but obviously different given the New England coastal town and thriving city locations. In these spaces, Paul explores his sexuality and gender identity in a rather eye-opening way trying to categorise himself but ‘failing’ to do so given he really doesn’t know. There’s also little folk-like tales interspersed throughout which I came to read as alternative origin stories of how Paul got his shape shifting powers from and whilst they didn’t really add anything to the story, they were good.

Whilst above is the main plot, it’s in many ways a love letter to the nighties. Lawlor infuses many references to the music, tv and film, books, art and other parts of the culture with a strong focus on queer creators which I revelled in. They at times list these mentions and I had to do so too because the decade was a time of great change with many facets to discover. What’s also great is the inclusion of time-specific mentions as we’re following queer characters and their lives in a time of queer-phobia and the HIV/AIDS epidemic of the eighties following into the early nighties. The best part for me was from the pages 273-278 where Paul is thinking back to his time spent in New York with an old partner as they worked with AIDS organisations and it was just exceptional: the topic, what happened and in a sense the anger and injustice present in that little passage was so hard hitting and despite the theme I loved it. 

The book definitely had things to say and messages to put across but they’re cheapened by what I found to be my main criticism of the book. And that’s the hyper fixation on sex. I liked how sex positive and freeing I guess it was to start but when the same things are basically rehashed multiple times it gets boring and rather crude too. Paul’s sexual encounters and ‘victories’ were focused on far too much and it took me out of the story. It’s also clear Lawlor put more detail and emphasis on this then the other passages and descriptions which aren’t bad but I could tell a divide. 

Overall, I would recommend this and it’s rather unique but the real meaning and crux of what the author was trying to portray and say was definitely cheapened by what happens for most of the book. It got better as it went along but what had already happened was too much to not allow any higher rating then I’ve given it. It’s possible on a re-read I might get more but unlikely. 

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bronzeageholly's review against another edition

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emotional funny mysterious reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

In one word? Masterful.

Paul/Polly’s character is so well crafted she/he could walk off the page and I wouldn’t know they weren’t real.

This is a book of personal journey, perfect for those who love a flawed protagonist. We drift with Paul/Polly as they tackle passion, grief, guilt, loss, gratitude. We are afloat in the heady haze of existence with them, learning (or not learning) about themselves along the way.

Change is omnipresent for Paul/Polly, most significantly in their gender fluidity but also in friendships, living situations, identity, jobs, relationships, music, and bars.

The short stories that were placed throughout the text were so enticing. They reminded me a lot of Jerome K Jerome’s ‘Three Men in a Boat’; the reader is left wondering whether there is something a little more we were meant to get from the tale, another moral left to find, an extra metaphor left to uncover.

All in all, this book is a stunning and unreserved tribute to community, to finding ourselves, to being aware of ourselves, to queer theory and queer love and queer freedom.

((definitely an 18+ read!))

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addie's review against another edition

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emotional funny mysterious reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5


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packedjam's review against another edition

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adventurous challenging mysterious slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5

i think this book was very good at what it set out to do. unfortunately for me, what it set out to do drove me up the wall

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