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timstoker's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Body horror, Death, Gore, and Grief
bookcheshirecat's review against another edition
4.5
“We do not disappear after death. Small pieces of our being can remain, persisting in those places that were once so meaningful to us. These traces can be found where we lived or loved or worked, and will linger especially where we died. They stand as a testament to a life; stubborn reminders that call out to those who know how to spot them and scream I was here! I will not be forgotten!”
➽ Family Business is another fantastic novel by Jonathan Sims! Ever since listening to The Magnus Archives I've loved how he writes Horror. Unlike Thirteen Storeys, his newest book focuses on only one perspective. We follow Diya, who recently lost her best friend Angie and is now working for Slough & Sons, a company that cleans up after the dead. She's still grieving and feeling detached from everyone else. The job is demanding and grim, but at least it's something completely different from her office job. However, as times goes on, weird incidents keep happening and Diya begins to see visions of the deceased. Something is off with Slough & Sons and she has to find out why before things get worse!
➽ I felt for Diya's situation. The story is a bit more of a slow-burn, but it helped to be in Diya's perspective since she felt so realistic. Grief is a big theme of the book and Diya still mourns her best friend. Now living alone, she can't help but feel isolated as everyone around her moves on. She's like a different person now and struggles to connect to her family and old friends. Her coworkers are the only steady contact she has left and even they seem to be hiding something from her. I loved how the story touched upon the fact that the loss of a close friend isn't seen as drastic as the loss of a parent or spouse. But Angie was Diya's closest confidante and meant the world to her! Grieving friends should be met with the same sympathy even though society continues to prioritize romantic relationships.
➽ The Slough's cleanup business perfectly connected with the discussion of what we leave behind after death. Some of the deceased had no one or were outcasts from society. There is no one to mourn them and Diya is tasked with cleaning up their few remains. I appreciated the discussion about how those on the fringes of society are forgotten and how those in power want them to disappear, both in life and death. Diya only gets her visions when it comes to the marginalized and abandoned, as it seems someone doesn't deem them important enough and soon she keeps forgetting their names. The theme of who gets remembered and who gets to leave a legacy was so well done. It tied into the secret behind the Slough's business and how we treat the ones who we deem 'less worthy' in society.
Graphic: Body horror, Death, Gore, Violence, Blood, Grief, Murder, and Abandonment
Minor: Addiction, Mental illness, Suicide, Transphobia, and Vomit
not_another_ana's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.25
Memories fail, time fades, chemicals cleanse. We all vanish in the end.
Diya's life is imploding. Her best friend's sudden death has sent her on a downward spiral of grief and self isolation that led to losing her job. With bills to pay, and looking for something to do, she takes a job as a crime scene cleaner with Slough & Sons. The job is hard and gross, which is to be expected. The vivid and horrific visions that come to Diya on some of the jobs, the sense of being watched, and the secrets the Sloughs are keeping on the other hand are not something Diya was prepared for. Something isn't quite right, and whatever it is it's coming for her.
Reading anything by Jonathan Sims feels familiar, similar to having coffee with a long life friend. You can easily pick up the common threads between his works, which is nice but can also be repetitive and commonplace. I was entertained, sure, but not wowed.
The descriptions were good and spooky, while not fully scary. Same with the main villain, I would have enjoyed a more fleshed out adversary. I did like the ending quite a bit, plus the central message of the book, but this ended up being an okay read and that's it. I will still read whatever he publishes next though.
Graphic: Addiction, Body horror, Death, Gore, Blood, Grief, and Death of parent
Moderate: Drug abuse and Drug use
Reading anything by Jonathan Sims feels familiar, similar to having coffee with a long life friend. You can easily pick up the common threads between his works, which is nice but can also be repetitive and commonplace. I was entertained, sure, but not wowed.tinnybuckets's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
Graphic: Body horror, Death, and Death of parent
Minor: Cancer
bernard_black's review
- Strong character development? Yes
4.25
Graphic: Cursing, Death, Gore, Grief, Stalking, Death of parent, and Murder
Minor: Sexual content
(mentions of two characters 'enjoying sex' and two different characters sleeping together in the past)mistrum_crowe's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Body horror, Death, Mental illness, Grief, Stalking, Death of parent, Murder, and Gaslighting
Moderate: Addiction, Drug abuse, and Deportation
nebulous_cat's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Body horror, Death, Gore, Blood, Vomit, Grief, Abandonment, and Injury/Injury detail
Moderate: Addiction, Bullying, Cancer, Child death, Drug abuse, Mental illness, Excrement, Police brutality, Stalking, Death of parent, Fire/Fire injury, and Alcohol
nicain's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
Graphic: Death, Blood, and Grief
Moderate: Body horror
bdowning81's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
I'm not 100% sure where I think this story lands within the precedent set by the others, though, because of the big negative: the narrator. She started out strong, but by halfway through the book seemed like she was phoning it in with no attention given to the meanings of the things she was reading. Every sentence, had the same, intonation structure with, entirely too many extra, auditory commas, and a question-lift, at the end? I had to pause frequently to mentally rewind what I'd just heard, visualize it as printed text, and reimagine it with the appropriate tone and emphases.
That said, the use of the "cameo" narrator is absolutely brilliant.
Graphic: Addiction, Confinement, Death, Drug abuse, Blood, Grief, Death of parent, and Murder
iamastraythought's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Death, Blood, Grief, and Death of parent
Moderate: Addiction, Body horror, Cancer, Mental illness, Suicide, and Stalking
Minor: Bullying