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lilybear3's review
emotional
funny
hopeful
informative
reflective
medium-paced
5.0
From the introduction, Grace Perry had me hooked! I rarely laugh while reading a book, even if it's funny. This book broke that for me as I laughed many times throughout. Grace and I are technically in the same generation, albeit I'm so close to the next one. Her voice is exactly my humor, so I felt like I had a grasp on the pop culture moments that were before my time. A++ for essay titles, my favorite being "Harry Potter and the Half-Assed Gay Character." "Taylor Swift Made Me a U-Haul Dyke" is one of my favorite chapters, because I semi-grew up knowing and sometimes liking her and her music. I have to agree with Grace, listening to her music made me a romantic, to my detriment at times.
I enjoyed reading Grace's experiences and her use of pop culture to tell these stories. I found myself reflecting on my own journey in discovering my sexuality, often relating to the pop culture references. It was a super fun read and I will be recommending to everyone.
I enjoyed reading Grace's experiences and her use of pop culture to tell these stories. I found myself reflecting on my own journey in discovering my sexuality, often relating to the pop culture references. It was a super fun read and I will be recommending to everyone.
Content Warnings
Moderate: Biphobia, Chronic illness, Homophobia, Sexual content, Transphobia, Xenophobia, and Medical content
pleigh02's review
funny
hopeful
informative
inspiring
medium-paced
5.0
Content Warnings
Moderate: Cancer, Homophobia, and Medical content
livbarry's review
emotional
lighthearted
medium-paced
2.75
Desperately needed an editor and I will leave it at that…..
Content Warnings
Moderate: Biphobia, Cancer, Homophobia, Religious bigotry, and Outing
Author unabashedly details dubiously consensual sex while under the influencecassielaj's review against another edition
emotional
funny
hopeful
informative
inspiring
reflective
fast-paced
Entertaining, enlightening, funny, heartwarming, full of pop culture references and queerness. Love
Content Warnings
Graphic: Homophobia, Sexual content, and Lesbophobia
Moderate: Terminal illness
Homophobia and lesbophobia are discussed, but only for the purpose of unpacking bias and breaking down barrierskaitlinlovesbooks's review
emotional
funny
informative
lighthearted
reflective
medium-paced
3.75
Content Warnings
Moderate: Homophobia
thebacklistreader's review
funny
reflective
medium-paced
4.0
Grace Perry's The 2000s Made Me Gay is a collection of short essays about the pop culture that shaped Perry as a queer millenial. Navigating identity through pop culture that is largely cis-gendered and heteronormative has an impact, and Perry does so with humour and a certain self-awareness that while somewhat depricating (in the best way possible), is enviable. Open and honest, 2000s Made Me Gay is open and honest in a way that feels like a celebration of not only the pop culture media that would be by modern standards 'problematic' but queer identity as well.
Content Warnings
Moderate: Homophobia
Minor: Cancer
criticalgayze's review
funny
informative
reflective
medium-paced
4.0
While the writing in this book was a little more mid-tier pop culture blog than is my personal taste, as a fellow Queer millennial, I found the subject matter Perry dove into to be VERY relatable. Finding someone spotlighting and validating so many of my own cultural touchstones, like "Glee!" and the "Dumbledore is gay" scandal of the aughts, was akin to the way cultural critic Hanif Abdurraqib elevates "scene" music in his collection They Can't Kill Us Until They Kill Us. Even when Perry is talking about a property that I didn't engage with as a kid ("Gossip Girl" and "The L Word"), I was almost always able to substitute in my feelings for a similar property ("Degrassi: TNG," "90210," and "Queer as Folk").
I think this one is a must read for the rest of my Queer millennials with shit to unpack.
Quotes:
Pop culture might be an escape from real life, but I haven't been able to escape pop culture itself. It's glommed onto my psyche, it's shaped my view of myself, my reality, my body, my sexuality, as it has for most people: when we ride the subway in quiet hope for a meet cute, or we huff, frustrated at our hair for not flowing like Harry Styles's, or shame ourselves for not having a large group of hot friends with standing plans at the same bar every Friday night. (11 - 12)
But I think singling out my Catholic ethics class, or those all-school masses, or my CCD classes as the place where I inherited negative ideas about queerness lets the secular world of the 2000s off way too easy. (65)
There are moments when I feel so gay that I've been stripped of any nuance, my defining cracks smoothed such that I am a plastic Easter egg indistinguishable from any other pastel orb in the garden. (82)
That's the thing about being a queer millennial: it's not about things getting better in any linear fashion but holding a painful past and an optimistic future together, one in each hand, at the same time. (227)
I think this one is a must read for the rest of my Queer millennials with shit to unpack.
Quotes:
Pop culture might be an escape from real life, but I haven't been able to escape pop culture itself. It's glommed onto my psyche, it's shaped my view of myself, my reality, my body, my sexuality, as it has for most people: when we ride the subway in quiet hope for a meet cute, or we huff, frustrated at our hair for not flowing like Harry Styles's, or shame ourselves for not having a large group of hot friends with standing plans at the same bar every Friday night. (11 - 12)
But I think singling out my Catholic ethics class, or those all-school masses, or my CCD classes as the place where I inherited negative ideas about queerness lets the secular world of the 2000s off way too easy. (65)
There are moments when I feel so gay that I've been stripped of any nuance, my defining cracks smoothed such that I am a plastic Easter egg indistinguishable from any other pastel orb in the garden. (82)
That's the thing about being a queer millennial: it's not about things getting better in any linear fashion but holding a painful past and an optimistic future together, one in each hand, at the same time. (227)
Content Warnings
Moderate: Cancer, Homophobia, and Lesbophobia
hmatt's review against another edition
funny
hopeful
informative
lighthearted
reflective
medium-paced
4.0
Did I, in fact, read two essay collections/memoirs in one month about how pop culture in the naughties intersected and impacted the queer (really, sapphic) coming-of-age of a white, American now-journalist? Why, yes I did, and it was a little confusing, but I think it was a good decision to read them together.
I'd say both this and Jill Gutowitz's Girls Can Kiss Now share similar highlights and pitfalls for me, though I personally enjoyed this one more. I appreciated the additional "academic" edge to these essays - that is, the author makes more space to explain the historical and culture context behind each pop culture phenomenon, and she cites her sources more clearly (I read Gutowitz's in audio, though, and some of that could have been omitted due to format). IMO, the added context makes more space in the work for folks who are reading outside of their own experience (i.e. it doesn't feel as much like the author is writing inside jokes for those "in the know"). I did still feel a bit alienated by some of the sweeping generalizations made in these essays, but I think that comes with the territory of reading such a narrow perspective.
One standout difference in the two collections is Perry's near-seamless weaving of her own personal experiences into the "theme" of each essay. I felt that almost all of the autobiographical portions of this essay collection served a purpose, and the collection itself was organized more masterfully than Gutowitz's.
I'm only a little sorry that this review is framed entirely as a comparison because, hello, they are literally the same book concept published within a year of one another.
Anyway here's the funniest line in the book (re: watching shady online streams of queer shows in the pre-Netflix era):
I'd say both this and Jill Gutowitz's Girls Can Kiss Now share similar highlights and pitfalls for me, though I personally enjoyed this one more. I appreciated the additional "academic" edge to these essays - that is, the author makes more space to explain the historical and culture context behind each pop culture phenomenon, and she cites her sources more clearly (I read Gutowitz's in audio, though, and some of that could have been omitted due to format). IMO, the added context makes more space in the work for folks who are reading outside of their own experience (i.e. it doesn't feel as much like the author is writing inside jokes for those "in the know"). I did still feel a bit alienated by some of the sweeping generalizations made in these essays, but I think that comes with the territory of reading such a narrow perspective.
One standout difference in the two collections is Perry's near-seamless weaving of her own personal experiences into the "theme" of each essay. I felt that almost all of the autobiographical portions of this essay collection served a purpose, and the collection itself was organized more masterfully than Gutowitz's.
I'm only a little sorry that this review is framed entirely as a comparison because, hello, they are literally the same book concept published within a year of one another.
Anyway here's the funniest line in the book (re: watching shady online streams of queer shows in the pre-Netflix era):
My thirst could weather all buffering.
Content Warnings
Graphic: Homophobia and Lesbophobia
Moderate: Sexism, Outing, and Alcohol
Minor: Bullying, Cancer, Death, Sexual content, and Toxic relationship
sderrig's review
emotional
funny
hopeful
inspiring
reflective
medium-paced
5.0
Content Warnings
Moderate: Homophobia, Terminal illness, Religious bigotry, and Lesbophobia
bryelle's review against another edition
emotional
funny
hopeful
inspiring
lighthearted
medium-paced
3.5
The authors life experience of coming out, and working through being gay. The fun of the pop culture references and how they shaped not only the author but a generation of millennials to being this specific type of gay. The author only looks at the queer aspect of things, and does little to acknowledge other aspects of her identity.
Content Warnings
Moderate: Biphobia, Death, Homophobia, and Transphobia