Reviews with content warning for Addiction - Deep as the Sky, Red as the Sea

Reviews tagging 'Addiction'

Deep as the Sky, Red as the Sea by Rita Chang-Eppig

6 reviews

jinmichae's review against another edition

adventurous dark emotional tense medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.5

It's really well written, and an interesting story of the main character warring with her identity and what she's become. But it just wasn't for me. I'm too much of a romantic who wants happy endings after succeeding against the odds, and this is a tale of how cruel reality can be. There isn't always a happy ending, and sometimes the sum of all your scheming is just emptiness and a polite defeat.

My main problem I should have seen coming: it's hard to feel sympathy for or connected with a main character who's a fairly ruthless pirate, even if she internally struggles with her actions, or isn't as terrible as others she nonetheless allies with. She wants to fight against the emperor's stranglehold on the country, but what does that mean to the individual peasants? They either die of the emperor's famine, or the ones caused by her raids.

I guess that's part of the book's message about the cruelty of society and fate, so go into the book expecting such. It was my own hope for something more like Robin Hood that disappointed me, not the actual story.

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vonya45's review against another edition

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adventurous dark emotional sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.5

"Grief had the quality of a cast fishing line sometimes. In hand at the start, reaching the zenith only once it was in the distance and not subsiding until even farther out, until it had traversed so much space as to have lost its force. Sometimes it never truly subsided."
I'm glad I got this as an audiobook instead of reading it. I might have gotten bogged down in trying to keep track of the quick action scenes or understanding the military maneuvers and pirate politics. Instead I was able to catch glimpses of bloody battles and complicated strategems, and see past them into what the story was really about.
The view into the mind of a pirate queen is a striking one. How does a intelligent but regular girl become a master tactician and a cold blooded killer? The author did a marvelous job at answering this question without making the main character into a caricature of a murderous pirate, or on the other end of the spectrum, a one-dimensional "strong female character" with no flaws who is somehow always morally upstanding despite being a dangerous warlord. Shek Yeung enjoys killing those she believes deserves it, in the midst of battle or otherwise. When she slits the throat of suspected spies, she never gets confirmation on those suspicions, and neither does the audience. She makes choices based on what is best for her and what keeps or gains her power. She even becomes a wife and mother in order to keep that power. Yet she still has relateable feelings about her motherhood, wanting what's best for her children and feeling inadequate to care for them. She shows tenderness and care towards her husband despite their marriage being a strategic decision. She is a strong and powerful figure, but still shows empathy and compassion toward strangers. She is looking out for her best interests but she cares about her friends. She uses the patriarchal system to her advantage but her reflections on womanhood are incredibly impactful feminist perspectives.
The book does not give easy answers on any of its themes, but its deep dive into the main character's psyche is to be admired. I gave it a 3.5 because it is not really my kind of book, I am not a fan of having this much darkness or callousness in a story, and I don't like pregnancy/motherhood themes. Yet the book was well written and an enjoyable listen.

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inkdrinkers's review against another edition

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reflective medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.0

"She would not mourn him."

Shek Yeung, legendary pirate queen of history, is embattled in a fight with the Chinese Emperor and European forces seeking to eliminate piracy from the seas. As her story is told, she navigates motherhood, love, and the price of power.

This is an interesting book - but its not the "riveting, roaring adventure novel" that the description led me to believe. From the first page I felt like I was reading an academic paper rather than a novel, the tone caught me off guard since I assumed going into it that it would be more of a dramatized, fictional spin on the life of Shek Yeung.

Shek Yeung was a real person, and lived an absolutely bonkers life, but I feel like we got her story too late into the interesting parts. I would have LOVED to see this novel embrace the beginnings of her story, to show the rise of her into power and then leave the bulk of what the novel's current plot is - as the ending. I think the overall story would have painted a better picture than this one. It wasn't bad, it wasn't boring, and it wasn't skippable, but it was literary, character driven, and historical - which, for many readers picking up based on description alone - might not anticipate or enjoy.

Content warnings: Violence, Death, Murder, Rape, Sexual violence, War, Torture, Colonisation, Addiction

Thank you to NetGalley and Bloomsbury Publishing for providing me a copy of this book for an honest review.

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laurareads87's review against another edition

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adventurous dark reflective tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes

4.0

Deep as the Sky, Red as the Sea follows Shek Yeung, a pirate captain who, after her husband and co-captain dies, marries his second in command to maintain her position and goes on to lead the fleet through a series of clashes with both the Emperor's fleet and those of Europeans set on dominating trade in the South China Sea.

I will say, this book was not at all what I expected. I have no idea why this book is being shelved as fantasy - it is 100% historical fiction. While there are religious practices depicted (uttering prayers to deity, fortune telling, etc.) and brief chapters detailing stories of the ocean goddess Mazu (whom the main character petitions), this does not make the book fantasy. While the book is described as a "riveting, roaring adventure novel" and does certainly include some battle scenes and plenty of strategizing, I most appreciated the novel as a portrait of one individual woman: the protagonist's traumatic past, her relationships with other characters, and her strategizing and at times brutal actions undertaken to maintain her tenuous hold on the power she has while not sure what she ultimately wants.

Content warnings: violence, murder, blood, death, torture, sexual assault, rape, kidnapping, colonialism, sexism, homophobia, human trafficking, addiction, war, grief, slavery

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starrysteph's review against another edition

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adventurous dark informative reflective sad tense slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.75

A slow-paced, thoughtful portrait that gives a legendary Chinese pirate real dimension & humanity.

After Shek Yeung witnesses the death of her ferocious pirate husband, she steps into his place and fights to maintain her power. But the seas are unforgiving, and the larger world is cracking down on piracy. She has to lead through shaky alliances, a clever nobleman purging pirates on behalf of the Chinese Emperor, and European enemies planning something terrible.

Shek Yeung is a real person, and in Deep as the Sky, Red as the Sea, Rita Chang-Eppig pulls apart legendary feats and hyperbolic statements to show a thoughtful portrait of a leader. She’s clever, and she makes mistakes. She uses her power to alter the world, and she abuses her power in times of fear. She’s intent on forging a different path than the ones before her, but their ghosts haunt her.

I’m bummed that this book has been mismarketed - for instance, “riveting, roaring adventure novel” from the blurb isn’t quite accurate. There’s some action, and definitely tension, but this is not a fast-paced swashbuckling adventure. It’s a slow and sometimes-dense portrait.

Shek Yeung’s story is quite captivating. She’s ripped from her family and powerless at the beginning, and absorbs different styles of leadership as she grows up and takes control over her life back bit by bit. And when she has opportunities for freedom - she can’t quite give up all the power she has fought so desperately to have.

Chang-Eppig explores suffocating gender roles & societal expectations, love & family, leadership, and so much more. And that underneath legends - there are simply humans.

CW: murder, death, blood, violence, pregnancy, rape, trafficking, sexism, colonization, slavery, addiction, torture, war, grief

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just_one_more_paige's review against another edition

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adventurous dark reflective tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? No

4.0

I hadn’t heard of this until a few months ago when I randomly came across it on NetGalley. It was the title and cover combination that really caught my attention. Then I read it was about a pirate queen?! And there was no going back. (Also, note: Libro.fm offered it as an ALC a month or so ago and honestly, I loved having both the ebook and audiobook while reading.)

When Shek Yeung’s husband is killed in a battle, she takes immediate action, marrying his second in command (with the promise of bearing him a child, a son, to be his heir, despite having thought herself past the time in her life), in order to maintain her power and position within the fleet. But even with that quick thinking, the fleet remains on the edge of disaster in the face of myriad outside threats. Shek Yeung must navigate through a Chinese Emperor who seeks to eradicate all piracy in the most brutal manner, European powers who are tired of losing resources to the pirates, and an inter-fleet alliance that is shaky at best. Plus, as she faces the vastly different challenges of new motherhood, she begins to question what price she is actually willing to pay to retain control and leadership.

I am not sure why, but I thought there was going to be magic in this story…and there is not. I want to set that out to start, as, since I didn’t know where that impression came form personally, maybe other people are thinking that too. That has no bearing on my enjoyment of the overall reading experience whatsoever, I just felt it necessary to clarify. I will say though, there is a definite vibe that supernatural forces *could* be in play, through fate and fortune-telling and the influence of gods (similar to books like The Fortunes of Jaded Women, The Last Tale of the Flower Bride, The Cloisters, Plain Bad Heroines, etc.). So, it kind of reads like a magical historical fiction in vibe, if not in actuality. And that’s a style I can get behind.

Plot-wise, this was spectacularly written and paced. There was, absolutely, all the ruthlessness and violence one would expect from a novel about pirates, but as it was sprinkled in with stories about Ma Zhou and mythology and beliefs around her godhood, that was balanced out in a way that made it feel less intense or overwhelming. This was aided by the background on Shek Yeung’s life that was developed as the story went, giving us context not only about her own journey to piracy, but for the greater world within which her story takes place. It was tragic, as I believe all “I didn’t set out to become a pirate, but ended up here anyways” tales must be, compounded by her role as a female during this historical time period in Chinese history (but also, as a female in any time period ever, if we’re being honest). Getting to experience the story from her perspective, her own decisions, and with insight into her own thought processes and feelings, was exactly what I wanted. Finally, in regards to the plot, I would be remiss if I didn’t’ acknowledge how wonderful the complexity of the political machinations and power maneuvering were. I always love when those aspects are done with the kind of deftness that Chang-Eppig had here.

A few final thoughts. First, I was thrilled to hear that Emily Woo Zeller was narrating – I enjoy her voice talents and this was no exception. I thought it was great, the way Chang-Eppig showed how mythology and folklore take on a life of their own depending on the teller, and how every story is just that because all tales grow and change in the telling. This was demonstrated both though the tales of Ma Zhou and in the ways Shek Yeung chose portray herself and her life.

Overall, what atmospheric and original historical fiction. It was swashbuckling and violent, but also culturally and politically nuanced. Perhaps a slightly slower read than the blurb might suggest, but once I adjusted, it was such a good reading/listening experience.

"Piracy was, more often than not, a matter of convincing the target of the futility of fighting back."

"Women's life stories were written by their men, messily, elegantly, or in the case of violent men, tersely. Now that Cheng Yat was dead, Shek Yeung finally had a turn at dictating the course of things. She might have been born thirty-one years ago, but her story was only now hers."

"But villains waited for no god..."

"There were many gods in Heaven, one for whatever a person lacked (after all, wasn't lack the foundation of being human?)..."

"'Why do you need all this power?' Wo-Yuet had asked her. So that I can have complete control, she should have answered. Because the moment a powerful woman loosened her grip on the reins, even a little, someone immediately tried to wrest those reins from her. This "someone" was usually a man who believed she should never have had them in the first place."

"...acts of disobedience quickly led to unrest, which led to violence, which had to be met in kind. There was no stability without violence, nor was there peace in instability. Where was the line between stability and tyranny?"

"They'd come together to stay alive, which was different from staying together to live."

"In the end, stories were not reality, could not be reality. The storyteller decided where to start the story and where to end it, which parts to sink into and which to skin over."

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