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lue_moon's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.5
Graphic: Violence, Pregnancy, War, and Injury/Injury detail
Moderate: Sexual violence, Blood, and Trafficking
lochnessvhs's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.0
Moderate: Adult/minor relationship, Misogyny, Rape, Slavery, Torture, Blood, Pregnancy, War, and Injury/Injury detail
culpeppper's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
3.0
Her agency, or lack therof, sticks out to me amongst all the other topics Chang-Eppig covers in the story. Shek Yeung's whole life is controlled by others, their specters hanging over her and shadowing almost every choice she makes. Her husbands, living and dead, give reasoning for her choices she makes. Notably when she makes choices that harm others, she may recall with a pride and maybe a little guilt that she choices she made would have been the same choices her dead husband would have made. It cheapens her actions; just once, I wanted her to say she wasn't making a choice regarding the fleet without checking it against what He would have done.
Her relationship with Yan-Yan feels particularly imbalanced throughout the narrative in a way that isn't really explored.
There are a lot of things that I'm just taking as fictionalized elements of historical reality (as I have very little knowledge on this particular part of time and space) but the lack of meaningful interrogation on what it means for Shek Yeung to have this power, and the continued lack of agency, means a lot of the other elements fall a little short of what I think Chang-Eppig was going for.
On the surface, if you don't look too deep, it's a fine book. Pacing can be weird, there's time jumps back and forth, there's some interesting mythical interludes that add a little depth to the world, side characters are all kinda one dimensional, the lines of leading questions made me roll my eyes, and I don't think it dug as deep as it thought it did— but overall, I eventually got invested and liked the attempts at serious conversations, even if I would have liked it do have gone a little deeper.
Graphic: Confinement, Death, Misogyny, Slavery, Terminal illness, Torture, Toxic relationship, Violence, Blood, Trafficking, Kidnapping, Grief, Death of parent, Pregnancy, Colonisation, War, and Injury/Injury detail
Moderate: Drug abuse, Emotional abuse, Physical abuse, Racism, Rape, Sexual assault, Sexual violence, Suicide, and Gaslighting
Minor: Adult/minor relationship, Islamophobia, Cannibalism, and Abortion
Takes place just prior to the start of the Opium Wars, at the end of the height of piracy. All the topics are what are to be expected, more or less, from reading the inside flap and having a general understanding of how brutal we can be as a species. There are multiple battle scenes, which include blood, injuries, and death. Multiple accounts of sexual violence, including rape, not overly graphic but frequent. Colonization hangs heavy on the narrative. Sexual slavery:jinmichae's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
My main problem I should have seen coming: it's hard to feel sympathy for or connected with a main character who's a fairly ruthless pirate, even if she internally struggles with her actions, or isn't as terrible as others she nonetheless allies with. She wants to fight against the emperor's stranglehold on the country, but what does that mean to the individual peasants? They either die of the emperor's famine, or the ones caused by her raids.
I guess that's part of the book's message about the cruelty of society and fate, so go into the book expecting such. It was my own hope for something more like Robin Hood that disappointed me, not the actual story.
Graphic: Sexism, Torture, Violence, Blood, Kidnapping, Murder, Pregnancy, and War
Moderate: Addiction, Child abuse, Child death, Rape, Sexism, and Trafficking
Minor: Adult/minor relationship, Racism, Sexual assault, Slavery, Suicide, Vomit, Abortion, and Alcohol
ginny_lind's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Flaws of characters a main focus? Yes
3.75
Graphic: Death, Rape, Sexual violence, Violence, Trafficking, Kidnapping, Pregnancy, Colonisation, and War
Moderate: Torture, Blood, and Death of parent
vonya45's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
I'm glad I got this as an audiobook instead of reading it. I might have gotten bogged down in trying to keep track of the quick action scenes or understanding the military maneuvers and pirate politics. Instead I was able to catch glimpses of bloody battles and complicated strategems, and see past them into what the story was really about.
The view into the mind of a pirate queen is a striking one. How does a intelligent but regular girl become a master tactician and a cold blooded killer? The author did a marvelous job at answering this question without making the main character into a caricature of a murderous pirate, or on the other end of the spectrum, a one-dimensional "strong female character" with no flaws who is somehow always morally upstanding despite being a dangerous warlord. Shek Yeung enjoys killing those she believes deserves it, in the midst of battle or otherwise. When she slits the throat of suspected spies, she never gets confirmation on those suspicions, and neither does the audience. She makes choices based on what is best for her and what keeps or gains her power. She even becomes a wife and mother in order to keep that power. Yet she still has relateable feelings about her motherhood, wanting what's best for her children and feeling inadequate to care for them. She shows tenderness and care towards her husband despite their marriage being a strategic decision. She is a strong and powerful figure, but still shows empathy and compassion toward strangers. She is looking out for her best interests but she cares about her friends. She uses the patriarchal system to her advantage but her reflections on womanhood are incredibly impactful feminist perspectives.
The book does not give easy answers on any of its themes, but its deep dive into the main character's psyche is to be admired. I gave it a 3.5 because it is not really my kind of book, I am not a fan of having this much darkness or callousness in a story, and I don't like pregnancy/motherhood themes. Yet the book was well written and an enjoyable listen.
Graphic: Death, Emotional abuse, Gore, Torture, Violence, Blood, Grief, Pregnancy, War, and Injury/Injury detail
Moderate: Rape, Sexism, Sexual assault, Sexual violence, Slavery, Toxic relationship, Trafficking, Sexual harassment, and Classism
Minor: Addiction, Child abuse, Child death, Domestic abuse, Infidelity, Grief, and Colonisation
chelly_reads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Graphic: Death, Drug use, Emotional abuse, Toxic relationship, Blood, Pregnancy, and Gaslighting
kindra_demi's review
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Rita Chang-Eppig truly takes this into her writing style. This is the story of Shek Yeung and her journey to getting and maintaining the status of a pirate queen. Many have said that they aren't as big of a fan of the story because they thought it would be a story of action and adventure, but this isn't one of those stories. Parts are dedicated to the politics of piracy in the Qing dynasty with the Pirate Confederation. You'll get an initial introduction to the Opium Wars as well. But the primary focus of this story is Shek Yeung and her experience rising to her power.
I usually do not gravitate towards historical fiction or stories involving pregnancy, but I'm genuinely in love with this story. The lyrical nature of Chang-Eppig's writing and Shek Yeung is so beyond relatable. There were so many moments where I would pause to soak in how Chang-Eppig wrote a portion of the story.
I started the book as an audiobook (ft. a pterodactyl screech when I saw it was Emily Woo Zeller who narrated it. She was the first narrator I started following their work. If you have yet to listen to an audiobook before but want to get into listening to more, check out Emily Woo Zeller's work). I barely got to ch 4 before I texted my friend who recommended the book, saying I would probably want this as a physical book. I went and got it. Then, I went back and forth between the physical book and the audiobook (I'm impatient, but so is life, so the audiobook came in handy there). Both the physical book and the audiobook are beyond worth it.
Graphic: Death, Gore, Violence, Blood, Grief, and Pregnancy
Moderate: Misogyny, Rape, Sexual assault, Medical content, Kidnapping, Suicide attempt, and Sexual harassment
mirrorstorm_'s review against another edition
- Loveable characters? It's complicated
3.25
Graphic: Rape, Sexual violence, Violence, and War
Minor: Adult/minor relationship, Blood, and Kidnapping
laurareads87's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
4.0
I will say, this book was not at all what I expected. I have no idea why this book is being shelved as fantasy - it is 100% historical fiction. While there are religious practices depicted (uttering prayers to deity, fortune telling, etc.) and brief chapters detailing stories of the ocean goddess Mazu (whom the main character petitions), this does not make the book fantasy. While the book is described as a "riveting, roaring adventure novel" and does certainly include some battle scenes and plenty of strategizing, I most appreciated the novel as a portrait of one individual woman: the protagonist's traumatic past, her relationships with other characters, and her strategizing and at times brutal actions undertaken to maintain her tenuous hold on the power she has while not sure what she ultimately wants.
Content warnings: violence, murder, blood, death, torture, sexual assault, rape, kidnapping, colonialism, sexism, homophobia, human trafficking, addiction, war, grief, slavery
Graphic: Death, Torture, Blood, Grief, and Murder
Moderate: Rape, Sexual violence, Trafficking, Kidnapping, Colonisation, and War
Minor: Addiction, Homophobia, and Slavery