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epsilina's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Body horror, Genocide, Gore, Violence, and War
Moderate: Animal cruelty and Injury/Injury detail
booksthatburn's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Violence
Moderate: Animal cruelty, Animal death, Confinement, Death, Gore, Slavery, Blood, Cannibalism, and Injury/Injury detail
Minor: Ableism and Pregnancy
c_dmckinney's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Animal cruelty, Body horror, Gore, Violence, War, and Injury/Injury detail
Moderate: Death, Misogyny, Slavery, Kidnapping, Grief, and Abandonment
lynxpardinus's review against another edition
4.75
Graphic: Body horror, Gore, Violence, War, and Injury/Injury detail
Moderate: Animal cruelty, Animal death, Mental illness, Slavery, Grief, and Colonisation
Minor: Death of parent and Murder
kstericker's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
3.75
Graphic: Body horror, Gore, Violence, Blood, and Injury/Injury detail
Moderate: Animal cruelty and War
Minor: Animal death and Cannibalism
magicalghoul's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
You know what? At that moment of surrender, I felt good. I wish I could say I didn’t. But I felt a wave of relief wash over me. No more hard decisions. No more danger. No more having to be brave.
♢ 7/62 OF THE ANIMORPHS REREAD
⚠ tws for the entire series: war, death, child soldiers, child death, descriptions of gore, body horror, discussions of parental death, slugs, parasites, loss of free will, depictions of PTSD and trauma, ableism, imperialism.
Forgot any thought I was forming after the contrast between the humor and how brutal and raw the description of the battle at the end of the book was, and how looking back on it Rachel's commentary is that she wasn't being brave like everyone thought she was being or even how she consciously behaved in that moment because that was the role the group needed for her to play. She simply couldn't see well and didn't know what she was walking into.
Interesting to note that The Ellimist was introduced on a Rachel book and that we can see a sort of bond between them already—what with Rachel being the one to fully decipher The Ellimist's true intentions, and what with The Ellimist showing her her adult form. Since, you know.
About the audiobook: Emily Ellet continues to do a wonderful job, her voice shines on the most somber moments of the narrative and if I haven't said I love her Marco voice then I'm saying it now.
Highlight: The fact that the "I want to go see that new Keanu Reeves movie" line hasn't aged one bit.
Graphic: Gore and War
Moderate: Animal cruelty, Body horror, and Cannibalism
nick13's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
I like how these books don't really hold back, they are extremely dark and violent for kids books with limbs being cut off multiple times throughout the novel.
These books feel like episodes in a series with so much stuff going on and yet barely any actual progress, I love it! Can't wait to read the next book in the series, the first Megamorphs.
Graphic: Animal cruelty and Body horror
Moderate: Genocide, Slavery, Violence, and Murder
Minor: Animal death and Gore
faesissa's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Gore
Minor: Animal cruelty, Body horror, and Slavery
ramiel's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
"But if I was so brave and so strong, why was I suddenly imagining a very different life, a long, long way from the war with the Yeerks?"
I've said this before and I'll say it a hundred times: Rachel is my favorite character in the series. She's been one of my favorite fictional characters for literal decades. While the other kids' books generally do include development for each other, it's obvious that the books they narrate are the ones that they'll really shine in.
This book starts off with our very simple, base view of Rachel: the "violent" one who "wants to be strong to protect the weak". Rachel sees an elephant being mistreated by a circus performer, turns into an elephant herself, threatens him, and then tosses him into a tent. While Jake and Marco are annoyed by this, not a single person in the group is surprised, which Rachel sums up as "[e]veryone knows I'm going to do what I feel like doing."
The rest of the book goes on to show something different.
Because of these two decisions she has to make, for most of the book, Rachel has no idea what she wants to do. And so what she does do for most of the book, at least outwardly, is what she thinks others would think she would do. I think the best example of this comes the first time the Ellimist offers a new planet to the kids. Marco counts the votes for who's for and who's against the offer. He automatically counts Rachel as against, which Rachel internally reminds us she hasn't even voted yet, but goes along with it because that's who she's supposed to be. When the option comes up again later, Rachel finally cracks in front of the others when Marco tries to lighten the mood with his usual teasing nickname for her (Xena, Warrior Princess). She's scared, she's just watched an older, Controller version of herself mock her for her choices and it's scared her. What's more: she's tired, and she just wants out.
The Ellimist is also a very interesting character, to say the least. As a child, I never understood the nuances in his character and chalked him up as a "calm wise old man" type, which this book in itself both builds up and then deconstructs in a way. His offer to the kids was never genuine, and I'm guessing it led to many people at the time questioning his motives. (This, of course, is one book after we first see the Crayak, but several before we get to know who he even is.) The set up as his character being a hands-off god secretly finding loopholes in his own game to get his desired outcome is so fascinating and subtle, I love that this is how he was introduced.
- THIS NEXT PARAGRAPH HAS SPOILERS FOR THE REST OF THE SERIES / ENDGAME FINALE -
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Further: I'm not sure if it was planned, but as someone who's finished the series there is so much emotion behind this book, the Ellimist's introduction, being told in Rachel's point of view. That she is the first one in this book to understand what the Ellimist is really trying to tell them (followed very closely by Cassie) just makes the fact that she is the only one he tells his entire story to all the more poignant. This book showed the Ellimist giving a choice, and however phony it was Rachel still had to think about it, Rachel had to consider what was important and had to figure out what it was he wanted them to do.
So that later, when she dies for everyone and he comes to take her away and tell her you were strong, you were brave, you were good, you mattered just very literally makes me cry from their connection alone.
Graphic: Animal cruelty, Body horror, Gore, Panic attacks/disorders, Violence, and Grief
Moderate: Genocide, Slavery, and Murder
Minor: Animal death and Cannibalism