Reviews with content warning for Child death - The Silence of the Girls

This is masterful. This is a beautiful critic of what voices are deemed important. How are people remembered? Who gets to tell the stories? Is it even possible to know a full truth?

The story follows the myth of Achilles but for once not through his eyes or the eyes of someone who adores him. We see that "heroism" is sometimes simply violence, depending on the lens you are viewing it through. However, this also gives us the nuance of sometimes evil doesn't always look that way, and even worse: not everything and evil person does is bad. Humanity is more complex than that, and you own no one forgiveness based on a single action or moment.

I can't fully put into words my thoughts and feelings on it, but I do know that it is incredible. The story will keep permeating my thoughts for a long time to come.

**please read the trigger warnings

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challenging dark emotional reflective sad medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

4.5

The voices of Achilles, Patroclus, Agamemnon, Odysseyus, Ajax and all of the other heroes (or villains depending on your allegiances) of the Trojan War have echoed down the millenia into myth and legend. But what about those silent women, orphaned and widowed by a war they had no part in starting and forced into serving the men who took the lives of their loved ones? Briseis' name is well known, but her story? Well, for once, let the tale not be told by the victor, but the victim.

One day I'll find a Greek myth retelling I don't like. But today is not that day. This is beautifully written; lyrical, heartfelt, epic prose that runs over with emotion and buries its way into your consciousness. It's not poetry, but it is definitely poetic and so feels like it has almost perfect tone to complement the source material. There is something about the best authors writing these retellings (Madeline Miller and Jennifer Saint to name but two); they all have their own style, but they all embody this same tone in their work. So as soon as I 'felt' it, I knew I was in for a good read!

The only caveat to this praise is that there are moments where speech sounds almost too modern. I understand that it's meant to be soldiers talking in their own rough and ready way, but there was something about certain turns of phrase that jolted me out of the serene state the rest of the writing put me in. I'm all for a good round of turning the air blue, but even the cursing felt out of place in certain moments. It all still works and doesn't ruin the story or the flow, but I think the rest of the story feels so authentic the modern parlance sticks out like a sore thumb.

Each character is wonderfully rendered; Briseis herself comes across as a strong, capable woman, utterly defeated by circumstances, resigned to her fate and yet still with an independent streak that means while she might bend, she won't break. Her interactions with Achilles manage to find that sweet spot, where he is neither slave master that sees her as nothing but chattel, nor the dashing romantic hero that she can't help but fall in love with. It's a fabulous rendering of their relationship. Patroclus does come across a little more as the sweet, shy boy who befriends the slaves rather than beats them, but it's a great contrast to the rest of the Greek warriors. While the nature of Achilles and Patroclus' relationship is never explicitly stated, the small illustrations of their love for one another, whether platonic or romantic, are just gorgeous. Once again, I found myself hoping that the author might just flip the myth on its head... and this in a book that's not meant to be as sympathetic to them!

The book also conveys the harsh realities of 10 years living in a war camp and the bloodiness of battle, without being overly graphic or sensationalist. It's atmospheric and not pleasant at times, but it's never difficult to read.

There is a dual POV set up, alternating chapters between Briseis in the first person, and Achilles in the third. Switching between first and third person is one of the writing devices I struggle with, and yet it STILL manages to flow and keep me engaged.

This book deserves its accolades and is one I would definitely recommend. Book two is on order at the library, so I'll look forward to continuing this series soon!

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