bronzeageholly's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
3.0
Graphic: Racial slurs and Racism
Moderate: Grief, Mental illness, Suicide, and Sexism
atuin's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
Moderate: Sexism
rachel_here's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.75
Graphic: Racism, Racial slurs, Sexism, and Misogyny
emilo's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Graphic: Sexism
Moderate: Transphobia and Racial slurs
Minor: Homophobia, War, Pregnancy, and Colonisation
sylvainxweber's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Though the story behind this book is already so rich in lore, the plot still manages to deliver the same amount of substance. This is definitely not a light read by any means as Virginia Woolf fills the book with her usual poetic prose and her often dwelling greatly on specific concepts, but this is a highly entertaining novel which does not fail to deliver.
Woolf wrote and dedicated this novel to Vita Sackville-West, a long-time "friend" (lover) of hers who often corresponded to each other in letters for many years over the course of their lifetimes. 'Orlando' is framed as a biography, and that is because it is a recounting of West's actual life, alongside her beliefs that she had once been a man alive for hundreds of years, which is what this novel covers in great detail.
Not only is it a major part of the sapphic relationship between Woolf and West, but it perfectly encapsulates the mindsets that both men and women experienced during the late 1500's and the 1920's (when this novel was written). Woolf is able to compare and contrast both experiences within Orlando's point of view, both framed slightly differently during her experiences as both a man and a woman. There are many ironic and humorous quotes within the text that essentially equivalate to Woolf making fun of how men viewed women in this time, such as the following:
" ' . . . must I then begin to respect the opinion of the other sex, however monstrous I think it? If I wear skirts, if I can swim, if I have to be rescued by a blue jacket, by God . . . I must!' . . . [s]he was horrified to perceive how low an opinion she was forming of the other sex, the manly, to which it had once been her pride to belong " (p. 156-158).
It also has much to do with sexuality for certain as Orlando often ponders on whether she is still attracted to women or should be attracted to men now that she is a woman. Many characters also seem to comment on this, alongside as to if she should be perceived as man, woman, or something else. However, I think that this book has more to do with gender than it does sexuality, but I think that this depends on each individual's different interpretations of the text and Orlando's life experiences.
While the overall feel during the last chapter of the book is certainly much different and more serious from the rest, I still had a great time reading this book and thoroughly enjoyed it. Being transgender myself, this was a book that I certainly could relate to at many points during the plot, and it makes me happy to see more classic queer literature by queer authors being recommended and pointed to. Many historians have tried to erase the important impact our community has had on the world of literature, so it was refreshing to hear people discussing this book again.
Graphic: Misogyny and Sexism
Moderate: Classism
Minor: Racism and Racial slurs
evieolive's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Racism
Moderate: Racial slurs, Gore, and Violence
Minor: Sexism
aardwyrm's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Like many things occupied with being literature and saying things of importance, the book doesn't have much in the way of characters or plot, but it's not really about either of those things, it's about wry social commentary from a position that doesn't recognize itself as privileged and blinkered, and it's pretty good at being that? I'd never noticed that Douglas Adams had some very Virginia Woolf rhythms before, anyway. And a rewrite that dealt with the fact that this is in fact a sci-fi novel would be fascinating.
Graphic: Racial slurs, Pregnancy, Misogyny, Islamophobia, Colonisation, Sexism, Xenophobia, Transphobia, Animal cruelty, Animal death, Toxic relationship, Cultural appropriation, and Racism
sioned_warren's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
Moderate: Colonisation, Cultural appropriation, Misogyny, Religious bigotry, Sexism, Sexual content, Classism, Racial slurs, and Racism
sherbertwells's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
“To put it in a nutshell, leaving the novelist to smooth out the crumpled silk and all its implications, he was a nobleman afflicted with the love of literature. Many people of his time, still more of his rank, escaped the infection and were thus free to run or ride or make love at their own sweet will. But some were early infected by a germ said to be bred of the pollen of the asphodel and be blown out of Greece and Italy, which was of so deadly a nature that it would shake the hand as it was raised to strike, cloud the eye as it sought its prey, and make the tongue stammer as it declared its love” (49)
“‘It is equally vain,’ she thought, for you to think you can protect me, or for me to think I can worship you. The light of truth beats upon us without shadow, and the light of truth is damnably unbecoming to us both.’
All this time, of course, they went on talking agreeably, as people of birth and education” (157)
“She turned back to the first page and read the date, 1586, written in her own boyish hand. She had been working at it for close on three hundred years now. It was time to make an end. Meanwhile she began turning and dipping and reading and skipping and thinking as she read, how very little she had changed all these years” (168)
Graphic: Racial slurs
Moderate: Abandonment, Misogyny, and Sexism
Minor: Sexual content
amberinbookland's review against another edition
- Plot- or character-driven? Character
- Diverse cast of characters? No
5.0
Graphic: Racial slurs, Racism, Sexism, and Misogyny
Moderate: Gore and Blood