sarahs_bookish_life's review against another edition
4.0
4.5 stars.
Hit & Run is my favourite novel by this author so was over the moon to see Billy the main character from it pop up in this stand alone novel, The Dead Beat.
You don't have to have read Hit & Run but believe me you will want to as Billy's story well and truly gripped me. The Standard which is an Edinburgh newspaper is what links both books as Billy already works there and Martha has just started.
Right from the start it is obvious that Martha has a lot of issues and to be honest I felt even more sorry for her when her first day at the paper finds her working on the obituaries. Like her, I expected it to be a very boring job but after answering her very fist phone call, well her whole world just seems to spiral out of control.
The authors books always make for quite a dark reading experience, with topics such as depression and mental health issues they certainly are not the lightest of reads yet they are so compelling. I literally can not get enough of them.
Every character in this novel is damaged in some way or another. They all seem to be fighting their own battles and demons. For most, what is in the past is better off staying there, but Martha is determined to delve into the past which drags up some shocking discoveries.
The Dead Beat is a compelling read that is steeped in darkness. It had me hooked all the way through and didn't disappoint. If you haven't read any of this authors books yet, you really should.
Hit & Run is my favourite novel by this author so was over the moon to see Billy the main character from it pop up in this stand alone novel, The Dead Beat.
You don't have to have read Hit & Run but believe me you will want to as Billy's story well and truly gripped me. The Standard which is an Edinburgh newspaper is what links both books as Billy already works there and Martha has just started.
Right from the start it is obvious that Martha has a lot of issues and to be honest I felt even more sorry for her when her first day at the paper finds her working on the obituaries. Like her, I expected it to be a very boring job but after answering her very fist phone call, well her whole world just seems to spiral out of control.
The authors books always make for quite a dark reading experience, with topics such as depression and mental health issues they certainly are not the lightest of reads yet they are so compelling. I literally can not get enough of them.
Every character in this novel is damaged in some way or another. They all seem to be fighting their own battles and demons. For most, what is in the past is better off staying there, but Martha is determined to delve into the past which drags up some shocking discoveries.
The Dead Beat is a compelling read that is steeped in darkness. It had me hooked all the way through and didn't disappoint. If you haven't read any of this authors books yet, you really should.
raven88's review against another edition
5.0
I must confess that after the slight disappointment of Gone Again, Johnstone’s previous book, he is completely back on song again with The Dead Beat, a thought provoking and emotive thriller set in Edinburgh. With the backdrop of a failing local newspaper, Johnstone not only reprises the character of reporter, Billy Blackmore (Hit and Run) but brings to our attention, Martha, whose first day on the paper as the obituary writer, proves eventful to say the least, setting in motion a whole series of events that resonate strongly with both the here and now, and echoing back to the early 1990‘s…
Following the recent suicide of her father, himself the former news editor at The Standard, Martha is embarking on a work experience placement at the paper. She takes a call from the former obituary writer, and during the course of it, he appears to commit suicide. Naturally, she and her colleague Billy become intimately involved with these events, and soon the investigation begins to encroach heavily on the dark secrets of Martha’s family background. Not only does Johnstone weave a compelling thriller from those initial events, which I will not reveal more details of, but with the theme of mysterious suicides looming large throughout, takes the opportunity to present the reader with an entirely more meditative study of death, the breakdown of families and how the events of the past can so insidiously impact on the present. The real strength of the book, for me, lies in the slow unveiling of the dark and twisted past of Martha’s family through the flashbacks to the early days of her parent’s relationship. Johnstone focuses on how this relationship fostered such an atmosphere of resentment and hatred, resulting in her mother’s current emotional instability, her father’s suicide and the murderous role of another in the fragmentation of Martha’s life, which impacts so heavily on her life now. The writing is emotive and tinged with poignancy, as past events are gradually revealed, with Martha becoming one of the most empathetic characters I have encountered in crime fiction, in her role as a young woman progressively trying to improve herself from troubled beginnings, and seeking to find her place in a world so polluted by the actions of those closest to her. Along with Martha, there are other stand-out characters, not only the reappearance of fellow reporter Billy, with his own interesting past, whose relationship with Martha is both endearing and protective, but also their spiky and ballsy colleague at the newspaper, V, and Martha’s colourful brother Cal.
The other enjoyable aspect of this book, which it has to be said is quite sombre in tone, is Johnstone’s interspersing of references to particular music and bands, so influential in Martha’s parents’ fledgling relationship, and which keep Martha connected with the spirit of her father following his suicide. Indeed, during the period of reading this book, I felt compelled to revisit my old vinyl collection, for some of the bands mentioned and have even discovered a couple of new ones, which added further to my enjoyment of The Dead Beat. So, overall a bit of a hit with me all round, providing a reading experience that went far beyond the average thriller, and that did give me pause for thought with the larger issues and emotions that the book contained. Excellent.
Following the recent suicide of her father, himself the former news editor at The Standard, Martha is embarking on a work experience placement at the paper. She takes a call from the former obituary writer, and during the course of it, he appears to commit suicide. Naturally, she and her colleague Billy become intimately involved with these events, and soon the investigation begins to encroach heavily on the dark secrets of Martha’s family background. Not only does Johnstone weave a compelling thriller from those initial events, which I will not reveal more details of, but with the theme of mysterious suicides looming large throughout, takes the opportunity to present the reader with an entirely more meditative study of death, the breakdown of families and how the events of the past can so insidiously impact on the present. The real strength of the book, for me, lies in the slow unveiling of the dark and twisted past of Martha’s family through the flashbacks to the early days of her parent’s relationship. Johnstone focuses on how this relationship fostered such an atmosphere of resentment and hatred, resulting in her mother’s current emotional instability, her father’s suicide and the murderous role of another in the fragmentation of Martha’s life, which impacts so heavily on her life now. The writing is emotive and tinged with poignancy, as past events are gradually revealed, with Martha becoming one of the most empathetic characters I have encountered in crime fiction, in her role as a young woman progressively trying to improve herself from troubled beginnings, and seeking to find her place in a world so polluted by the actions of those closest to her. Along with Martha, there are other stand-out characters, not only the reappearance of fellow reporter Billy, with his own interesting past, whose relationship with Martha is both endearing and protective, but also their spiky and ballsy colleague at the newspaper, V, and Martha’s colourful brother Cal.
The other enjoyable aspect of this book, which it has to be said is quite sombre in tone, is Johnstone’s interspersing of references to particular music and bands, so influential in Martha’s parents’ fledgling relationship, and which keep Martha connected with the spirit of her father following his suicide. Indeed, during the period of reading this book, I felt compelled to revisit my old vinyl collection, for some of the bands mentioned and have even discovered a couple of new ones, which added further to my enjoyment of The Dead Beat. So, overall a bit of a hit with me all round, providing a reading experience that went far beyond the average thriller, and that did give me pause for thought with the larger issues and emotions that the book contained. Excellent.
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