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gasperyjacques's review against another edition
dark
emotional
reflective
sad
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Moderate: Pregnancy
Minor: Child death
seventhswan's review against another edition
emotional
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
"It was pleasing to think she had changed herself on purpose, that there was at least one item of proof of her ability to do so."
I was slightly apprehensive about the premise of this book - fearing either bleak poverty porn or the romanticisation of addiction and older men - but fortunately I needn't have worried. The characters are where the book really shone, and I really connected and empathised with Carmel despite her failings. While most of the plot was tragic, it wasn't too soapy and the cautiously optimistic ending saved it from veering into the ridiculous. We all know a Carmel or a Richie and we could all, as the title suggests, become one.
I particularly appreciated how Nolan handled the main events of the plot, concerning the killing of one child by another. It was sensitively and realistically done, and Lucy got to be a whole character with a convincing arc rather than just the Evil Demon Child. One of the best books I have read this year.
I was slightly apprehensive about the premise of this book - fearing either bleak poverty porn or the romanticisation of addiction and older men - but fortunately I needn't have worried. The characters are where the book really shone, and I really connected and empathised with Carmel despite her failings. While most of the plot was tragic, it wasn't too soapy and the cautiously optimistic ending saved it from veering into the ridiculous. We all know a Carmel or a Richie and we could all, as the title suggests, become one.
I particularly appreciated how Nolan handled the main events of the plot, concerning the killing of one child by another. It was sensitively and realistically done, and Lucy got to be a whole character with a convincing arc rather than just the Evil Demon Child. One of the best books I have read this year.
Content Warnings
Graphic: Alcoholism and Murder
Moderate: Abortion, Death of parent, and Pregnancy
Minor: Cancer
marthaos's review against another edition
dark
emotional
hopeful
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
This is a really well-written book, a story whose plot involves a tragedy outlined in the opening sequence, but which turns out to be much more than the procedural it is set up to be. It is a wonderful character study, a look at a time in social history that is bleak and rife with a sort of opportunism that thrives on judgment and cover-ups and where if a person is down, they are down.
The Greens move to London from Ireland in the eighties to escape the judgment and social castigation that a teenage pregnancy would bring. Carmel, young, beautiful and with an imagined future of success, has to sacrifice much of what she wanted for herself but despite the sacrifices, cannot give herself to motherhood fully, remaining detached and cold towards her child Lucy. Lucy is the ten-year-old in question accused and questioned about the tragedy involving Mia, and when reporter Tom gets hold of the story, we see how a family can be scapegoated for no reason other than their position in society.
Through wonderfully rich character portrayals and descriptions, we learn how a series of ordinary human failings can compound a family, how shame and secrecy can feed off each other and over time smother a family and stop any growth. As we learn about the various members, we see how alcoholism and addiction can burn deep, we see how dreams and hopes can be buried in a culture of shame and failure and ultimately how it takes an open and brave confrontation with truth to break the cycles that can keep a family bound.
While this was quite a dark book, it was nuanced in its tone. The characters were very believably portrayed; ordinary humans who were neither vilified nor deified but who were navigating this life as best they could.
Overall this was a rich and immersive read and the Green family will stay with me for a long time and the quality of writing made it an enriching and enjoyable listen.
The Greens move to London from Ireland in the eighties to escape the judgment and social castigation that a teenage pregnancy would bring. Carmel, young, beautiful and with an imagined future of success, has to sacrifice much of what she wanted for herself but despite the sacrifices, cannot give herself to motherhood fully, remaining detached and cold towards her child Lucy. Lucy is the ten-year-old in question accused and questioned about the tragedy involving Mia, and when reporter Tom gets hold of the story, we see how a family can be scapegoated for no reason other than their position in society.
Through wonderfully rich character portrayals and descriptions, we learn how a series of ordinary human failings can compound a family, how shame and secrecy can feed off each other and over time smother a family and stop any growth. As we learn about the various members, we see how alcoholism and addiction can burn deep, we see how dreams and hopes can be buried in a culture of shame and failure and ultimately how it takes an open and brave confrontation with truth to break the cycles that can keep a family bound.
While this was quite a dark book, it was nuanced in its tone. The characters were very believably portrayed; ordinary humans who were neither vilified nor deified but who were navigating this life as best they could.
Overall this was a rich and immersive read and the Green family will stay with me for a long time and the quality of writing made it an enriching and enjoyable listen.
Content Warnings
Moderate: Addiction, Child abuse, Child death, Death, Emotional abuse, Infidelity, Sexual assault, Grief, Death of parent, and Pregnancy
emlibe's review against another edition
dark
emotional
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Content Warnings
Graphic: Pregnancy
Moderate: Alcoholism, Child death, Abortion, Death of parent, Murder, and Alcohol
ncghammo's review against another edition
challenging
dark
emotional
reflective
sad
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Alcoholism and Pregnancy
Moderate: Child death and Abortion
nessreadsalot's review against another edition
dark
emotional
sad
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Set in 1990, when a child is killed on a housing estate in London the finger is pointed at an Irish family.
This book takes us through the aftermath of the child's death and also back to tell the story of how the family came to London.
I loved this book, the despair and hopeless circumstances the family found themselves in were written so well and with such empathy.
The story of the child became almost incidental and faded to the background of the story of this family and I loved it.
This book takes us through the aftermath of the child's death and also back to tell the story of how the family came to London.
I loved this book, the despair and hopeless circumstances the family found themselves in were written so well and with such empathy.
The story of the child became almost incidental and faded to the background of the story of this family and I loved it.
Content Warnings
Graphic: Child death, Self harm, Suicidal thoughts, and Pregnancy
victoria_catherine_shaw's review against another edition
challenging
dark
emotional
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Moderate: Addiction, Child death, Death, Death of parent, Pregnancy, Abandonment, and Alcohol
_inge's review against another edition
dark
hopeful
reflective
slow-paced
- Plot- or character-driven? Character
- Flaws of characters a main focus? Yes
3.5
This was a pageturner! And not necessarily because of the crime - this is the catalyst for uncovering the family’s story, the act itself doesn’t take center stage. I was invested in all the members of the Green’s family ánd Tom, so I was keen to keep reading to figure out how everyone related to each other.
This book doesn’t use quotation marks, and the numbered chapters usually indicate a shift in perspective. This does make it a bit confusing to follow sometimes. You could be reading multiple chapters from Carmel’s perspective, only to find a chapter from Ritchie’s point of view following those up without a prior warning. There’s quite a few characters to keep up with too, initially. I had to backtrack sometimes, either to figure out who’s who, but also to see who’s perspective I’m reading from. It doesn’t help that certain segments are paragraphs filled with a character’s thoughts, either.
In the interview on the last pages of my paperback copy, the author states they’d decided to remove major parts featuring Tom’s perspective as the focus should be on the family, not on him. I do get where this is coming from, but at the same time I thought Tom was always meant to be the one tying the story together. He’s the only character completely outside of the family, and he’s pretty one-sided most times (which the family isn’t either). He’s downright awful! But that’s what made his perspectives a nice change. He’s the only character who’s this full of himself, thinks this lowly of others and who has ulterior motives. I found his character fascinating and would’ve liked to see more of him. Once again during my Women’s Prize For Fiction 2024 reading I’m also noticing the blurb doesn’t really do this justice. The blurb made it out to be like Tom is the main focus here, so going into this I thought we’d get a deep delve into how the press works and what they’re capable of to get to a story first. These elements were there, but they never felt that important now.
Similarly, Lucy’s perspective wasn’t needed, in my opinion. In the interview Nolan says she wrote from her perspective when Lucy becomes a teen, to avoid having to write for a kid. But because the writing style doesn’t change from any of the (adult) characters in this book whatsoever, Lucy’s perspective felt a bit off. I knew she wouldn’t be thinking in the way she’s described to be doing here, which is lengthy sentences and an expansive vocabulary for how she really feels.
This is a really captivating read, every character felt alive to me. I would’ve liked less of Lucy and more of Tom, but that’s all personal preferences and I get why the author chose to go in this direction instead.
This book doesn’t use quotation marks, and the numbered chapters usually indicate a shift in perspective. This does make it a bit confusing to follow sometimes. You could be reading multiple chapters from Carmel’s perspective, only to find a chapter from Ritchie’s point of view following those up without a prior warning. There’s quite a few characters to keep up with too, initially. I had to backtrack sometimes, either to figure out who’s who, but also to see who’s perspective I’m reading from. It doesn’t help that certain segments are paragraphs filled with a character’s thoughts, either.
In the interview on the last pages of my paperback copy, the author states they’d decided to remove major parts featuring Tom’s perspective as the focus should be on the family, not on him. I do get where this is coming from, but at the same time I thought Tom was always meant to be the one tying the story together. He’s the only character completely outside of the family, and he’s pretty one-sided most times (which the family isn’t either). He’s downright awful! But that’s what made his perspectives a nice change. He’s the only character who’s this full of himself, thinks this lowly of others and who has ulterior motives. I found his character fascinating and would’ve liked to see more of him. Once again during my Women’s Prize For Fiction 2024 reading I’m also noticing the blurb doesn’t really do this justice. The blurb made it out to be like Tom is the main focus here, so going into this I thought we’d get a deep delve into how the press works and what they’re capable of to get to a story first. These elements were there, but they never felt that important now.
Similarly, Lucy’s perspective wasn’t needed, in my opinion. In the interview Nolan says she wrote from her perspective when Lucy becomes a teen, to avoid having to write for a kid. But because the writing style doesn’t change from any of the (adult) characters in this book whatsoever, Lucy’s perspective felt a bit off. I knew she wouldn’t be thinking in the way she’s described to be doing here, which is lengthy sentences and an expansive vocabulary for how she really feels.
This is a really captivating read, every character felt alive to me. I would’ve liked less of Lucy and more of Tom, but that’s all personal preferences and I get why the author chose to go in this direction instead.
Content Warnings
Graphic: Addiction, Adult/minor relationship, Alcoholism, Child death, Death, Drug use, Mental illness, Abortion, Pregnancy, Abandonment, and Alcohol
Moderate: Drug use, Eating disorder, Infidelity, Physical abuse, Self harm, Violence, Vomit, and Death of parent
happyknitter2020's review against another edition
dark
emotional
mysterious
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.5
Read as was listed for Women's Prize longlist 2024.
Intergenerational story of challenging lived experiences, which led a 10 year old to take the life of a toddler.
Reflects on the impact of trauma attachments throughout a whole family & the media culture too.
A tragic story, hopefully will be shortlisted.
Intergenerational story of challenging lived experiences, which led a 10 year old to take the life of a toddler.
Reflects on the impact of trauma attachments throughout a whole family & the media culture too.
A tragic story, hopefully will be shortlisted.
Content Warnings
Graphic: Alcoholism, Child death, Death, Drug abuse, Drug use, Emotional abuse, Mental illness, Grief, Death of parent, Murder, Pregnancy, and Alcohol
laran_s's review against another edition
dark
sad
tense
fast-paced
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Alcoholism, Child abuse, Pregnancy, and Abandonment