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srah's review against another edition
emotional
hopeful
informative
inspiring
mysterious
tense
slow-paced
4.5
I took off a quarter point for being a bit longer and slower than it needed to be, and another quarter point for the graphic descriptions in the Café de Paris scene, which I have been thinking about all week since I read it.
Content Warnings
Graphic: Death, Gore, Forced institutionalization, and War
Moderate: Alcoholism, Child death, Mental illness, Racial slurs, Sexual assault, Violence, and Grief
Minor: Genocide and Homophobia
fifteenthjessica's review against another edition
challenging
dark
emotional
funny
informative
mysterious
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
This will probably be my last finished novel of 2022, and I'll definitely check out more by Kate Quinn.
World War II is in full swing, and decrypting German and Italian messages may be the difference between victory and defeat. Bletchley Park becomes a center of British Intelligence activity, and with many men at war, women are among the people brought in to help. Three of the women--Osla Kendall, a witty socialite who aspires to be seen as more than a ditzy debutante; Mab Churt, a jaded young woman from the poor side of London determined to make a better life for herself; and Beth Finch, a spinster near Bletchley Park who after years of bullying from her mother thinks she's not good for much else other than household help and solving crossword puzzles--form a strong friendship that breaks before the end of the war. A few years later, as the world prepares to watch Osla's war time beau Philip marry Princess Elizabeth, Osla and Mab receive coded letters from Beth saying that there was a traitor at Bletchley Park who was behind her commitment to an insane asylum, and she needs their help get out and catch them.
The novel is overall excellent, most of the characters are lovable (although the traitor felt very two-dimensional), and Quinn shows skill with the genres she blends for this. As someone who isn't that big on romance, I did find myself rooting for most of the couples, even to a certain extent Philip and Osla's doomed romance, however, it would have been nicer if there was more code breaking and mystery worked in. At times, Bletchley Park feels like it's only present in the novel to put higher stakes into the 1947 portion. Another thing is that Quinn paints a great portrait of how, even in relatively egalitarian places like Bletchley Park, misogyny still rears its ugly head.
I was initially going to give it 5 stars, but looking back over my notes, I remembered some pacing issues. At times the narrative switching between the war years and the madcap hunt for the traitor before Philip and Elizabeth's wedding (as well as between the three main characters' POV) was well done, other times it was questionable. Probably the worst incident of this is Beth coming to a (false) conclusion of who the traitor is, only for the very next chapter to reveal the traitor's real identity when they literally show up and tell her. Not to mention, chapter 3 gave such a strong portrait of Mab and Osla's characters that Chapters 1 and 2 seemed extraneous except for bring up some important relationships they have with people outside of Bletchley Park.
World War II is in full swing, and decrypting German and Italian messages may be the difference between victory and defeat. Bletchley Park becomes a center of British Intelligence activity, and with many men at war, women are among the people brought in to help. Three of the women--Osla Kendall, a witty socialite who aspires to be seen as more than a ditzy debutante; Mab Churt, a jaded young woman from the poor side of London determined to make a better life for herself; and Beth Finch, a spinster near Bletchley Park who after years of bullying from her mother thinks she's not good for much else other than household help and solving crossword puzzles--form a strong friendship that breaks before the end of the war. A few years later, as the world prepares to watch Osla's war time beau Philip marry Princess Elizabeth, Osla and Mab receive coded letters from Beth saying that there was a traitor at Bletchley Park who was behind her commitment to an insane asylum, and she needs their help get out and catch them.
The novel is overall excellent, most of the characters are lovable (although the traitor felt very two-dimensional), and Quinn shows skill with the genres she blends for this. As someone who isn't that big on romance, I did find myself rooting for most of the couples, even to a certain extent Philip and Osla's doomed romance, however, it would have been nicer if there was more code breaking and mystery worked in. At times, Bletchley Park feels like it's only present in the novel to put higher stakes into the 1947 portion. Another thing is that Quinn paints a great portrait of how, even in relatively egalitarian places like Bletchley Park, misogyny still rears its ugly head.
I was initially going to give it 5 stars, but looking back over my notes, I remembered some pacing issues. At times the narrative switching between the war years and the madcap hunt for the traitor before Philip and Elizabeth's wedding (as well as between the three main characters' POV) was well done, other times it was questionable. Probably the worst incident of this is Beth coming to a (false) conclusion of who the traitor is, only for the very next chapter to reveal the traitor's real identity when they literally show up and tell her. Not to mention, chapter 3 gave such a strong portrait of Mab and Osla's characters that Chapters 1 and 2 seemed extraneous except for bring up some important relationships they have with people outside of Bletchley Park.
Content Warnings
Graphic: Confinement and Forced institutionalization
Moderate: Child death, Death, Emotional abuse, Misogyny, Panic attacks/disorders, Physical abuse, Sexism, Sexual content, Violence, Medical content, Medical trauma, Alcohol, and War
Minor: Animal cruelty, Chronic illness, Genocide, Homophobia, Racism, and Blood