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abicaro17's review against another edition
adventurous
challenging
dark
mysterious
reflective
slow-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I enjoyed this book! I did guess the murderer early in the book but I couldn't have predicted the twist. A short and enjoyed read although a tad slow in places.
Content Warnings
Graphic: Alcoholism, Body horror, Child abuse, Child death, Chronic illness, Confinement, Death, Drug abuse, Drug use, Gore, Gun violence, Infidelity, Mental illness, Misogyny, Suicidal thoughts, Suicide, Toxic relationship, Violence, Blood, Medical content, Grief, Religious bigotry, Car accident, Acephobia/Arophobia, Murder, Gaslighting, Toxic friendship, Alcohol, Injury/Injury detail, and Classism
bellebooks's review against another edition
dark
mysterious
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
I must preface this spiel with this: I am a certified ELA teacher who also tutors many students. I have used this for tutoring.
Moving on.
What more is there to say? I think knowing the landscape of England in the time of 1900s pre-WWII helps tremendously, as the novel is more nuanced and intricate that way, making this novel act as a judge and jury of the culture at the time. (I would recommend looking into social classes relations regarding gender, race, wealth, and orientation at the time, most notably post-WWI.) However, that information is not necessary to appreciate quite possibly the greatest mystery novel of all time, at least in the literary canon.
As far as the quality of writing, Christie herself wanted to write a murder that was nearly impossible to solve. (Personally, I deduced the murderer quite easy to solve, but that's beside the point.) Her use of an omniscient narrator works well, as many times, the narrator focuses on one character at a time, expressing their thoughts, feelings, fears, and motives as if a first person narrator. The regression of the characters from a space of superiority, as part of urban society, to one of survival instincts (I hate using the terms "civilized" to "uncivilized") is quite intriguing, as it highlights the strengths and weaknesses of not just all classes of English society but also English (and to a similar degree, American) culture as a whole.
Out of their own mouths, my kids love this book: They admitted that it was slow in the beginning, (and they don't like how it took 3-4 chapters to set everything up), but once things started rolling, they were hooked. They have argued, debated, researched information to try and lock down who the killer is and motives; this is includes literally having a cork-board with pictures and string, mapping out the characters and their arcs.
We have looked at the 1945 and 2015 adaptations of this book. They talked about their favorite/least favorite characters, (Vera was the hands down favorite,) how the adaptations have changed what they've read, why they felt the book was better, etc. (Mind you, I had to do very little prompting. I merely would ask who their favorite/least favorite character was, what they thought of XYZ and why, and to pick a character and look up these two topics surrounding them. They went the distance.)
So yes. This is one of my favorite novels of all time. I may have a lot of opinions of the literary canon, but this novel is by far the first one I would argue to keep in its pedestal.
Moving on.
What more is there to say? I think knowing the landscape of England in the time of 1900s pre-WWII helps tremendously, as the novel is more nuanced and intricate that way, making this novel act as a judge and jury of the culture at the time. (I would recommend looking into social classes relations regarding gender, race, wealth, and orientation at the time, most notably post-WWI.) However, that information is not necessary to appreciate quite possibly the greatest mystery novel of all time, at least in the literary canon.
As far as the quality of writing, Christie herself wanted to write a murder that was nearly impossible to solve. (Personally, I deduced the murderer quite easy to solve, but that's beside the point.) Her use of an omniscient narrator works well, as many times, the narrator focuses on one character at a time, expressing their thoughts, feelings, fears, and motives as if a first person narrator. The regression of the characters from a space of superiority, as part of urban society, to one of survival instincts (I hate using the terms "civilized" to "uncivilized") is quite intriguing, as it highlights the strengths and weaknesses of not just all classes of English society but also English (and to a similar degree, American) culture as a whole.
Out of their own mouths, my kids love this book: They admitted that it was slow in the beginning, (and they don't like how it took 3-4 chapters to set everything up), but once things started rolling, they were hooked. They have argued, debated, researched information to try and lock down who the killer is and motives; this is includes literally having a cork-board with pictures and string, mapping out the characters and their arcs.
We have looked at the 1945 and 2015 adaptations of this book. They talked about their favorite/least favorite characters, (Vera was the hands down favorite,) how the adaptations have changed what they've read, why they felt the book was better, etc. (Mind you, I had to do very little prompting. I merely would ask who their favorite/least favorite character was, what they thought of XYZ and why, and to pick a character and look up these two topics surrounding them. They went the distance.)
So yes. This is one of my favorite novels of all time. I may have a lot of opinions of the literary canon, but this novel is by far the first one I would argue to keep in its pedestal.
Content Warnings
Graphic: Child death, Torture, Violence, Stalking, and Murder
Moderate: Homophobia, Racism, Sexism, Religious bigotry, Toxic friendship, Abandonment, and War
Minor: Racial slurs, Terminal illness, and Alcohol