Scan barcode
fullnessofjoy's review
adventurous
challenging
dark
emotional
hopeful
inspiring
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? N/A
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
I had to read this book for a class I am teaching, and as someone who has struggled to connect with most ecocritical literature, or climate fiction specifically, I was surprised by how much I loved this novel. Perhaps because it takes into consideration the subaltern, postcolonial perspective, or perhaps it is because it is so deeply engaged in themes of language, intertextuality, translation, and myths and stories - or perhaps it is because the way Ghosh writes about the Sundabarns, the tide country, is so haunting and beautiful and terrifying, I got swept in by the ebb and flow of each line. Here are some of my favourite quotes/passages:
“And now, indeed, everything began to look new, unexpected, full of surprises. I had a book in my hands to while away the time, and it occurred to me that in a way a landscape is not unlike a book--a compilation of pages that overlap without any two ever being the same. People open the book according to their taste and training, their memories and desires: for a geologist the compilation opens at one page, for a boatman at another, and still another for a ship's pilot, a painter and so on. On occasion these pages are ruled with lines that are invisible to some people, while being for others as real, as charged and as volatile as high-voltage cables.”
“Who are we? We are the dispossessed. How strange it was to hear this plaintive cry wafting across the water. It seemed at that moment not to be a shout of defiance but rather a question being addressed to the very heavens, not just for themselves but on behalf of a bewildered humankind. Who, indeed, are we? Where do we belong? And as I listened to the sound of those syllables, it was as if I were hearing the deepest uncertainties of my heart being spoken to the rivers and the tides. Who was I? Where did I belong? In Calcutta or in the tide country? In India or across the border? In prose or in poetry?”
“As I thought of these things, it seemed to me that this whole world had become a place of animals, and our fault, our crime, was that we were just human beings, trying to live as human beings always have, from the water and the soil. No one could think this a crime unless they have forgotten that this is how humans have always lived—by fishing, by clearing land and by planting the soil.”
“already know by instinct
we're not comfortably at home
in our translated world.”
― Amitav Ghosh, The Hungry Tide
“And now, indeed, everything began to look new, unexpected, full of surprises. I had a book in my hands to while away the time, and it occurred to me that in a way a landscape is not unlike a book--a compilation of pages that overlap without any two ever being the same. People open the book according to their taste and training, their memories and desires: for a geologist the compilation opens at one page, for a boatman at another, and still another for a ship's pilot, a painter and so on. On occasion these pages are ruled with lines that are invisible to some people, while being for others as real, as charged and as volatile as high-voltage cables.”
“Who are we? We are the dispossessed. How strange it was to hear this plaintive cry wafting across the water. It seemed at that moment not to be a shout of defiance but rather a question being addressed to the very heavens, not just for themselves but on behalf of a bewildered humankind. Who, indeed, are we? Where do we belong? And as I listened to the sound of those syllables, it was as if I were hearing the deepest uncertainties of my heart being spoken to the rivers and the tides. Who was I? Where did I belong? In Calcutta or in the tide country? In India or across the border? In prose or in poetry?”
“As I thought of these things, it seemed to me that this whole world had become a place of animals, and our fault, our crime, was that we were just human beings, trying to live as human beings always have, from the water and the soil. No one could think this a crime unless they have forgotten that this is how humans have always lived—by fishing, by clearing land and by planting the soil.”
“already know by instinct
we're not comfortably at home
in our translated world.”
― Amitav Ghosh, The Hungry Tide
Graphic: Animal death and Colonisation
remuslibrary's review against another edition
adventurous
challenging
emotional
informative
reflective
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Animal cruelty, Animal death, and Death
Moderate: Misogyny and Death of parent
Minor: Genocide
abbie_'s review against another edition
adventurous
emotional
hopeful
reflective
slow-paced
4.5
Very glad of my TBR challenge for making me get around to this book that I put off for far too long! It’s beautifully written and utterly fascinating, with a cast of compelling characters. I didn’t know anything about the refugee settlement of Marichjhapi, and the subsequent massacre that occurred there. The Hungry Tide also sheds light on issues of conservationism in India and the effect it has on people there, especially poorer people. The descriptions of the jungle and rivers were captivating, super evocative. The ending was very intense, and Ghosh does a great job of depicting the brutality of nature and weather. Highly recommend!
Graphic: Animal death, Death, and Classism
shreyasingh's review against another edition
adventurous
emotional
informative
mysterious
reflective
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Moderate: Animal death
Minor: Death and Genocide
shinuistryingtoread's review against another edition
informative
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.75
Graphic: Animal cruelty and Animal death
Moderate: Death and Death of parent
ok7a's review against another edition
challenging
emotional
informative
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Moderate: Death
Minor: Animal death
noragjc's review against another edition
adventurous
emotional
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
A good book much diminished by a bad ending
Graphic: Animal death and Death