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gen_wolfhailstorm's review against another edition
adventurous
emotional
hopeful
inspiring
mysterious
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
It took me many, many months to get through this, but my gosh it was a fantastic read. Murtagh has always been my favourite morally grey character and to have a whole 600+ page book dedicated to him and Thorn was everything I could have wanted (besides just being back in this world again).
Getting to learn more about Murtagh's character arc and see where life took him and Thorn after all the events that transpired throughout the Inheritance Cycle was fascinating. I felt as though we were really given a chance to get to know them as more than 'the vilains' and it was beautiful.
To see how their tortured past (especially with Galbatorix) triggers them still was heartbreaking and so realistic in a person. The empathy I felt was overwhelming at times - I just wanted to reach through the pages of the book and give them both a big hug. It warms my heart to know that they are least have comfort in each other.
The character growth from both of them in this novel was incredibly impressive, working through the torments of their memories and wanting and trying to get through the other side was so inspiring but what really drove that inspiration further was that it wasn't done overnight. With Thorn especially, we really got a deeper understanding of how his forced growth as a hatchling and cruel trials Galbatorix made him go through affected him still and how he struggled awfully with confined spaces because of that. It was was heartbreaking to see his frustration and fear, being stuck in the cruel moments of the past that brought the fear on.
A theme I really enjoyed in Murtagh was the significant role dreams played - I believe that was also a concept in TSIASOS, so I found it intriguing to see how differently Paolini explores that theme in his sci-fi and in his fantasy, respectively.
A little side note here, but I couldn't help but love the little notes of "mmm", or 'hrmph'.. It just felt so intrinsically human.
I loved getting to see more of the world and did get annoyed at Murtagh's endless curiosity always getting him into trouble, but the things we discovered about the goings on after what we hoped would be a long lasting peace was worrying and I'm so eager to find out what happens next!
What else is in store for Murtagh and Thorn?
Content Warnings
Graphic: Animal cruelty, Animal death, Child abuse, Child death, Confinement, Death, Emotional abuse, Genocide, Gore, Panic attacks/disorders, Physical abuse, Slavery, Torture, Violence, Forced institutionalization, Xenophobia, Blood, Kidnapping, Grief, Religious bigotry, Murder, Fire/Fire injury, Gaslighting, War, and Injury/Injury detail
bisexualwentworth's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
Well, I finally did it. After a fun but frustrating reread of the Inheritance Cycle, I have at last read Murtagh.
Some spoilers for this book and the previous books to follow.
This book was published twelve years after Inheritance and more than twenty years after the initial publication of Eragon. In that time, Christopher Paolini has definitely grown as a writer. His descriptions are tighter and more vivid. Side characters are differentiated in ways that they weren't before. Murtagh's character arc is difficult and mostly well-executed. And unlike in the previous books, the ableism, in this case Murtagh and Thorn's internalized ableism around their PTSD, feels more like an intentional character choice and less like the author violently hating disabled people.
Elsewhere, Paolini has also learned how to write evil girlbosses. Yay?
And he seems to have developed a more nuanced understanding of cult members and survivors of trauma in the intervening years, though that understanding still feels incredible surface level.
While I know that there is an overarching thing that he's aiming for with further installments in this series, it felt to me like half of this book was just Paolini realizing that he'd broken his magic system in Inheritance and trying to find ways to deal with that. On the whole, I didn't mind this. Murtagh encounters challenges that can't be surmounted using the Name of Names. He realizes how limited his vocabulary in the Ancient Language really is. He finds creative solutions to his problems. I liked this.
What I did NOT like was the reveal that the new big bad had been the big bad the whole time and the reason why Galbatorix was the way he was. Maybe this is a personal taste thing, or maybe it's just down to the execution, but I was so excited when there was a new threat that was different from Galbatorix and so disappointed at the reveal that *gasp* it was Azlagur the whole time! It felt lazy to me.
The pacing was, as usual with Paolini's books, horrendous. I know that a lot of the side quest things (like the stuff with the werecat children) will be picked up again in a later book, but it was still very inelegantly done. Even if plots are ongoing, the main threads of a book should be resolved in that book. There was definitely a better way to weave things together.
And the one long chapter in Ilirea at the end to wrap everything up and attempt any sort of proper development of Murtagh and Nasuada's relationship? Silly. Ridiculous. Yes, better than the 200 pages of conclusion at the end of Inheritance, but come ON. Both characters deserved more than that.
Overall, this book is generally better than the previous installments on a craft level, and Murtagh is a more compelling character than Eragon, who also faces much harder personal challenges, but the pacing was so bad and the Nal Gorgoth section dragged SO MUCH and overall it needed some restructuring and reconsidering in places. Also, I didn't have any nostalgia making me like it more than I naturally would have (other than a general fondness for Murtagh and for Nasuada), and this made the rough parts even more difficult for me.
Some spoilers for this book and the previous books to follow.
This book was published twelve years after Inheritance and more than twenty years after the initial publication of Eragon. In that time, Christopher Paolini has definitely grown as a writer. His descriptions are tighter and more vivid. Side characters are differentiated in ways that they weren't before. Murtagh's character arc is difficult and mostly well-executed. And unlike in the previous books, the ableism, in this case Murtagh and Thorn's internalized ableism around their PTSD, feels more like an intentional character choice and less like the author violently hating disabled people.
Elsewhere, Paolini has also learned how to write evil girlbosses. Yay?
And he seems to have developed a more nuanced understanding of cult members and survivors of trauma in the intervening years, though that understanding still feels incredible surface level.
While I know that there is an overarching thing that he's aiming for with further installments in this series, it felt to me like half of this book was just Paolini realizing that he'd broken his magic system in Inheritance and trying to find ways to deal with that. On the whole, I didn't mind this. Murtagh encounters challenges that can't be surmounted using the Name of Names. He realizes how limited his vocabulary in the Ancient Language really is. He finds creative solutions to his problems. I liked this.
What I did NOT like was the reveal that the new big bad had been the big bad the whole time and the reason why Galbatorix was the way he was. Maybe this is a personal taste thing, or maybe it's just down to the execution, but I was so excited when there was a new threat that was different from Galbatorix and so disappointed at the reveal that *gasp* it was Azlagur the whole time! It felt lazy to me.
The pacing was, as usual with Paolini's books, horrendous. I know that a lot of the side quest things (like the stuff with the werecat children) will be picked up again in a later book, but it was still very inelegantly done. Even if plots are ongoing, the main threads of a book should be resolved in that book. There was definitely a better way to weave things together.
And the one long chapter in Ilirea at the end to wrap everything up and attempt any sort of proper development of Murtagh and Nasuada's relationship? Silly. Ridiculous. Yes, better than the 200 pages of conclusion at the end of Inheritance, but come ON. Both characters deserved more than that.
Overall, this book is generally better than the previous installments on a craft level, and Murtagh is a more compelling character than Eragon, who also faces much harder personal challenges, but the pacing was so bad and the Nal Gorgoth section dragged SO MUCH and overall it needed some restructuring and reconsidering in places. Also, I didn't have any nostalgia making me like it more than I naturally would have (other than a general fondness for Murtagh and for Nasuada), and this made the rough parts even more difficult for me.
Content Warnings
Graphic: Ableism, Animal cruelty, Confinement, Death, Genocide, Gore, Mental illness, Panic attacks/disorders, Physical abuse, Slavery, Torture, Blood, Religious bigotry, and Injury/Injury detail
exhaustrovert's review against another edition
adventurous
dark
emotional
hopeful
mysterious
reflective
sad
tense
fast-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
If you enjoyed the Inheritance series, this book feels like reuniting with an old friend.
Content Warnings
Graphic: Animal cruelty, Confinement, Emotional abuse, Gore, Slavery, Torture, Violence, Forced institutionalization, Blood, Grief, and Abandonment
Moderate: Genocide, Kidnapping, Murder, and Dysphoria
Minor: Toxic relationship and War