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infinite_harness9030's review
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.0
Graphic: Confinement, Cursing, Death, Emotional abuse, Gore, Blood, Excrement, Medical content, Medical trauma, Colonisation, Dysphoria, and Injury/Injury detail
Moderate: Animal cruelty, Animal death, Racial slurs, Racism, Self harm, Sexism, Sexual content, Sexual violence, Slavery, Suicidal thoughts, Transphobia, Violence, Vomit, Police brutality, Religious bigotry, Suicide attempt, and Classism
Minor: Addiction, Adult/minor relationship, Alcoholism, Child abuse, Drug abuse, Drug use, Panic attacks/disorders, Physical abuse, Abandonment, Alcohol, and Pandemic/Epidemic
marioncromb's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.5
I wanted to love this as much as i loved LOTE, which has similar alternate-history vibes but I just didn't. i personally found the obtuse academic style prose referencing Derrida etc in the sort of language that is only understood by philosophers to be alienating and a bit of a slog to get through. I understand that it makes sense for the realistic characterisation of Voth, and is realistic for the metapremise of the novel, but still, I didn't really enjoy the interjections/the personal story within the footnotes. I know that you don't have to like the characters to like or appreciate a work of art but it was an issue for me here. I often love the tangents of footnotes (Jonathan Strange & Mr Norrell my loveeeee) and i did appreciate the ways in which the stories mirrored each other. However I was half-expecting from this mirroring
Another personal issue i had with the book was its idea of queerness was often too easily found though queer sex, queer bodies, more than through all ways of being/loving/not-loving that are othered by society. As an ace person i just didn't relate to the horniness in the book that was often posited as some universally relatable and transformative queer experience. This is not to say that it shouldn't have been so horny, it is an important part of the characterisation and indeed of the queerness of the book.
I enjoyed more the stories within the story: enjoyed learning about the Fen-Tigers and enjoyed the imagined paradise society of the Maroons. The little details of Jack's woodworking/technical knowledge.
Graphic: Sexual content and Medical content
Moderate: Death, Racism, Violence, Xenophobia, Blood, Vomit, Dysphoria, and Injury/Injury detail
Minor: Confinement, Slavery, Suicidal thoughts, Police brutality, Death of parent, Murder, Alcohol, Colonisation, and Classism
felishacb's review
- Plot- or character-driven? A mix
- Diverse cast of characters? Yes
Footnotes tell the story of the narrator of sorts who is translating and interpreting the tale. They are also dealing with a faceless entity who wants to control the translation and treats Jacks's transness with an otherness. These layers give Rosenberg the opportunity to comment on queerness, as well as class, colonialism, and power.
Another main character based on reality is Bess who in this book is an Asian sex worker. Bess offers a safe place for Jack and teaches him more about class revolution by sharing her own family's tragic story. Her lived experience could connect with Jack's own experience of class oppression (and queer repression) and inform him on how it intersects with racism.
Although it is fiction, this book serves as a powerful reminder that trans people (and people of color) have always been here and have always been the main characters in their stories even if their history is lost or never told.
Towards the last third of the novel, I did find myself not picking this up as much. But the authors voice and perspective kept me wanting to see how this story ended and what nuggets of truth they would share.
From the book: "All history should be the history of how we exceeded our own limits."
Graphic: Death, Blood, Vomit, Medical content, Abandonment, Injury/Injury detail, and Classism
Moderate: Confinement, Genocide, Homophobia, Physical abuse, Racism, Torture, and Kidnapping
Minor: Grief
opossumble's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Confinement, Gore, Racism, Sexual content, Transphobia, Violence, Forced institutionalization, Blood, Police brutality, Medical content, and Injury/Injury detail
Moderate: Cursing, Drug use, Slavery, Excrement, Vomit, Murder, Alcohol, Colonisation, Classism, and Pandemic/Epidemic
singlier's review
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
This book is weird--part memoir, part unhinged rambling footnotes, part collective memory. It reimagines the life of famous Victorian thief, Jack Sheppard, as a transgender man, exploring the intersections of his identity with period-accurate racism, incarceration, destruction of land, government corruption, and colonialism. It is also a story-within-a-story: told in the footnotes of the memoir is the story of Dr. Voth, a transgender man and college professor, currently grappling with the loss of his love and his debilitating OCD, who imprints onto Jack and uses the footnotes as the pedestal for self-reflection and anti-academia rhetoric.
At the end of the novel, I can't say I understood everything. It is committed to its appearance as an authentic 18th century text, which means it is dense and difficult to parse. The footnotes only add to its difficulty: calling upon a vast array of knowledge from Marxism to queer theory. The plot too, often feels scattered: caught between a mysterious conspiracy of government corruption and Jack's unquestionable love for his partner. But, with all this, I still found myself thoroughly enjoying it. I could not predict where it would lead me, but I enjoyed the journey there.
Minus points for a lot of mentions of piss, even though it does (eventually) become plot relevant.
Moderate: Gore, Racism, Sexual content, Violence, Blood, Excrement, Vomit, Police brutality, Medical trauma, Colonisation, Injury/Injury detail, Classism, and Pandemic/Epidemic
caseythereader's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
- CONFESSIONS OF THE FOX is one of the strangest, most fascinating books I’ve ever read. I loved the structure, with the body of the book being the “lost manuscript” and the footnotes being the professor telling his story alongside the manuscript.
- There is so much going on here, I hardly know where to start. Everything from the historical erasure of trans people to the prison industrial complex is pinpointed and torn down in a frenzy.
- For me, things got a bit muddled at the end of the book, but overall this book is well worth the trip there. Do pay attention to those content warnings though, as it’s pretty grossly graphic throughout.
Graphic: Animal death, Confinement, Cursing, Deadnaming, Death, Gore, Gun violence, Racial slurs, Racism, Sexual content, Suicidal thoughts, Transphobia, Violence, Xenophobia, Blood, Excrement, Vomit, Police brutality, Medical content, Grief, Murder, Fire/Fire injury, Alcohol, Colonisation, Dysphoria, Injury/Injury detail, and Classism
ninjamuse's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Child abuse, Confinement, Police brutality, Death of parent, and Injury/Injury detail
Moderate: Sexual content, Transphobia, Colonisation, and Classism
Minor: Forced institutionalization