Scan barcode
infinite_harness9030's review
challenging
reflective
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.0
Content Warnings
Graphic: Confinement, Cursing, Death, Emotional abuse, Gore, Blood, Excrement, Medical content, Medical trauma, Colonisation, Dysphoria, and Injury/Injury detail
Moderate: Animal cruelty, Animal death, Racial slurs, Racism, Self harm, Sexism, Sexual content, Sexual violence, Slavery, Suicidal thoughts, Transphobia, Violence, Vomit, Police brutality, Religious bigotry, Suicide attempt, and Classism
Minor: Addiction, Adult/minor relationship, Alcoholism, Child abuse, Drug abuse, Drug use, Panic attacks/disorders, Physical abuse, Abandonment, Alcohol, and Pandemic/Epidemic
ottotto's review
adventurous
challenging
funny
hopeful
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
there are some loose ends i'd have liked tied up— bess struggles with jack's whiteness specifically near the end and they never have an "onscreen" resolution to that, although i understand why. i would have liked to have seen more of aurie throughout, he pops up at important moments but you get the sense that he and jack are so close when he does, implying the vastness of time they do spend together unseen by the reader. this all makes sense in the context of the story's framing, especially as dr. voth continues to unravel the mystery of the manuscript, his conclusions and ideas striking like lightning in the eleventh hour, but it certainly would have made jack and bess and aurie and jenny's (and laurent and okoh and...) lives all the fuller. but the story is about jack and dr. voth the way it is about all of us, all at once. i really loved this book. mysticism and transness and academia and roguishness... excellent stuff!
Content Warnings
Graphic: Medical trauma
Moderate: Racism and Sexism
frogknitting's review
challenging
fast-paced
- Strong character development? No
- Loveable characters? No
- Flaws of characters a main focus? It's complicated
2.0
I read this for one of my classes to write my final paper, analyzing how it is a retelling of historical 18th century documents. I think it's going to be difficult.
I wanted to like this book so, so badly. It's a trans historical fiction, it's supposed to be in the style of Pale Fire, it's funny and academic, but none of these really worked in the text and, as such, didn't work for me. The main thing is that this book doesn't use theory as a way to drive a story, but a story as a way to explain theory. This could work, if the story was tight enough and enjoyable so the reader could really appreciate the theory. This is not that story — both of the stories were all over the place, and I never felt like any of the characters were very fleshed out. Jack is a trans swindler who loves having sex with childhood trauma — but what is he like? Is he funny or suave; is he challenged in any way with his worldview? Not really. Neither are any of the side characters. I wanted to like Bess so much, but she also had little outside of her backstory and relationship to Jack: no personality or character. I saw a reviewer say that the characters in this are more dolls to move around so that the plot can progress forward and then the theoretical discussions can continue, and I agree with that.Also, the end of Dr. Voth's arc, in which he goes off into a parallel timeline-type world and is living amongst aliens is CRAZY. What are we doing here. I think just leaving him to deal with his own downward spiral and beginning to understand the collaboration of the manuscript could've been really interesting, but this "plot twist" is so strange that it threw me off immensely.
This book is also just very, very sexual. I'll admit I'm somewhat of a prude, but mentioning how good you are at having sex and how much you want to have sex every other page (not an exaggeration) is such a bore and an annoyance. The way that both Jack and Dr. Voth talked about women headed into the misogynistic, objectifying zone, and although I certainly don't think they needed anyone to finger-wag and say "This isn't good!! You need to stop this!" having both of your main characters approach women the same way without their views ever fluctuating is pretty grating.
There's also certainly something to be said about how every character of color exists only to support Jack and risk their lives for him, without any seeming reason. I think it's good that they didn't have any "oh the white character is learning to not be racist anymore :) isn't he great?" parts, but in refusing to flesh out the characters and give them personalities and deep backstories (aside from Bess), the book is still tokenizing them to an extent, at least in my opinion.
Oh, by the way — if you're squeamish around urine, do not read this book. There's a lot of discussion of urine, both sexual and medicinal.
I saw a lot of complaints aboutthe top surgery scene, which I do admit seems to go into the "only there to support the white protagonist" trope for Bess, but I also thought the hand-waving after was absolutely so absurd, it was hilarious. Guy is randomly like "yeah I can give you an 18th century mastectomy in this brothel," faints, and the other guy's girlfriend does it perfectly and just by reading the manual. And then he jumps up and smothers the first guy with his bleeding chest !!! WHAT!!!!!! And then he's running around perfectly fine three weeks later. I want to study this book (and I am, but unfortunately not as critically as I would like).
ALSO the end! It's a cop-out! I know that's to be expected, but I didn't care enough about the characters to groan when I read it, instead of feeling relieved.
I know throughout I kept referring to other reviews, but I basically had to make sure I wasn't the only one who was being driven absolutely crazy by this book. I think its publicity coasted a lot on "trans historical fiction! Academia and theory!" but it doesn't have much else (nor is the theory done well enough to feel like it's not a hobbling-together of different ideas).
I wanted to like this book so, so badly. It's a trans historical fiction, it's supposed to be in the style of Pale Fire, it's funny and academic, but none of these really worked in the text and, as such, didn't work for me. The main thing is that this book doesn't use theory as a way to drive a story, but a story as a way to explain theory. This could work, if the story was tight enough and enjoyable so the reader could really appreciate the theory. This is not that story — both of the stories were all over the place, and I never felt like any of the characters were very fleshed out. Jack is a trans swindler who loves having sex with childhood trauma — but what is he like? Is he funny or suave; is he challenged in any way with his worldview? Not really. Neither are any of the side characters. I wanted to like Bess so much, but she also had little outside of her backstory and relationship to Jack: no personality or character. I saw a reviewer say that the characters in this are more dolls to move around so that the plot can progress forward and then the theoretical discussions can continue, and I agree with that.
This book is also just very, very sexual. I'll admit I'm somewhat of a prude, but mentioning how good you are at having sex and how much you want to have sex every other page (not an exaggeration) is such a bore and an annoyance. The way that both Jack and Dr. Voth talked about women headed into the misogynistic, objectifying zone, and although I certainly don't think they needed anyone to finger-wag and say "This isn't good!! You need to stop this!" having both of your main characters approach women the same way without their views ever fluctuating is pretty grating.
There's also certainly something to be said about how every character of color exists only to support Jack and risk their lives for him, without any seeming reason. I think it's good that they didn't have any "oh the white character is learning to not be racist anymore :) isn't he great?" parts, but in refusing to flesh out the characters and give them personalities and deep backstories (aside from Bess), the book is still tokenizing them to an extent, at least in my opinion.
Oh, by the way — if you're squeamish around urine, do not read this book. There's a lot of discussion of urine, both sexual and medicinal.
I saw a lot of complaints about
I know throughout I kept referring to other reviews, but I basically had to make sure I wasn't the only one who was being driven absolutely crazy by this book. I think its publicity coasted a lot on "trans historical fiction! Academia and theory!" but it doesn't have much else (nor is the theory done well enough to feel like it's not a hobbling-together of different ideas).
Content Warnings
Graphic: Sexual content, Transphobia, Blood, Medical content, Dysphoria, and Injury/Injury detail
Moderate: Deadnaming, Racial slurs, Sexism, Excrement, Vomit, Police brutality, Murder, Abandonment, and Pandemic/Epidemic
homewithyou's review against another edition
adventurous
informative
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
3.0
Content Warnings
Graphic: Body horror, Hate crime, Sexism, Transphobia, Blood, Medical content, and Dysphoria
Moderate: Child abuse, Drug use, and Colonisation
Minor: Sexual content
jameslyons's review against another edition
adventurous
challenging
dark
emotional
funny
hopeful
informative
inspiring
mysterious
reflective
sad
tense
fast-paced
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
This is not a fun historical romp and those approaching this book with any expectation of a Nice Time will be disappointed/horrified. It's visceral, confronting, disgusting, and uncomfortable; romantic, riotous, hilarious, and very fucking trans.
Ambitious and almost overwhelming at times. It took a lot of faith in the author for me to get through the wilder parts that didn't make sense until everything Did. Thank god it all pulled together in the end. I remain annoyed at the heavy academic bent, but that's a personal pet peeve, and scholarly sycophants will likely adore that aspect. Everyone else, my advice is to just ignore and skim at will. The rest of the story contains So Much aside from that.
Ambitious and almost overwhelming at times. It took a lot of faith in the author for me to get through the wilder parts that didn't make sense until everything Did. Thank god it all pulled together in the end. I remain annoyed at the heavy academic bent, but that's a personal pet peeve, and scholarly sycophants will likely adore that aspect. Everyone else, my advice is to just ignore and skim at will. The rest of the story contains So Much aside from that.
Content Warnings
Graphic: Animal death, Body horror, Body shaming, Child abuse, Confinement, Death, Drug use, Emotional abuse, Gore, Physical abuse, Racism, Sexism, Sexual content, Suicidal thoughts, Torture, Transphobia, Violence, Forced institutionalization, Blood, Excrement, Police brutality, Medical content, Grief, Religious bigotry, and Medical trauma
Moderate: Animal cruelty, Genocide, Slavery, and Vomit
Content found within, which storygraph doesn't have specific tags for yet: graphic descriptions of public executions (hangings), murder, corpse multination, a VERY graphic surgical scene (which could be skipped by the reader), and medical abuse. That would normally be enough for me to give this just 1* or not finish, but in the context of this book, I valued all of the nasty bits as much as the rest of the story.