Reviews with content warning for Violence - We Have Always Lived in the Castle

By every right I should love Shirley Jackson's books. I loved THE LOTTERY and the ideas of all of her books sound amazing, but they just never do it for me like I want them to. I really just wanted MORE, I guess.

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aserra's review against another edition

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dark mysterious sad tense fast-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

4.5

This was the second story of Jackson's I've read and it was solid all around. Jackson has assessed what buttons she can push in a person and her characters and the treatment of the protagonists pushes emotional buttons without apology and to great effect. Outrage was the primary emotion that accompanied me through the read, and fear derived from that rage as cruelties stacked up against the protagonists.

Additionally, I called the plot twist and predicted another one of the book's major events within the first 18 pages. Regardless, the story was incredibly effective for me, which testifies to the strength of Jackson's craft.

If I had to ask anything more of this book, I would ask for a prequel book focused on the Blackwoods (infeasible, as this was Jackson's last novel), and I think Charles could've been a few degrees creepier with incredible results. I want to describe Charles as unequivocally sinister but, instead, I feel he's more plaintive, entitled, and irritating. I can understand why he wasn't taken to that level, though, and think this is an indication of preference rather than quality of the book.

For a quick, tense, gothic read, consider picking up We Have Always Lived in the Castle.

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omair's review against another edition

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dark sad slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

4.25

A story where the mystery isn't a mystery and the absurd is treated as creepily mundane... and yet I found myself enjoying it. The juxtaposition for what I was feeling to what Merricat was feeling or saying was handled brilliantly that I can only assume it was intentional. If I were to plant myself in this world, I would almost certainly see things the way the villagers do, yet reading from the POV we have, I want to side with our main characters...

which an insane thing to say about a pair that are made of quintuple murderer with little remorse and a no-hesitation accomplice!

And yet in such a short space, powerful themes of gender roles, sexual identity, family trauma, possibly abuse, and severe mental illnesses are liberally sprinkled in along with commentary on individuality, agoraphobia, societal norms, greed, maturity (and familial responsibility in raising a child), and so much more. So much of what happens is left with such vague motives that the answers feel simultaneously obvious and yet impossibly absent.

The deeper I found myself into the book,

the more the reliability of the narration came into question

, and the more I felt a need to re-read sections to convince myself I didn't misunderstand or even completely miss details. Sympathizing with our protagonist even as

her twisted world and controlling mannerisms became more crystal clear

felt as confusing as the plot - in a good way - for me. I can certainly understand why this would not be the right cup of tea for everyone, but it was one I thoroughly enjoyed...

even though I certainly wouldn't take mine with any sugar.

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