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klaralyle's review against another edition
dark
emotional
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
unbearably indescribably sad
Content Warnings
Graphic: Body shaming, Chronic illness, Death, Mental illness, Misogyny, Rape, Sexual content, Suicide, Medical content, Grief, Death of parent, and Injury/Injury detail
whoischels's review against another edition
challenging
dark
reflective
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
Reread this for a book club. I had forgotten what it was about. I recently read Hard Boiled Wonderland and the End of the World, a surreal and fun fantasy, and expected something similar. Wrong. I had an overwhelming sense of foreboding while reading Norwegian Wood and couldn't quite figure out why until I got to the Reiko part.
Good bits: This book is beautifully written. I always hear people complaining that Murakami writes women terribly and I actually disagree with that in this case. The women in this book feel like people, and are like-able people, even filtered through the eyes of the narrator Watanabe and through the romanticized distance of the memories he is recounting. The story really beautifully demonstrates how a young person can focus on fixing the suffering of others in order to avoid thinking about their own grief. It shows how a typically male-leaning stoic handling emotions can fail. It has incredibly vivid imagery and the aesthetic of Murakami's stories is always really engrossing.
Bad bits: Unfortunately, all of this is overshadowed by thechild rape committed by Reiko. Rereading this now as an adult with an english degree and I think a generally good understanding of how to read fiction that has traumatic themes...Murakami does not handle the child rape well. Like Lolita handles this well and very firmly establishes the unreliability of its narrator. Norwegian Wood does not. Reiko's story is presented with her as the 31-year-old victim of a 13 year old girl who is somehow a sex predator . Her story is told sympathetically, and one could argue this is because of either a) Watanabe being 20 years old and naive or b) Watanabe viewing things through the rosy and kind lens of nostalgia. I genuinely don't believe there is enough textual evidence to argue for either of these explanations though. We're left with this random recounting from a sexual predator about how it wasn't her fault . Watanabe then goes on to sleep with Reiko, who is twice his age, which one must imagine can't do his mental health any good, and yet the narrative presents their sexual experience together as freeing and fun. Is the takeaway here that Watanabe, even 20 years on from these events, is still unwell and just sort of stuck as a damaged person because he never really came to terms with any of the shit that happened to him? I guess it is, which really bums me out. The handling of all this is very vibesy and jumbled for something attempting to tackle this subject matter. I would be okay with a story this viscerally upsetting if the plot weren't so clumsy and directionless.
Good bits: This book is beautifully written. I always hear people complaining that Murakami writes women terribly and I actually disagree with that in this case. The women in this book feel like people, and are like-able people, even filtered through the eyes of the narrator Watanabe and through the romanticized distance of the memories he is recounting. The story really beautifully demonstrates how a young person can focus on fixing the suffering of others in order to avoid thinking about their own grief. It shows how a typically male-leaning stoic handling emotions can fail. It has incredibly vivid imagery and the aesthetic of Murakami's stories is always really engrossing.
Bad bits: Unfortunately, all of this is overshadowed by the
Content Warnings
Graphic: Child abuse, Mental illness, Pedophilia, Rape, Suicide, and Toxic relationship
marjoleinvanderspoel's review against another edition
challenging
dark
emotional
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.0
Why is this man (Murakami) obsessed with periods??
Content Warnings
Graphic: Rape, Sexual content, and Suicide
stoneofexile's review against another edition
emotional
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
Content Warnings
Graphic: Mental illness, Sexual content, and Suicide
Minor: Rape and Death of parent
paulinalto's review against another edition
challenging
dark
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
0.25
Let me start with this – I LOVE literary fiction. I adore witty, well-crafted prose, and some of the writing in this book was truly beautiful. I understand why people appreciate it. However, I could not get past how Murakami describes women. You'd encounter a beautiful paragraph only for it to be spoiled by Murakami's focus on a woman's breasts. There was an entire chapter involving pedophilia, where the child was disturbingly portrayed as "at fault."
Murakami invented the Manic Pixie Dream Girl, and all his female characters fit this mold—each one "so not like the other girls." There were numerous instances where his attempts to describe female experiences were completely off-base, clichéd, and cringeworthy.
I understand that some readers are willing to overlook the misogyny and sexism, perhaps because of the book’s beautiful prose or because it was published decades ago, but I cannot. I don't think I've ever disliked a book this intensely. I feel like I need a shower to wash it off. In the process of reading this, I sold the other two Murakami books I had on my shelf.
Murakami invented the Manic Pixie Dream Girl, and all his female characters fit this mold—each one "so not like the other girls." There were numerous instances where his attempts to describe female experiences were completely off-base, clichéd, and cringeworthy.
I understand that some readers are willing to overlook the misogyny and sexism, perhaps because of the book’s beautiful prose or because it was published decades ago, but I cannot. I don't think I've ever disliked a book this intensely. I feel like I need a shower to wash it off. In the process of reading this, I sold the other two Murakami books I had on my shelf.
Content Warnings
Graphic: Misogyny, Pedophilia, Rape, and Sexism
zachport06's review against another edition
challenging
dark
emotional
hopeful
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Mental illness, Suicide, and Alcohol
Moderate: Infidelity, Rape, Self harm, and Sexual content
Minor: Pedophilia
bella613's review against another edition
challenging
dark
emotional
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
I like the way Murakami writes, as if he must tell a story that really happened and not as if he's creating one.
I didn't love this book the way I loved Killing Commendatore. It was not quite what I expected, especially after hearing it was this book that exploded Murakami into fame. But I did connect with it. As it is with Murakami, there are some uncomfortable sections of the book. But there are some uncomfortable moments in life, so... it's sort of beautiful that he captures it so intensely?
I found myself most drawn to Naoko in this story. Midori as a character is someone I would probably not enjoy spending time with in real life, but added to the story in a mostly positive way. I didn't like Toru much in the same way that one might not like oneself. Listening from his pov felt like looking back on one's own life and seeing all the flaws and mistakes and self-centered choices that were made. But he was very real. That's one thing I also love about Murakami: his main characters feel undeniably real. He's not great at writing women, but since he usually writes from a male ego perspective, this doesn't bother me nearly as much as it seems to bother others. Read any contemporary romance and you'll see that most women are terrible at writing men, too.
My favorite part of the book was probably the long letter describing the sanatorium and the following visit to the sanatorium.
I didn't love this book the way I loved Killing Commendatore. It was not quite what I expected, especially after hearing it was this book that exploded Murakami into fame. But I did connect with it. As it is with Murakami, there are some uncomfortable sections of the book. But there are some uncomfortable moments in life, so... it's sort of beautiful that he captures it so intensely?
I found myself most drawn to Naoko in this story. Midori as a character is someone I would probably not enjoy spending time with in real life, but added to the story in a mostly positive way. I didn't like Toru much in the same way that one might not like oneself. Listening from his pov felt like looking back on one's own life and seeing all the flaws and mistakes and self-centered choices that were made. But he was very real. That's one thing I also love about Murakami: his main characters feel undeniably real. He's not great at writing women, but since he usually writes from a male ego perspective, this doesn't bother me nearly as much as it seems to bother others. Read any contemporary romance and you'll see that most women are terrible at writing men, too.
My favorite part of the book was probably the long letter describing the sanatorium and the following visit to the sanatorium.
Content Warnings
Graphic: Death, Mental illness, Rape, Sexual content, Suicidal thoughts, Suicide, Grief, Death of parent, Gaslighting, Alcohol, and Sexual harassment
Moderate: Fire/Fire injury
yeahnaar's review against another edition
emotional
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
The book is beautifully written and is very engaging throughout. I would have rated it more highly, but it’s depictions of women and sexual assault/consent leave a feeling of ickiness that is hard to ignore. They detract from the book, but it is still a very enjoyable read
Content Warnings
Graphic: Pedophilia, Rape, and Suicide
abril6's review against another edition
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
1.0
Content Warnings
Graphic: Adult/minor relationship, Chronic illness, Death, Homophobia, Misogyny, Pedophilia, Rape, Death of parent, Lesbophobia, and Alcohol
esv_'s review against another edition
dark
emotional
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Content Warnings
Graphic: Adult/minor relationship, Mental illness, Sexual content, Suicide, Terminal illness, and Grief
Moderate: Cancer, Infidelity, Suicidal thoughts, and Schizophrenia/Psychosis
Minor: Chronic illness, Physical abuse, Rape, Sexism, Forced institutionalization, Medical content, and Car accident