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jmltgu's review against another edition
4.0
Picked up in place of a more instructive book on the same subject, this brief criticism (more an exploration, albeit with sharp edges) felt unique and playful throughout, with a pace just quick enough to keep me turning the page, but not so much as to let me pass through without the pang of regret for want of a nice pencil or, at the least, a highlighter.
Probably the best exploration of poetry I’ve read, and I’m still debating whether the parts that bothered me should or not... or if I even care.
Probably the best exploration of poetry I’ve read, and I’m still debating whether the parts that bothered me should or not... or if I even care.
smarien's review against another edition
I started to read this but could not finish
turnerjo's review against another edition
4.0
Found the tensions between individuality and universality illuminating. Poetry exists in a space that constantly reminds us that it is insufficient to the task of representing its referents.
Too many parentheses and em dashes tho
Too many parentheses and em dashes tho
wingsyuenanna's review against another edition
4.0
"An art hated from without and within. What kind of art has a condition of its possibility a perfect contempt? And then, even reading contemptuously, you don't achieve the genuine."
I had always found poetry hard to understand. It both tries to be relatable but also precise, written for all but also for only you. In my head, it tries to do too much but is inaccessible and powerless. Ben Lerner gives a concise argument for good and bad poetry. Poetry with good structure and intentions can be both disliked and admired.
I think back to The Hill We Climb by Amanda Gorman. Her performance was shining and powerful. For the first time, I could imagine that poems can be powerful. They can be remembered and evoke a passion that units. So perhaps a good poem can make us empathetic for others and share emotions from other perspectives.
I had always found poetry hard to understand. It both tries to be relatable but also precise, written for all but also for only you. In my head, it tries to do too much but is inaccessible and powerless. Ben Lerner gives a concise argument for good and bad poetry. Poetry with good structure and intentions can be both disliked and admired.
I think back to The Hill We Climb by Amanda Gorman. Her performance was shining and powerful. For the first time, I could imagine that poems can be powerful. They can be remembered and evoke a passion that units. So perhaps a good poem can make us empathetic for others and share emotions from other perspectives.