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lea_xiii's review against another edition
emotional
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
curiouslykaylee's review against another edition
2.0
This book was definitely an odd choice for me, but that is the point of my library’s reading challenge
lizzie_maxfield's review against another edition
hopeful
inspiring
mysterious
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Loved how the separate storylines all weaved together.
I spent so long trying to figure out the timeline - didn't anticipate that part would be set in the future!
I spent so long trying to figure out the timeline - didn't anticipate that part would be set in the future!
newobhannah's review against another edition
adventurous
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.75
abbydee's review against another edition
Should have saved it for #monsoonreads! Instead I read this in the driest of dry seasons here. Ah well. Our ecological problems are different.
I read this out of a specific interest in books with consistent place and variable time. Sudbanthad pulls this off as elegantly as perhaps it can be done. The book’s pivot is the city of Krungthep/Bangkok, and more specifically a single house, but the linked stories are also stitched together by characters who overlap each other’s lives through the generations. And as with other books with a sort of similar conceit (When I Sing Mountains Dance), I wanted there to be something stronger or more urgent pulling all those stories together. I wanted narrative, not portrait. I appreciate the elegance but I still prefer an early sense of why, what are we doing here? What's the occasion? How exactly did all these people end up in the same book? Eventually I settled down and put my questions aside and enjoyed it very much, especially the futuristic cli-fi elements. But I’m still thinking about whether a place, on its own, is strong enough connective tissue to be satisfying.
I read this out of a specific interest in books with consistent place and variable time. Sudbanthad pulls this off as elegantly as perhaps it can be done. The book’s pivot is the city of Krungthep/Bangkok, and more specifically a single house, but the linked stories are also stitched together by characters who overlap each other’s lives through the generations. And as with other books with a sort of similar conceit (When I Sing Mountains Dance), I wanted there to be something stronger or more urgent pulling all those stories together. I wanted narrative, not portrait. I appreciate the elegance but I still prefer an early sense of why, what are we doing here? What's the occasion? How exactly did all these people end up in the same book? Eventually I settled down and put my questions aside and enjoyed it very much, especially the futuristic cli-fi elements. But I’m still thinking about whether a place, on its own, is strong enough connective tissue to be satisfying.