Reviews tagging 'Grief'

Luster by Raven Leilani

40 reviews

deeb_reads's review against another edition

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challenging dark emotional funny medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

If you have ever been in your twenties, you probably have known someone like Edie. This person is intelligent and talented, but for some reasons (often related to past traumas) they somehow always manage to self-sabotage or run out of luck. It can be frustrating and awful when it happens in real life, but they'll always have a hell of a story, and our thankfully fictional Edie certainly delivers. 

Leilani manages to trace the intricacies of her characters and their interactions with each other-- which is great, because not much else happens in the book. (If you're not really into character driven books, you probably won't like this one.) Edie, Rebecca, Eric, and Akila all feel fully fleshed out, with their occasionally hostile, occasionally tender interactions providing the meat of the story. Even small-seeming interactions tell you something about the characters and their relationships to one another.

"She has terrible handwriting, doesn't she?" he says... He smiles, this small cruelty hanging in the air between us. And though I can tell he feels a little bad about having said it, he seems relieved when I join in. (32)

Although Edie is introduced to the Walkers through Eric, her interactions with his wife Rebecca and their adopted daughter Akila are my favorite parts of the book. Rebecca and Edie share a tense relationship that eventually warms to reluctant camaraderie, and Edie does her best to help try to guide Akila through the rockiness of adolescence made worse by her isolation as a Black girl in a white suburb. Any one of these characters could have been one note-- Eric as a midlife crisis schmuck, Rebecca as a jealous wife, Akila as a precocious child who merely serves to provide wisdom to the adults, Edie as a "misunderstood," traumatized artist. Yet Leilani serves to make them awkward and flawed, but overall well-intentioned.

Edie will likely be polarizing to readers, who might be frustrated watching her make questionable decisions and suffer the consequences
(ex. get fired from her office job for impulsively hooking up with a long list of coworkers)
or be turned off by her cynical and kind of out of pocket behavior. I personally loved her narration and thought that she felt raw and very real. She's certainly been through her share of traumas and is scraping by on the economic margins in a very expensive city, and this background makes her choices seem more realistic. As a narrator, she's sharply observant, raw, and often pretty funny. 

Like most white people who eat beans in the woods undeterred by the fresh fecal evidence of hungry bears, Eric finds his mortality and soft meaty body a petty, incidental thing. I, on the other hand, am acutely aware of all the ways I might die. (11)

I also loved Leilani's writing style, which is poetic and really evocative of both sensory details and interior emotions. However, I can understand why a decent number of other reviewers didn't like it-- if you like a more subdued writing style it will probably strike you as overwrought. At times, the writing style did bother me, generally just during the occasional flow-of-consciousness run on sentence. For me, though, it hits more than it misses.

In the city, there is a smell. Hell's Kitchen, a rotting, fungal fruit. Midtown, smelling of mildew and old pecorino. I forgot that this is what happens in New York when it rains... (200)

Besides complex characters and well-crafted writing, Leilani provides insightful commentary on race, sex, love, and artistry. Why young women "[make] gods out of feeble men." How intergenerational trauma and racialized poverty affect families and continue vicious cycles. Why people make self-destructive decisions when it comes to sex and relationships. The story addresses these issues and weaves them seamlessly into the narrative, with Edie connecting her own story to that of generations of everyday triumphs and tragedies and her relationships with Rebecca, Eric, and Akila fleshing out these themes.

Overall, very enjoyable writing, humor, and commentary, though definitely might be a bit polarizing depending on your taste in problematic narrators and purple prose.

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risqkae's review against another edition

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dark emotional funny sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.5

I thoroughly enjoyed this book. There wasn’t too much to the plot, but you wouldn’t really notice because the author’s writing in the book was beautiful and easy to get through. Being only a year older than Edie at the time of me reading this book and also being an African-American woman, it was refreshing to see someone who looks like me so nicely crafted, even with the traumatic and dark parts to her personality and life. Nuanced representation is still hard to come by. It didn’t feel like any of the  heavy topics that were brought up were being forced into the book either, just made it more interesting to read. I’ve read some reviews where they said that the  plot of the book in general was unrealistic, but I would have to disagree. You hear out of pocket crazy stories all the time on the news and on social media so a 20 something black woman ending up in her white lover’s house with his equally white wife and adopted black child actually doesn’t seem too far-fetched in this day and age. Each character was distinctly their own person and their interaction with each other also felt very authentic. My only critique would be I wanted to see if Edie had more pockets of true happiness and joy and I don’t think we ever got that for real, it was always for one split second. I feel like everybody has the capacity for those moments even if their life is tragic. Overall, the book felt like one big intrusive thought and I loved that about it.

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al_davies's review against another edition

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challenging dark emotional sad tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0


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taylorsevalia's review against another edition

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medium-paced
  • Plot- or character-driven? Character
  • Loveable characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0


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gummifrog's review against another edition

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challenging dark emotional inspiring reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

This was the first book I wanted to annotate in a long time. The prose was so beautiful, I wanted to savor every second of it. This book explores themes of life and death, creation (in both art and life), intimacy and love of all kinds, and an artist's view of the world. I really fell in love with the characters and although the story was more of a thoughtful reverie as the narrator moved through a period of a few months in which she moved in with the family of the man she was seeing. I ended up loving her relationship with the wife most - that strange jealousy and deep understanding, the push and pull of a person who creates and a person who deconstructs. Anyway, I highly recommend it!

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tenderbench's review against another edition

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adventurous challenging dark emotional reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.5


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vrcreads's review against another edition

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dark emotional sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25


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ulmaridae's review against another edition

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"God is not for women, he is for the Fruit. He makes you want and he makes you wicked, and while you sleep he plants a seed in your womb that will be born just to die."

"All the raw materials that are gathered and processed into shadow and light, the pigment drawn from sand and canterbury bells, the carbon black drawn from fire and spread onto slick cave walls. A way is always made to document how we manage to survive. Or in some cases, how we don't. So I've tried to reproduce an inscrutable thing: I've made my own hunger into a practice. Made everyone who passes through my life subject to a close and inappropriate reading that occasionally finds its way, often insufficiently, into paint. And when I am alone with myself, this is what I am waiting for someone to do to me. With merciless, deliberate hands, to put me down onto the canvas so that when I'm gone, there will be a record. Proof that I was here."

Though the subject matter of this book was sad and often uncomfortable, the writing was absolutely breathtaking and almost trance-like. 

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thesawyerbean's review against another edition

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challenging dark tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

2.75

The last third of this book saved it from getting a lower rating. While I can appreciate the poetry and extended metaphors in Leilani’s writing, I can’t help but feeling it comes across as rather constipated and convoluted in parts. I quite often found myself completely lost and having to reread to regather the thread of the prose.

The actual premise was intriguing - the commencing few chapters were not particularly enthralling, but the pace did pick up later on in the novel. The portrayal of nihilistic self-destructive sex was raw and ugly, knitted together in a web of nuanced discussions on race, sexuality, feminism and capitalism which I found very interesting and affecting. These are the parts that dragged this book up in its rating.

However, I overall found this to be quite a slog to get through. I powered through the final half in one sitting, and the concluding chapters were immaculately done. But in the end I wasn’t particularly enthralled or interested in Edie as a character.

I stand by my appreciation for Leilani’s prose, and I finish my review with this quote that I found powerful:

I am inclined to pray, but on principle, I don’t. God is not for women. He is for the fruit. He makes you want and he makes you wicked, and while you sleep, he plants a seed in your womb that will be born just to die.

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ansleyymoore's review against another edition

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challenging dark emotional funny reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25


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