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smoothlikebutter's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Death, Drug abuse, Toxic relationship, and Death of parent
Moderate: Infidelity, Physical abuse, Sexual content, Violence, Grief, Murder, Pregnancy, War, and Classism
Minor: Injury/Injury detail
beetsbydwight's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Death, Domestic abuse, and Pregnancy
Moderate: Infidelity, Murder, and Fire/Fire injury
Minor: Miscarriage
mbedrosian's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Domestic abuse, Emotional abuse, and Death of parent
Moderate: Murder
ryliereadss's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Moderate: Domestic abuse and Murder
mossybean's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Domestic abuse
Moderate: Murder and Fire/Fire injury
bea_reads_books's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Graphic: Physical abuse and Violence
Moderate: Child abuse, Domestic abuse, Emotional abuse, Infidelity, Toxic relationship, Blood, Grief, Death of parent, and Pregnancy
Minor: Misogyny, Racism, Sexual content, Medical content, Murder, Fire/Fire injury, Gaslighting, Alcohol, War, and Injury/Injury detail
aksmith92's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
The narrative unfolds with the passing of Minh, the Tran family's matriarch, which prompts Ann to return to her childhood abode, the enigmatic Banyan House, to reconcile with her estranged mother, Huong. Ann, a successful artist grappling with an unexpected pregnancy and a turbulent relationship, embarks on a journey of self-discovery as she and Huong sift through Minh's belongings, unearthing long-buried family secrets.
Through alternating timelines, Thai reveals the rich backstories of each woman. Minh's narrative takes readers from her youth in Vietnam to her struggles as a single mother in America, and even after her death. Huong's story highlights her escape from an abusive marriage, while Ann's journey focuses on her search for identity and understanding within the context of her family's history.
What I Liked: I adored Thai's writing—it was atmospheric and had such emotional depth. There were so many beautiful analogies, metaphors, and quotes. I felt seeped in this novel, and it was a stunning read. Thai also captured the Tran women's complexities through their relationships and individual struggles. The narrative's dual timelines enhanced the reader's understanding of how past traumas and sacrifices shaped the present, making Banyan Moon resonant and thought-provoking. I thoroughly enjoyed Thai's exploration of cultural heritage and family dynamics - there were incredible details in this novel that made it feel real.
Lastly, the novel was infused with a unique blend of magical realism and Southern Gothic elements. Though not essential to the plot, these elements added an ethereal and original touch to the story. They created a world where the boundaries between reality and the supernatural were blurred, enhancing the reader's experience. The poignant examination of love, grief, and forgiveness, combined with this unique blend of genres, made Banyan Moon a captivating read.
What I Didn't Like: While the writing was terrific and the overall storyline was beautiful, where I think it fell flat was character development and nuance. Minh, Huong, and Ann all seemed similar in their emotional capacity, character development, and overall decision-making. In a way, they all seemed emotionally detached from everyone and everything but each other, and I felt like something was missing. Maybe that was the point: generations of women continued the cycle repeatedly. But it was frustrating and didn't provide a lot of nuance to their own individual characters - they just all seemed the same. Additionally, they were not necessarily likable characters, which I could have gotten on board with if they were exciting and nuanced. I think that was lacking here, and I had trouble rooting for (or against) them - I was simply disinterested in their progression. I was thankful to have the plot with a couple of twists along the way to keep me vested because, without that, this would not have been a good read for me. Take it with a grain of salt, though, because I heavily err on the importance of connecting with the characters, their nuance, and their uniqueness.
Also, unexpected pregnancies are not my jam (not a spoiler!); however, it had little sway on my rating because it truly was part of the point.
Lastly, all the trauma, frustration, and anger were tied up so neatly at the end. I don't mind this per se, but I think it made the last 10% feel slightly rushed and thrown together.
Overall, though, this was a beautiful read, and I look forward to seeing what Thao Thai produces in the future.
Graphic: Cursing, Domestic abuse, Emotional abuse, Mental illness, Physical abuse, Toxic relationship, Grief, Death of parent, Pregnancy, Fire/Fire injury, Abandonment, Injury/Injury detail, and Classism
Moderate: Alcoholism, Misogyny, Sexual content, Terminal illness, Blood, Murder, and War
Minor: Child abuse, Drug use, and Racism
kappafrog's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
The writing style is really beautiful. I highlighted so many different passages. Here are a few favourite quotes:
"I see Banyan House for what it is: a home for women, a shaggy, worn, and vicious protector of the bruised, the tender."
"How love, for all its treachery, finds me in the last, unexpected moments of light."
"And I didn't tell him that none of it had been wasted at all, because I knew he would not see it that way."
Each of the three main characters was so complicated. Ann was the least sympathetic, as she had a coldness towards her mother that was hard to read at times, but her character growth was really great. My favourite of the three was Huong.
Minh's passages were always so interesting, looking back on her long life. With each of these women, you understood why they did the things they did. I wish I had a more eloquent way of describing how rich the relationships in this book are. You can really feel the weight of the atmosphere of the places described in the book too. The heat and humidity of the Florida summer hangs down over everyone like bugs dancing on the water of a swamp. The Banyan House had such personality, and I loved the way that the folk tale about the moon was woven through.
I highly recommend this book for anyone who likes family sagas. This one feels like it will be talked about for a long time to come, read in classes and book clubs with discussions of all the symbolism, layers of truth, and revelations that come as the story goes on. It was hard to read at times and is very sad, but the three women were so interesting to read about.
Graphic: Death, Domestic abuse, Misogyny, Physical abuse, Sexual content, Terminal illness, Toxic relationship, Blood, Grief, Death of parent, Murder, Pregnancy, Fire/Fire injury, and Abandonment
Moderate: Alcoholism, Animal death, Child abuse, Cursing, Infidelity, Miscarriage, Racism, Vomit, Medical content, Gaslighting, Alcohol, Sexual harassment, War, Injury/Injury detail, and Classism
Minor: Body horror, Bullying, Drug use, Rape, Sexual assault, Sexual violence, Xenophobia, Stalking, Colonisation, and Pandemic/Epidemic
mj_86's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Domestic abuse, Murder, and Pregnancy
Moderate: Infidelity, Death of parent, Fire/Fire injury, and War
Minor: Alcoholism, Child abuse, and Miscarriage
ziggyreadz's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
i may be biased because i love this kind of story about trauma and complicated people, but i really enjoyed how they each stood as their own characters but were stronger together.
i didn’t find the perspective switching to be jarring at all, though i listened to the audio book, and each of the three women had different narrators. i especially liked Huong’s reader, as she always sounded like she was on the edge of desperation, which reflects Huong’s character. the different perspectives and arcs within the perspectives provided an interesting mix of stories from Vietnam and stories from Florida, where the present day of the book takes place.
the way the book explored different kinds of relationships with men and their complicated problems was really masterful. i felt that everything was handled really well despite the relationships being (outwardly) pretty diverse.
of course it was really interesting to see the three women’s relationships with each other. there were some gaps with Huong and Ann — i understood on a surface level why they had a tense relationship in the past, but i felt like other things took up the space needed to explore that more, especially since it was so central to the narrative.
the book is slow but i enjoyed that, it gave the characters room to breathe. the last 1/4 though is very fast and dramatic, and while it was very immersive, i felt like it was a little out of place given the rest of the pacing and plot of the book. several dramatic things happen, and i feel it would have been better with fewer things, so that it felt more consistent.
the end was a little too neat for me. i wish it had not wrapped up as well, though i was generally happy with the resolution. i just felt that the ending was too simple for a complicated book like Banyan Moon.
the only other thing that bothered me a bit was that sometimes the writing felt a little strange (very infrequently). there were a lot of metaphors, both in dialogue and internal monologue, that felt a little too absurd to be taken seriously. overall, i did enjoy the writing though.
if the premise of this book appeals to you, definitely check it out. it’s a really rewarding experience. the only reason why my rating is not higher is because i felt the book mostly accomplished its ambitions, but fell a bit short towards the end.
Graphic: Domestic abuse, Physical abuse, Toxic relationship, Violence, and Murder
Moderate: Racism, Sexism, Sexual content, Stalking, Pregnancy, and War
Minor: Miscarriage