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carodonahue's review against another edition
5.0
Graphic: Medical content
Moderate: Murder
Minor: Animal death
sadhbhprice's review against another edition
4.75
Graphic: Animal death, Death, Gun violence, Blood, Medical content, Grief, Medical trauma, Murder, and Pregnancy
Moderate: Sexual content, Car accident, and Suicide attempt
Minor: Cancer and Miscarriage
not_another_ana's review against another edition
4.25
This is a female text, written in the twenty-first century. How late it is. How much has changed. How little.
This is difficult to describe in an easy accessible way. Think of a long form Youtube essay, the kind that lasts 3 hours, the kind that revolves around a topic so specific, so niche that can only be made interesting in the hands of a person plagued by the subject. I say this as a positive but also as the only way I feel I can capture the obsession and care you can pick up from these pages. Doireann Ní Ghríofa first heard of Eibhlín Dubh Ní Chonaill as a child growing up in Ireland, and though the years grew consumed not only by her poem, Caoineadh Airt Uí Laoghaire, but by Eibhlín herself. In this book the author masterfully merges her obsession and what she discovered of this woman with her own life, her beliefs, her fears, and big events that marked her.
As the author mentions time and time again: This is a female text. The inciting incident is the near loss of a baby by Doireann and her need for retaking control in some way of her life and her routine. It's powerful and defiant but still intimate. The author unspools her life for all to see, just as she scrutinizes histoy for morsels of Eibhlín. It's so lyricial and full of rhythm, in a way only a poet could weave, that at points I felt hypnotized. I grew as obsessed with this long death Irish woman as the author did.
Since it was so intimate and personal I was able to understand while not actually relating to the author's struggles. Even the long sections about breastfeeding weren't a chore because of how honest they were told. I do, however, think that it could have been a bit shorter. It was difficult to mantain the whimsy and interest at some points because of the repetition. Even though it wasn't perfect in my eyes I don't believe I will ever stop thinking about it. Every time I put down my thoughts, like in this review, I will be haunted by the idea of it being a female text.
Graphic: Grief, Car accident, Murder, and Pregnancy
Moderate: Miscarriage and Sexism
Minor: Animal death
ohhellograce's review against another edition
3.75
Graphic: Murder and Pregnancy
savvylit's review against another edition
- Plot- or character-driven? N/A
- Strong character development? N/A
- Loveable characters? N/A
- Diverse cast of characters? N/A
- Flaws of characters a main focus? N/A
3.5
A Ghost in the Throat is an intertwining of personal memoir and embellished biography. The most powerful passages in this narrative are those that are the most personal. For instance, when Ni Ghriofa's daughter is born prematurely, Doireann spends a harrowing and fevered period at the NICU alongside other worried mothers. The sense of uncertainty and hope in that particular section was palpable and unforgettable.
Overall, the way in which Ni Ghriofa connects to her fellow mothers - whether it be Eibhlin Dubh or the women at the NICU - is what makes this book work. That being said, I personally struggled to be interested in following Eibhlin Dubh's story. Ni Ghriofa ultimately learns quite a lot about Dubh as time goes on, but not anything that seemed to me to be particularly enlightening. For that reason, I finished the book feeling like I had missed something. Ultimately, though, I loved Ni Ghriofa's writing style and skill. I'd love to read some of her poems at some point. Perhaps I'd enjoy those more!
Graphic: Medical content, Medical trauma, Murder, Pregnancy, and Injury/Injury detail
alexisgarcia's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Graphic: Death, Blood, Grief, Murder, and Pregnancy
maddiep333's review against another edition
3.0
Graphic: Chronic illness, Death, Gore, Gun violence, Blood, Medical content, Grief, Car accident, Murder, Pregnancy, and Injury/Injury detail
feralbookwife's review against another edition
3.75
CW: animal death, pregnancy, birth trauma, murder, violence, sexism, mental health, autopsy
Graphic: Animal death, Cancer, Death, Mental illness, Misogyny, Blood, Medical content, Grief, Medical trauma, Murder, and Pregnancy
Moderate: Child death, Sexual assault, Sexual content, Car accident, and Colonisation
jesshindes's review against another edition
4.5
The narrator - a version of the author, Doireann Ni Ghriofa - is a young mother, raising three babies, then a fourth. She is fascinated by an 18th-century Irish poem, Caoineadh Airt Uí Laoghaire, a lament written by Eibhlín Dubh Ní Chonaill after her husband was murdered. The book recounts Ni Ghriofa's relationship with the poem and its author, which is lived alongside and against the repetitive actions and rhythms of caring for her young children: cleaning the house, running the washing machine, feeding the babies. Breastfeeding in particular is another recurrent melody in the music of the book (and it is musical, beautifully written - you can tell that Ni Ghriofa is a poet): the narrator uses it to explore her own impulse toward self-sacrifice.
I really enjoyed this. There's a freedom about its unorthodox form: Ni Ghriofa can move forward through parallels and images without the constraints of traditional plot, although there is certainly an impulsive force that carries the book along. There's also something really effective about how all the sensations of Ni Ghriofa's everyday sit against the historical content of the book. Ni Ghriofa is very interested in the sensory experiences of Eibhlín Dubh's life (sharing a womb with her twin, birthing children, a startling moment in the poem where she drinks her dead husband's blood), and focusing on her own body proves a persuasive way of fleshing out the architectural and archival traces of the past. I also liked that 'A Ghost in the Throat' was so concerned with family life. At first I wondered why this particular poem - which is largely a love poem about a romantic relationship - was Ni Ghriofa's chosen vehicle for exploring her experiences, which felt much more focused on her children - but as the book continues Ni Ghriofa's husband emerges into more centrality and the ending in particular I think does a lot to enrich and complicate some of the issues that Ni Ghriofa has been exploring, and to show how their partnership underpins their family life.
I will also say that reading this book made me realise how much I read aloud in my head to myself, and that when I hit a word I can't pronounce (i.e. most of Irish Gaelic, although I was trying to look things up all the time) my brain just goes "???" instead. But that is VERY much a me problem. In general this was a really likable, thought-provoking book.
Graphic: Death
Moderate: Murder
Minor: Cancer
hanz's review against another edition
4.0
Graphic: Medical content, Medical trauma, and Pregnancy
Moderate: Child death, Miscarriage, Blood, Grief, and Murder