badger_badger's review against another edition
emotional
hopeful
informative
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
5.0
An absolutely astounding wee book, it will stay with me a long time. It reminded me of what good writing is that doesn’t shove “hey look at me I’m a good writer” vibes down your throat and made me want to pick up a pen again!
Pacing is perfect both for reading enjoyment and as a purposeful tool for making the story felt.
The characterisation is very humanising and I felt that while Chrichton Smith criticises the Calvinist worldview, he holds a great deal of grace for Mrs Scott and writes her consciousness just as I know so many old Scottish women to speak. I didn’t grow up in a Calvinist world over a century ago but these Scottish people are still familiar and real.
Pacing is perfect both for reading enjoyment and as a purposeful tool for making the story felt.
The characterisation is very humanising and I felt that while Chrichton Smith criticises the Calvinist worldview, he holds a great deal of grace for Mrs Scott and writes her consciousness just as I know so many old Scottish women to speak. I didn’t grow up in a Calvinist world over a century ago but these Scottish people are still familiar and real.
e_jjay's review against another edition
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
mhairicorinne's review against another edition
dark
emotional
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
1.75
Content Warnings
Graphic: Dementia, Death, and Death of parent
Moderate: War and Suicide attempt
akindofmagic's review against another edition
dark
emotional
hopeful
informative
reflective
sad
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
audrey_'s review
emotional
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? N/A
4.25
fictionfan's review against another edition
4.0
An interesting character study…
Mrs Scott is elderly now, living alone in her small cottage since her only son emigrated to Canada. One day a rider comes to visit her – Patrick Sellar, the factor of the local landowner, the Countess of Sutherland. He tells Mrs Scott she must leave her home and go to live by the sea where the crofters will have to learn to live by a new trade, fishing. The crofters’ land is wanted for sheep – a more profitable venture for the landlords. As Mrs Scott seeks help from her neighbours and the church, we learn about her past and see her gradually come to understand herself better than she had. And eventually we see how she faces up to an uncertain future…
The story is set in Sutherland in the early 1800s at the height of the Highland Clearances, which is one of those landmark events by which Scotland defines itself, and which still provides food for the sense of grievance that feeds the socialist aspirations of a large majority of the population and the nationalist aspirations of a large minority. Patrick Sellar is a real historical figure, though Mrs Scott is fictional. Unfortunately Crichton Smith’s grasp on historical facts is somewhat tenuous – not unusual in a nation where history is distorted too readily into a propaganda tool and where truth is rarely allowed to get in the way of the grievance mythology. His glaring timeline errors irritated me so much that I found it distracting. Crichton Smith claimed his purpose was not to write a historical novel – fair enough, but even if the Clearances are only background to Mrs Scott’s story, a little bit of historical credibility would have been good.
However, indeed the Clearances are not Crichton Smith’s main target. The story is mostly about another recurring theme of Scottish literature – the stranglehold of the reformed Church on the people and its abuses, and here he does a much better job. Mrs Scott naturally turns to her church in her trouble, but finds that church and landlords are in a symbiotic relationship, each upholding the other, and neither showing much concern for the poor and powerless. Circumstances lead her to take help from a local man, Donald Macleod, who is seen as a troublemaker by those in authority, as an atheist and as a man who stands up for what he sees as his rights. (Donald Macleod was apparently also a real person but not one familiar to me.) And as she spends time with him and his family, Mrs Scott comes to re-assess her own church-driven moral rigidity and stern humourlessness, and to realise that this may be what caused first her husband and then her son to leave her.
It is written in simple language, in third person but from Mrs Scott’s perspective. Her age and the circumstances in which she finds herself gain her sympathy from the beginning, but initially the reader too sees her as her son must have done, as a woman so determined to judge others by her strict moral code that she makes the lives of those around her miserable. As we learn her story, though, our sympathy grows – her life has been hard and perhaps her natural liveliness and humour were driven out by her early experiences. Abandoned by her feckless husband, she has devoted her life to her son, but her emotional repression means that she shows this devotion through nagging and criticism rather than through gestures of love and affection. And when he too abandons her, all she has left is her church – a church that preaches hell and damnation more than love and salvation, that rules through authoritarian fear. It is her final abandonment by the church that is the catalyst for her to re-assess her life. So there is a sense of hope in the end, not that life will be easier nor that eviction can be avoided, but that Mrs Scott may free herself of the shackles of misery in which the church has bound her, and learn a more open way of thinking even at her late age.
After a very shaky start caused by the historical howlers, I eventually became absorbed in Mrs Scott’s story. It’s a short book and isn’t saying anything particularly new or profound – it is covering ground that has been well travelled in Scottish fiction, one might say trampled into a mire. But Crichton Smith keeps the story intentionally intimate by showing the effects of large events on one individual, and that makes it an emotional read, especially in the second half. I’m not convinced it really has the weight or quality to be considered a true classic, but it works well as a character study and an interesting, if slight, commentary on the way the church in Scotland has been used as a tool to keep the underlings under. 3½ stars for me, so rounded up.
www.fictionfanblog.wordpress.com
Mrs Scott is elderly now, living alone in her small cottage since her only son emigrated to Canada. One day a rider comes to visit her – Patrick Sellar, the factor of the local landowner, the Countess of Sutherland. He tells Mrs Scott she must leave her home and go to live by the sea where the crofters will have to learn to live by a new trade, fishing. The crofters’ land is wanted for sheep – a more profitable venture for the landlords. As Mrs Scott seeks help from her neighbours and the church, we learn about her past and see her gradually come to understand herself better than she had. And eventually we see how she faces up to an uncertain future…
The story is set in Sutherland in the early 1800s at the height of the Highland Clearances, which is one of those landmark events by which Scotland defines itself, and which still provides food for the sense of grievance that feeds the socialist aspirations of a large majority of the population and the nationalist aspirations of a large minority. Patrick Sellar is a real historical figure, though Mrs Scott is fictional. Unfortunately Crichton Smith’s grasp on historical facts is somewhat tenuous – not unusual in a nation where history is distorted too readily into a propaganda tool and where truth is rarely allowed to get in the way of the grievance mythology. His glaring timeline errors irritated me so much that I found it distracting. Crichton Smith claimed his purpose was not to write a historical novel – fair enough, but even if the Clearances are only background to Mrs Scott’s story, a little bit of historical credibility would have been good.
However, indeed the Clearances are not Crichton Smith’s main target. The story is mostly about another recurring theme of Scottish literature – the stranglehold of the reformed Church on the people and its abuses, and here he does a much better job. Mrs Scott naturally turns to her church in her trouble, but finds that church and landlords are in a symbiotic relationship, each upholding the other, and neither showing much concern for the poor and powerless. Circumstances lead her to take help from a local man, Donald Macleod, who is seen as a troublemaker by those in authority, as an atheist and as a man who stands up for what he sees as his rights. (Donald Macleod was apparently also a real person but not one familiar to me.) And as she spends time with him and his family, Mrs Scott comes to re-assess her own church-driven moral rigidity and stern humourlessness, and to realise that this may be what caused first her husband and then her son to leave her.
It is written in simple language, in third person but from Mrs Scott’s perspective. Her age and the circumstances in which she finds herself gain her sympathy from the beginning, but initially the reader too sees her as her son must have done, as a woman so determined to judge others by her strict moral code that she makes the lives of those around her miserable. As we learn her story, though, our sympathy grows – her life has been hard and perhaps her natural liveliness and humour were driven out by her early experiences. Abandoned by her feckless husband, she has devoted her life to her son, but her emotional repression means that she shows this devotion through nagging and criticism rather than through gestures of love and affection. And when he too abandons her, all she has left is her church – a church that preaches hell and damnation more than love and salvation, that rules through authoritarian fear. It is her final abandonment by the church that is the catalyst for her to re-assess her life. So there is a sense of hope in the end, not that life will be easier nor that eviction can be avoided, but that Mrs Scott may free herself of the shackles of misery in which the church has bound her, and learn a more open way of thinking even at her late age.
After a very shaky start caused by the historical howlers, I eventually became absorbed in Mrs Scott’s story. It’s a short book and isn’t saying anything particularly new or profound – it is covering ground that has been well travelled in Scottish fiction, one might say trampled into a mire. But Crichton Smith keeps the story intentionally intimate by showing the effects of large events on one individual, and that makes it an emotional read, especially in the second half. I’m not convinced it really has the weight or quality to be considered a true classic, but it works well as a character study and an interesting, if slight, commentary on the way the church in Scotland has been used as a tool to keep the underlings under. 3½ stars for me, so rounded up.
www.fictionfanblog.wordpress.com
ames444's review against another edition
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Loveable characters? N/A
- Diverse cast of characters? No
4.0
victoria_catherine_shaw's review against another edition
5.0
I did a bad thing (again) and bought a book that I knew nothing about based solely on its shiny cover. I know what people say about not judging a book by its cover but I think that, if we're truly honest, sometimes it really pays off to just give in and buy the pretty book. Consider the Lilies by Iain Crichton Smith is a prime example of that so, if you see it around and you're tempted, just say yes to the temptation. You can thank me later.
shallwehavetea's review
4.0
A quaint little book, a work of fiction and yet a hint of real Scottish history intwined with it. We hear the tale of an old lady, one who has spent her whole life, her whole history within this one house and then there's a threat that comes around which could upend that idlic life she has lived.
Although short, there was still enough to fully engage and enjoy greatly, the author has used easy language that is clear and easy to understand. It makes you feel connected to the old woman and her future hardships where the book ends, leaving you wondering what is too happen to her and her neighbours.
Although short, there was still enough to fully engage and enjoy greatly, the author has used easy language that is clear and easy to understand. It makes you feel connected to the old woman and her future hardships where the book ends, leaving you wondering what is too happen to her and her neighbours.