Reviews tagging 'Medical trauma'

The Netanyahus by Joshua Cohen

2 reviews

traeh's review against another edition

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challenging dark funny tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

3.5

This is full of cynical dark-humor. It’s fictional, but only partly. The main character is fictional but very loosely based on the experience of a real person. The Netanyahu family are obviously real and their part in the book is also loosely related to actual things that happened. 

If dark humor makes you uncomfortable, this book is not for you. 

The author is a word master and his crafting of this book is brilliant. It was a book club reading for me. If it hadn’t been, I probably would not have stuck it out, though I do recognize the excellence of Cohen’s craft.

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criticalgayze's review against another edition

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emotional informative reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.75

I feel like I should start this review of this, until recently, relatively obscure title that goes on to win major literary awards with something ironic like, Did you know that the Pulitzer Prize picks good books? Or with something self-castigating like, Why am I wasting my time writing a review of this book that, if you hear about it, it's because you follow the Pulitzer and probably read everything they award anyway?

If you need a review, let me say that this book is good. It's a real window into the "how we got here" of American-Israeli relations and Zionist v. anti-Zionist sentiment that bridges us from the post-WWII formation of the Jewish state to America's relationship with Bibi Netanyahu today. In that way, like (almost) all Pulitzer-winners, it is a historical chronicle of America told from a singular perspective, and I appreciate the Pulitzer's recent expansion of who those singular voices get to be. Because it is more of a conversational piece, it does not score high on my points system, but there are so many historical aficionados that this will work really well for.

To get into what did work for me and what I wanted more of, I picked up a novel titled The Netanyahus hoping to get a window into what dynamics would produce an incredibly beloved yet polarizing figure like Bibi Netanyahu. By the subtitle, I even was eager for something more satirical or lampooning of that kind of global rightwing politicking. And when those titular "Netanyahus" show up, I found the novel at its most engaging. Until that point, our narrator is having largely internal debates, and the arrival of Ben-Zion Netanyahu (Bibi's father) gives him an external sparring partner for those conversations that creates the kind of dramatic tension I look for and prefer in a story. But this book is about "the Netanyahus" in much the way Ma Rainey's Black Bottom is about Ma Rainey, and Ben-Zion and his family do not show up for nearly half of the book's length, which means the reader spends (in my preference) far too long in an internal dialogue that holds no real ramifications.

To give a caveat to the author's credit, the novel that we get is aligned with the stated intent of the post-text Author Notes. Cohen is really writing this sort of love letter to his literary icon and semi-mentor Harold Bloom, the famed critic and professor, and a singular period in Bloom's life that really highlights what seems to my Gentile understanding a number of tensions within the diasporic Jewish community. If I had started with that letter of authorial intent, I would have no person to blame but myself for where I ended up, and Cohen therefore receives my props for his achievement.

Not the book that is necessarily for me, but a stunning achievement and an interesting historical footnote nonetheless.

Quotes:
all the way back to the Rosetta Stone and even the Bible, both of which— most people forget— are substantially just tax- documents (3)
Incidentally, you could always tell a Ms. Gringling production— one of the missives she typed from his dictation and signed with Dr. Morse’s name— because of the neatness and propriety of her M’s. George’s own M was a capacious manse that roofed the o and r and often the s and e as well. It was a signature that communicated, in effect, “you’re mine, you dwell at my pleasure, I contain you,” while Ms. Gringling’s forgeries tended to have more respect for boundaries. (10)
The past was merely the process by which the present was attained, and the present merely the most current stage of the American superlative, to be overtaken by tomorrow’s liberation and capital’s spread, until the ultimate transfiguration of world history into world democracy. (31)
Simultaneously, a kindred mass- process was occurring here in America, where Jews were busy being deinvented, or uninvented, or assimilated, by democracy and market- forces, intermarriage and miscegenation. (51)
“I’m sure the apples they’re picking are apples. It’s not symbol season." (65)
Was not the best course of action to give them some darkened niche and parchment to contemplate, not out of charity, but as a preemptive defense? Because we all know what happens to educated men when they are neglected: they become inflamed by neglect. And we all know what reactions can fester: heresy, apostasy, false messianism. (79)
Universal truth, if it could exist, could only be found in the Bible, whose claim to divine provenance and authority demanded its accurate preservation. (169)
The history of every people is also a history of its craziness, and the more science becomes a religion, the more religion must pretend to be a science, desperate for all logical explanations. (180)
e leveled at any attempt to change the history that Lenin or, later, Stalin wanted. Today, in America, I suspect that revisionism means much the same, only within the context of another power structure: the insistence on writing history in such a way that unsettles what’s called a ruling-class and interferes with the functioning of government and business. (182)

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