robdabear's review against another edition
4.0
Perhaps one of the better political books I've ever read, classic Orwell. A fascinating overview of working class conditions in early 20th century northern England, and a fair and perhaps prescient criticism of socialism. A bit boring at times, but honest and with an occasional hint of dry humor.
sfletcher26's review against another edition
3.0
This is a book very much of two halves. The first is a straight descriptive piece on the life of the working class's in the north of England. very reminiscent of Down and Out in Paris and London it is an amazing read, well written and interesting to read.
The second half however is a work of socialist appology that starts out well but soon becomes unreadable unfortunately. For me part of the reason for this is that his thoughts on mechanisation are now completely dated and hopelessly simplistic.
Still well worth the time spent reading it though.
The second half however is a work of socialist appology that starts out well but soon becomes unreadable unfortunately. For me part of the reason for this is that his thoughts on mechanisation are now completely dated and hopelessly simplistic.
Still well worth the time spent reading it though.
caitlin_duxbury's review against another edition
challenging
informative
reflective
medium-paced
4.0
tnanz's review against another edition
5.0
Oof. One of the best novels about poverty and privilege I've ever read. Makes me desperately glad I'm not a miner.
sarah_dietrich's review against another edition
3.0
George Orwell's The Road to Wigan Pier is one of his three non-fiction books. The first half is an account of Orwell's time spent in Northern England mining towns, seeing how people live & work. The writing here is very similar to Down and Out in Paris and London - the people Orwell writes about are working in awful conditions and struggling with long-term poverty. The second half of the book is Orwell's analysis of what must be done to remedy the awful conditions the lower classes are trapped in. This read quite similarly to some of Orwell's essays & he advocates strongly for a socialist solution. Overall, an interesting study of the challenges faced by mining communities in 1930's England.
Not one of my favourites of Orwell's work - I prefer Down and Out in Paris and London to the first half, and prefer Orwell's essays to the second half.
Not one of my favourites of Orwell's work - I prefer Down and Out in Paris and London to the first half, and prefer Orwell's essays to the second half.
jelenab's review against another edition
challenging
dark
emotional
reflective
sad
tense
slow-paced
4.75
"We are living in a world in which nobody is free, in which hardly anybody is secure, in which it is almost impossible to be honest and to remain alive."
"It is only when you meet someone of a different culture from yourself that you begin to realise what your own beliefs really are."
"This is the inevitable fate of the sentimentalist. All his opinions change into their opposites at the first brush of reality."
"If there is one man to whom I do feel myself inferior, it is a coal-miner."
"The train bore me away, through the monstrous scenery of slag-heaps, chimneys, piled scrap-iron, foul canals, paths of cindery mud criss-crossed by the prints of clogs. This was March, but the weather had been horribly cold and everywhere there were mounds of blackened snow. As we moved slowly through the outskirts of the town we passed row after row of little grey slum houses running at right angles to the embankment. At the back of one of the houses a young woman was kneeling on the stones, poking a stick up the leaden waste-pipe which ran from the sink inside and which I suppose was blocked. I had time to see everything about her—her sacking apron, her clumsy clogs, her arms reddened by the cold. She looked up as the train passed, and I was almost near enough to catch her eye. She had a round pale face, the usual exhausted face of the slum girl who is twenty-five and looks forty, thanks to miscarriages and drudgery; and it wore, for the second in which I saw it, the most desolate, hopeless expression I have ever-seen. It struck me then that we are mistaken when we say that ‘It isn’t the same for them as it would be for us,’ and that people bred in the slums can imagine nothing but the slums. For what I saw in her face was not the ignorant suffering of an animal. She knew well enough what was happening to her—understood as well as I did how dreadful a destiny it was to be kneeling there in the bitter cold, on the slimy stones of a slum backyard, poking a stick up a foul drain-pipe."
"To begin with, there is the frightful debauchery of taste that has already been effected by a century of mechanisation. This is almost too obvious and too generally admitted to need pointing out. But as a single instance, take taste in its narrowest sense - the taste for decent food. In the highly mechanical countries, thanks to tinned food, cold storage, synthetic flavouring matters, etc., the palate it almost a dead organ. As you can see by looking at any greengrocer’s shop, what the majority of English people mean by an apple is a lump of highly-coloured cotton wool from America or Australia; they will devour these things, apparently with pleasure, and let the English apples rot under the trees. It is the shiny, standardized, machine-made look of the American apple that appeals to them; the superior taste of the English apple is something they simply do not notice. Or look at the factory-made, foil wrapped cheeses and ‘blended’ butter in an grocer’s; look at the hideous rows of tins which usurp more and more of the space in any food-shop, even a dairy; look at a sixpenny Swiss roll or a twopenny ice-cream; look at the filthy chemical by-product that people will pour down their throats under the name of beer. Wherever you look you will see some slick machine-made article triumphing over the old-fashioned article that still tastes of something other than sawdust. And what applies to food applies also to furniture, houses, clothes, books, amusements and everything else that makes up our environment. These are now millions of people, and they are increasing every year, to whom the blaring of a radio is not only a more acceptable but a more normal background to their thoughts than the lowing of cattle or the song of birds. The mechanisation of the world could never proceed very far while taste, even the taste-buds of the tongue, remained uncorrupted, because in that case most of the products of the machine would be simply unwanted. In a healthy world there would be no demand for tinned food, aspirins, gramophones, gas-pipe chairs, machine guns, daily newspapers, telephones, motor-cars, etc. etc.; and on the other hand there would be a constant demand for the things the machine cannot produce. But meanwhile the machine is here, and its corrupting effects are almost irresistible. One inveighs against it, but one goes on using it. Even a bare-arse savage, given the change, will learn the vices of civilisation within a few months. Mechanisation leads to the decay of taste, the decay of taste leads to demand for machine-made articles and hence to more mechanisation, and so a vicious circle is established."
"To write books you need not only comfort and solitude—and solitude is never easy to attain in a working-class home—you also need piece of mind. You can't settle in to anything, you can't command the spirit of hope in which anything has got to be created, with that dull evil cloud of unemployment hanging over you."
"Words are such feeble things."
"It is only when you meet someone of a different culture from yourself that you begin to realise what your own beliefs really are."
"This is the inevitable fate of the sentimentalist. All his opinions change into their opposites at the first brush of reality."
"If there is one man to whom I do feel myself inferior, it is a coal-miner."
"The train bore me away, through the monstrous scenery of slag-heaps, chimneys, piled scrap-iron, foul canals, paths of cindery mud criss-crossed by the prints of clogs. This was March, but the weather had been horribly cold and everywhere there were mounds of blackened snow. As we moved slowly through the outskirts of the town we passed row after row of little grey slum houses running at right angles to the embankment. At the back of one of the houses a young woman was kneeling on the stones, poking a stick up the leaden waste-pipe which ran from the sink inside and which I suppose was blocked. I had time to see everything about her—her sacking apron, her clumsy clogs, her arms reddened by the cold. She looked up as the train passed, and I was almost near enough to catch her eye. She had a round pale face, the usual exhausted face of the slum girl who is twenty-five and looks forty, thanks to miscarriages and drudgery; and it wore, for the second in which I saw it, the most desolate, hopeless expression I have ever-seen. It struck me then that we are mistaken when we say that ‘It isn’t the same for them as it would be for us,’ and that people bred in the slums can imagine nothing but the slums. For what I saw in her face was not the ignorant suffering of an animal. She knew well enough what was happening to her—understood as well as I did how dreadful a destiny it was to be kneeling there in the bitter cold, on the slimy stones of a slum backyard, poking a stick up a foul drain-pipe."
"To begin with, there is the frightful debauchery of taste that has already been effected by a century of mechanisation. This is almost too obvious and too generally admitted to need pointing out. But as a single instance, take taste in its narrowest sense - the taste for decent food. In the highly mechanical countries, thanks to tinned food, cold storage, synthetic flavouring matters, etc., the palate it almost a dead organ. As you can see by looking at any greengrocer’s shop, what the majority of English people mean by an apple is a lump of highly-coloured cotton wool from America or Australia; they will devour these things, apparently with pleasure, and let the English apples rot under the trees. It is the shiny, standardized, machine-made look of the American apple that appeals to them; the superior taste of the English apple is something they simply do not notice. Or look at the factory-made, foil wrapped cheeses and ‘blended’ butter in an grocer’s; look at the hideous rows of tins which usurp more and more of the space in any food-shop, even a dairy; look at a sixpenny Swiss roll or a twopenny ice-cream; look at the filthy chemical by-product that people will pour down their throats under the name of beer. Wherever you look you will see some slick machine-made article triumphing over the old-fashioned article that still tastes of something other than sawdust. And what applies to food applies also to furniture, houses, clothes, books, amusements and everything else that makes up our environment. These are now millions of people, and they are increasing every year, to whom the blaring of a radio is not only a more acceptable but a more normal background to their thoughts than the lowing of cattle or the song of birds. The mechanisation of the world could never proceed very far while taste, even the taste-buds of the tongue, remained uncorrupted, because in that case most of the products of the machine would be simply unwanted. In a healthy world there would be no demand for tinned food, aspirins, gramophones, gas-pipe chairs, machine guns, daily newspapers, telephones, motor-cars, etc. etc.; and on the other hand there would be a constant demand for the things the machine cannot produce. But meanwhile the machine is here, and its corrupting effects are almost irresistible. One inveighs against it, but one goes on using it. Even a bare-arse savage, given the change, will learn the vices of civilisation within a few months. Mechanisation leads to the decay of taste, the decay of taste leads to demand for machine-made articles and hence to more mechanisation, and so a vicious circle is established."
"To write books you need not only comfort and solitude—and solitude is never easy to attain in a working-class home—you also need piece of mind. You can't settle in to anything, you can't command the spirit of hope in which anything has got to be created, with that dull evil cloud of unemployment hanging over you."
"Words are such feeble things."