Scan barcode
mylargirl's review against another edition
challenging
dark
emotional
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.75
"It was simply that, in admiring the house, I wanted to possess a piece of it--or rather, as if the admiration itself, which I suspected a more ordinary child would not have felt, entitled me to it. I was like a man, I suppose, wanting a lock of hair from the head of a girl he had suddenly and blindingly become enamoured of."
The above passage, in the opening pages of The Little Stranger tells you all you need to know to understand the horrifying events which follow.
The dull protagonist, Dr Faraday, presents himself to the reader as a rational, unbiased observer of the misfortunes that befall the occupants of Hundreds Hall, but is he really?
The Little Stranger is many things at once. On its surface it is a gothic horror story in the tradition of The Turn of the Screw and The Haunting of Hill House. It is also an examination of the shifting class structure of post war England, and a feminist take on the gothic tradition of the damsel in distress who must be rescued by a pure-hearted male hero. But who is the hero here and who (or what) is the villain?
I have to admit that at times I found reading this book frustrating. I wanted to yell at the characters to get away from the obvious source of their torment. But of course, that is the point. The victims in the book are trapped in their roles and can't stop what is coming to them.
Part of the fun in reading a story told from the point of an unreliable narrator is in determining what is fact, what is malicious misdirection and what is wishful thinking. The final paragraphs make the true source of the evil at Hundreds Hall clear, but to anyone who has been paying attention, it is less of a shocking revelation and more of a sickening confirmation of what we suspected all along.
The above passage, in the opening pages of The Little Stranger tells you all you need to know to understand the horrifying events which follow.
The dull protagonist, Dr Faraday, presents himself to the reader as a rational, unbiased observer of the misfortunes that befall the occupants of Hundreds Hall, but is he really?
The Little Stranger is many things at once. On its surface it is a gothic horror story in the tradition of The Turn of the Screw and The Haunting of Hill House. It is also an examination of the shifting class structure of post war England, and a feminist take on the gothic tradition of the damsel in distress who must be rescued by a pure-hearted male hero. But who is the hero here and who (or what) is the villain?
I have to admit that at times I found reading this book frustrating. I wanted to yell at the characters to get away from the obvious source of their torment. But of course, that is the point. The victims in the book are trapped in their roles and can't stop what is coming to them.
Part of the fun in reading a story told from the point of an unreliable narrator is in determining what is fact, what is malicious misdirection and what is wishful thinking. The final paragraphs make the true source of the evil at Hundreds Hall clear, but to anyone who has been paying attention, it is less of a shocking revelation and more of a sickening confirmation of what we suspected all along.
Content Warnings
Graphic: Animal death, Misogyny, Suicide, Violence, and Gaslighting
Moderate: Domestic abuse, Sexual assault, and Sexual harassment
annaki_laila's review against another edition
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.5
A gothic novel that forgets it's supposed to be a gothic novel. The first third is promising, the supernatural elements begin to appear and the suspense is there. Then halfway through, the narrator swiftly becomes unlikeable as he initiates a relationship with one of the main characters (with an age gap of over a decade and some generally uncomfortable vibes). The relationship should've been a subplot at most, but it begins to take up far too many pages, and as it continues the narrator just gets more and more selfish and irritating. I began skim-reading some parts at this point because there were so many pages of stuff that was annoying and unrelated to the whole supernatural plot. Having finished the book now, I can safely say that the relationship being romantic was unnecessary. Whatever overarching points about class were being made (which weren't as strong as I thought they'd be based on the blurb anyway) could've been made with the relationship being purely platonic. Anyway!! Rant over, save your time and probably just don't read this book, or read it with lowered expectations, because it really doesn't contain much 'gripping' or 'chilling' content like the blurb describes.
Content Warnings
Graphic: Death, Suicide, Forced institutionalization, Death of parent, and Fire/Fire injury
Moderate: Animal death, Panic attacks/disorders, Self harm, Medical content, Grief, and Alcohol
Minor: Racial slurs and Sexual assault