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lizziaha's review against another edition
4.0
In my journey to read all of Toni Morrison’s books in publication order, this has been my favorite to read so far. Oddly, it’s the one that I’ve enjoyed the language itself the least, but the plot felt tighter-knit. I think this book had a lot to say about who you’re in community with and how that affects your actions, and it was compelling to see Milkman finding his people after a life of relative isolation. And the way that isolation was woven into the story from the very beginning goes a long way to show how we can bring it upon ourselves.
Content Warnings
Graphic: Incest, Racism, and Classism
Moderate: Adult/minor relationship, Animal death, Cursing, Death, Gun violence, Hate crime, Racial slurs, Sexual content, Grief, Stalking, Death of parent, and Murder
barry_x's review against another edition
adventurous
emotional
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
This book is stunning. Upon it's conclusion I needed to sit and exhale and let all the emotions I was feeling fall over me. All day long I have been thinking about the characters, the themes, what the book is about and what it means. It's a book which draws you in, you're not sure what it is about but each chapter not only tells you a little more, it makes you reconsider your perspectives as you learn what is happening in the world from another characters point of view. However, the reader is never assaulted with a 'a-ha' moment, like they are manipulated with a twist. Rather the reader explores, learns and discovers the characters histories alongside them.
Ostensibly, the novel is the story of Milkman. The story follows his life from his birth to his middle age as we learn who he is, where he has come from and who he will become. Milkman's birth name is Macon Dead. Which is his father's name, and his father's name before him. His grandfather named thus because a drunken white man registering the freed slaves name after mishearing where he had come from and giving him the surname after hearing of Macon's parents being deceased.
This book, is a book about identity, about who we are, about who names us, and the legacy those names carry. There is so much going on in just the naming of the characters. The women of the Dead family are named after characters in the Bible, in some cases by illiterate men. We have Pilate, Reba and Hagar, Magdalene known as Lena and Corinthians. Named based on a flick through a book I question what identity these girls have in a white and male world. It made me think about the naming of people and what they actually 'own' with a name.
Milkman's name has it's history which is identified early in the novel, and yet all his male peers have nicknames too. Are the nicknames a way of claiming an identity beyond what a parent (and perhaps a white man) once gave them? An act of independence?
Morrison's writing is beautiful, engaging. I was drawn into the story almost immediately, but it is a story that takes it's time with the reader. Each chapter has a different perspective, or jumps ahead a bunch of years as we follow Milkman from birth, to boyhood to adolescence and adulthood. It does feel as though each chapter is self-contained, and yet the sum of the parts are much greater than the themes and stories within. One can't help but be touched by the stories within. I felt I cared throughout the book as we followed generations of the Dead family.
And yet, whilst I cared, I found myself disliking or even reviling characters - particularly Milkman's parents. And then a chapter or two later I am emphasising with them, and in turn, disliking our central character and his friend. Every character in the book is worthy of care, but many of them are not especially likeable.
This is a story of inter-generational families learning who they are, and discovering their past. Written in the 1970's it also feels like an emergence of black America and it's recognition of, and shaking off of its trauma from slavery and the impact this has on the collective psyche a century later. There are motifs throughout of wanting to fly, to escape, but also with the notion that if one flies that one will fall and others will be left picking up the pieces. One can almost trace the trajectory of black America throughout the 20th century, of starting anew and making something of oneself, of the constant impact of systemic racism, of a black radicalism and what it means if one leaves their culture and people behind.
I read this as part of a 'speculative fiction by authors of colour' challenge, and the speculative elements are light in here. This book though is rooted in a magical realism tradition though. There may or may not be ghosts. People may or may not be able to fly. The fantastical weaves nonchalantly with the mundane. My overwhelming impression is that this is a novel of stories, of oral traditions, and of families. Each reader will get something different about it. Is it a critique of black men expecting women to do their labour? Is it a critique on black capitalism? Is it a story about fathers and sons, or a story about wives and daughters? I can't really say other than feeling that I'll be thinking of this novel for a long time.
Ostensibly, the novel is the story of Milkman. The story follows his life from his birth to his middle age as we learn who he is, where he has come from and who he will become. Milkman's birth name is Macon Dead. Which is his father's name, and his father's name before him. His grandfather named thus because a drunken white man registering the freed slaves name after mishearing where he had come from and giving him the surname after hearing of Macon's parents being deceased.
This book, is a book about identity, about who we are, about who names us, and the legacy those names carry. There is so much going on in just the naming of the characters. The women of the Dead family are named after characters in the Bible, in some cases by illiterate men. We have Pilate, Reba and Hagar, Magdalene known as Lena and Corinthians. Named based on a flick through a book I question what identity these girls have in a white and male world. It made me think about the naming of people and what they actually 'own' with a name.
Milkman's name has it's history which is identified early in the novel, and yet all his male peers have nicknames too. Are the nicknames a way of claiming an identity beyond what a parent (and perhaps a white man) once gave them? An act of independence?
Morrison's writing is beautiful, engaging. I was drawn into the story almost immediately, but it is a story that takes it's time with the reader. Each chapter has a different perspective, or jumps ahead a bunch of years as we follow Milkman from birth, to boyhood to adolescence and adulthood. It does feel as though each chapter is self-contained, and yet the sum of the parts are much greater than the themes and stories within. One can't help but be touched by the stories within. I felt I cared throughout the book as we followed generations of the Dead family.
And yet, whilst I cared, I found myself disliking or even reviling characters - particularly Milkman's parents. And then a chapter or two later I am emphasising with them, and in turn, disliking our central character and his friend. Every character in the book is worthy of care, but many of them are not especially likeable.
This is a story of inter-generational families learning who they are, and discovering their past. Written in the 1970's it also feels like an emergence of black America and it's recognition of, and shaking off of its trauma from slavery and the impact this has on the collective psyche a century later. There are motifs throughout of wanting to fly, to escape, but also with the notion that if one flies that one will fall and others will be left picking up the pieces. One can almost trace the trajectory of black America throughout the 20th century, of starting anew and making something of oneself, of the constant impact of systemic racism, of a black radicalism and what it means if one leaves their culture and people behind.
I read this as part of a 'speculative fiction by authors of colour' challenge, and the speculative elements are light in here. This book though is rooted in a magical realism tradition though. There may or may not be ghosts. People may or may not be able to fly. The fantastical weaves nonchalantly with the mundane. My overwhelming impression is that this is a novel of stories, of oral traditions, and of families. Each reader will get something different about it. Is it a critique of black men expecting women to do their labour? Is it a critique on black capitalism? Is it a story about fathers and sons, or a story about wives and daughters? I can't really say other than feeling that I'll be thinking of this novel for a long time.
Content Warnings
Moderate: Animal death, Child abuse, Incest, Racial slurs, and Racism
Minor: Deadnaming, Slavery, Murder, and Toxic friendship
arrowlyn's review against another edition
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Content Warnings
Graphic: Death and Racial slurs
Minor: Animal death
mmefish's review against another edition
emotional
mysterious
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I can't even begin to describe how fantastic this book is; I've tried multiple times. Just read it and see for yourself.
One of the best things I've ever read.
One of the best things I've ever read.
Tears streamed down his face and he cradled the barrel of the shotgun in his arms as though it were the woman he had been begging for, searching for, all his life. "Gimme hate, Lord," he whimpered. "I'll take hate any day . But don't give me love. I can't take no more love, Lord. I can't carry it. It's too heavy.
"You stupid, man. Real stupid. Ain't no law for no colored man except the one sends him to the chair," said Guitar.
"They say Till had a knife," Freddie said.
"They always say that. He could of had a was of Hubble gum, they'd swear it was a hand grenade."
Content Warnings
Graphic: Animal death, Incest, and Violence
Moderate: Misogyny and Abortion
kari_g's review against another edition
adventurous
mysterious
reflective
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
5 stars implies that I recommend it, and I really don’t. If you aren’t gonna tough it out, then it isn’t worth your time, but if you make it to the end, it’s truly life changing. I am better for having read this book.
Content Warnings
Graphic: Adult/minor relationship, Cursing, Death, Incest, Racial slurs, Racism, Sexual content, Suicide, Terminal illness, Toxic relationship, Violence, Blood, Murder, Pregnancy, and Toxic friendship
Moderate: Animal death, Drug use, Emotional abuse, Gun violence, Hate crime, Homophobia, Infertility, Pedophilia, Physical abuse, Rape, Slavery, Terminal illness, Vomit, Police brutality, Grief, Stalking, Death of parent, and Classism
Minor: Alcoholism, Body shaming, Confinement, Infidelity, Excrement, Religious bigotry, and Schizophrenia/Psychosis
zeldazonks's review against another edition
challenging
emotional
mysterious
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Took me a little bit to get into it and then I devoured most of it in one sitting because Toni Morrison's writing is just so good. Incredible book. Felt a bit more accessible than Beloved and was less emotionally devastating, but still just so good.
Content Warnings
Moderate: Addiction, Animal death, Death, Domestic abuse, Gun violence, Incest, Racial slurs, Racism, Sexism, Slavery, Toxic relationship, Grief, Stalking, Murder, Pregnancy, and Abandonment
calais_'s review against another edition
challenging
dark
informative
reflective
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Understanding that the character I relate most to is Milkman is terrifying.
Content Warnings
Graphic: Animal death, Domestic abuse, Incest, Racism, and Violence
vonhappy6894's review against another edition
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.25
Content Warnings
Moderate: Animal death, Racial slurs, Suicide, Toxic relationship, Stalking, and Murder
gw7's review against another edition
challenging
dark
emotional
funny
hopeful
inspiring
mysterious
reflective
sad
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I'm going to be thinking about this book for a long time.
Masterfully weaved. There were times when I wasn't sure if it was going to be, after being let down by so many supposed 'masterpieces' that were just ignorant. I don't think I've ever read such a book about inter-generational trauma and, honestly, it was convicting. Because I didn't know where it was going or what type of book it was (this was my first Morrison) she did nearly lose me a few times towards the middle of the book and then going into part 2, and I even read through some reviews to decide whether or not to even carry on, but if that's where you are but are, like myself, interested in the themes of the book, I would encourage you to keep reading.
I don't often/ever really say that a I was too dumb for a book, as I generally feel like that's rarely the case for anyone aside from literally just above our understanding non-fiction for instance, but yeah, I was too dumb for this book. Specifically the ending but also just throughout: I'm too young, too dumb, did not give enough time or thought or attention to it. But all I mean by that is that I'm sure this book will continue to unfold in my mind throughout my lifetime and I feel I could genuinely glean something new from it every re-read.
Masterfully weaved. There were times when I wasn't sure if it was going to be, after being let down by so many supposed 'masterpieces' that were just ignorant. I don't think I've ever read such a book about inter-generational trauma and, honestly, it was convicting. Because I didn't know where it was going or what type of book it was (this was my first Morrison) she did nearly lose me a few times towards the middle of the book and then going into part 2, and I even read through some reviews to decide whether or not to even carry on, but if that's where you are but are, like myself, interested in the themes of the book, I would encourage you to keep reading.
I don't often/ever really say that a I was too dumb for a book, as I generally feel like that's rarely the case for anyone aside from literally just above our understanding non-fiction for instance, but yeah, I was too dumb for this book. Specifically the ending but also just throughout: I'm too young, too dumb, did not give enough time or thought or attention to it. But all I mean by that is that I'm sure this book will continue to unfold in my mind throughout my lifetime and I feel I could genuinely glean something new from it every re-read.
Content Warnings
Graphic: Racism
Moderate: Animal death, Pedophilia, and Murder
Minor: Domestic abuse and Homophobia
ramonaleanna's review against another edition
adventurous
emotional
hopeful
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? It's complicated
4.5
The best part of Morrison's novels, to me, are the fact that her characters are so deeply and authentically flawed and, all the while, she makes it so easy to feel compassion and empathy toward them as she weaves the past into the present.
Content Warnings
Moderate: Death, Racism, Violence, and Murder
Minor: Animal death