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el_viral's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
5.0
Moderate: Racism and Xenophobia
Minor: Death
biobeetle's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.25
Graphic: Chronic illness and Death
Moderate: Xenophobia and Colonisation
Minor: Body horror
forest240's review against another edition
- Plot- or character-driven? Character
- Loveable characters? Yes
- Diverse cast of characters? No
3.5
Moderate: Death
Minor: Racism and Xenophobia
withlivjones's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
Moderate: Racism and Xenophobia
greenan26's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
2.0
Moderate: Drug use, Hate crime, Misogyny, Racism, Sexism, Xenophobia, Islamophobia, Religious bigotry, Colonisation, and Deportation
Minor: Biphobia and Homophobia
flashandoutbreak's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.75
Graphic: Racial slurs, Xenophobia, and Medical content
erebus53's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
5.0
This was published in 2016, in a UK that was harrowed by the conflict of Brexit and the U.S.A. Presidential Election, so the ending of an era is tied poetically into the autumnal season. This book is more poetry than prose, in some cases literally.
Telling the story of a young Art professor, who is likely to be laid off shortly due to budget cuts, we learn of her childhood and a deep loving friendship that she built with her elderly neighbour. As an old man when they met, he is now over 100 years old and in palliative care, so she makes regular trips to his bedside to read him books.
Thematically, this is a really complex interplay. Through a platonic love affair, with a man who idolises the pop-art created by a woman known for being a wild and affronting naked artist, we see the separation of sex and love. Through the graffiti on walls we see conversations unfold, of protest and the demand for change. "GO HOME!" "I'm already here thanks" speaks volumes about conflict and the attitudes of the British people. Through games shared by an old man and a little girl, we learn to play with words, play with images, and play with the words we use to describe images, and the images we use to describe ideas... and interpret and re-interpret the things in front of us. *breeath!*
Yes this could all be quite navel-gazey, but it is emotionally resonant. A fatherless child, a lonely mother, a wish to meet celebrity, a desire to be recognised as an expert, the want to be taken seriously, the low expectations that have been held of women over the years, expectations, presumptions and interpretations, and misunderstandings, and dreams, and unpredictable nature... life protracted, and life cut short.
Oh hang it.. if reading literature makes me speak in big impenetrable words, then reading symbolic poetical stuff that's grounded in everyday humdrum, makes me sound waffley and artistical. This is not an artistical book.. it's a good quick read, and probably worth re-reading. The dry and quick wit makes it utterly hilarious in places, and the people feel real, flawed, and loveable. I am not quite moved to paint, or throw barometers at electric fences.
Graphic: Cancer, Cursing, Death, Drug use, Misogyny, Sexism, Xenophobia, and Grief
Moderate: Hate crime, Homophobia, and Terminal illness
Minor: Adult/minor relationship, Mental illness, and Sexual content
thesupermassive's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.75
Moderate: Misogyny and Xenophobia
Minor: Medical content
deedireads's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.5
TL;DR REVIEW:
The first book in Ali Smith’s Seasonal Quartet is a stunner, even if it makes you work a little bit for the payoff. Her prose is just so good and this book is beautiful.
For you if: You like the challenge of a novel that doesn’t have a straightforward plot.
FULL REVIEW:
I’m long overdue for my journey with Ali Smith’s Seasonal Quartet, so when my dear IRL friend and fellow bookstagrammer @caseys_chapters announced a year-long buddy read, I jumped at the chance. We read Autumn in November, and (as expected) I loved it.
The book is about a woman named Elisabeth who has been friends with an old man named Daniel, who lived next door to her mother, since she was a kid. They have a strong bond that was built on candor and curiosity and a love of art. We flash back between past conversations and the present, when Daniel is unconscious in a nursing home and Elisabeth visits regularly. The “present day” takes place amidst the Brexit vote, and the feeling prevalent in England at the time pervades the story.
As you might expect from the title, this book deals with themes of change, endings, and nostalgia. What Ali Smith does so well here (besides just like, everything about her prose) is mix the temperature of the nation in with British cultural references and banality and humor (see: the post office scene). This book evokes so much FEELING, even if sometimes you aren’t even sure why you’re feeling so much. You’ll also fall deeply in love with Elisabeth and Daniel’s relationship, as I did.
I will say that this isn’t a very super straightforward book, and it might not be for everyone. It’s almost poetic, but on a novel level vs a sentence level. I may have even read it too quickly myself to have gotten everything it has to offer, and I expect a reread would be super fulfilling.
Can’t wait to read the rest of the quartet!
Graphic: Death and Terminal illness
Moderate: Xenophobia
savvylit's review against another edition
- Plot- or character-driven? Character
- Loveable characters? Yes
4.0
Graphic: Terminal illness, Xenophobia, and Medical content
Moderate: Death