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marthaos's review against another edition
dark
emotional
hopeful
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
This is a really well-written book, a story whose plot involves a tragedy outlined in the opening sequence, but which turns out to be much more than the procedural it is set up to be. It is a wonderful character study, a look at a time in social history that is bleak and rife with a sort of opportunism that thrives on judgment and cover-ups and where if a person is down, they are down.
The Greens move to London from Ireland in the eighties to escape the judgment and social castigation that a teenage pregnancy would bring. Carmel, young, beautiful and with an imagined future of success, has to sacrifice much of what she wanted for herself but despite the sacrifices, cannot give herself to motherhood fully, remaining detached and cold towards her child Lucy. Lucy is the ten-year-old in question accused and questioned about the tragedy involving Mia, and when reporter Tom gets hold of the story, we see how a family can be scapegoated for no reason other than their position in society.
Through wonderfully rich character portrayals and descriptions, we learn how a series of ordinary human failings can compound a family, how shame and secrecy can feed off each other and over time smother a family and stop any growth. As we learn about the various members, we see how alcoholism and addiction can burn deep, we see how dreams and hopes can be buried in a culture of shame and failure and ultimately how it takes an open and brave confrontation with truth to break the cycles that can keep a family bound.
While this was quite a dark book, it was nuanced in its tone. The characters were very believably portrayed; ordinary humans who were neither vilified nor deified but who were navigating this life as best they could.
Overall this was a rich and immersive read and the Green family will stay with me for a long time and the quality of writing made it an enriching and enjoyable listen.
The Greens move to London from Ireland in the eighties to escape the judgment and social castigation that a teenage pregnancy would bring. Carmel, young, beautiful and with an imagined future of success, has to sacrifice much of what she wanted for herself but despite the sacrifices, cannot give herself to motherhood fully, remaining detached and cold towards her child Lucy. Lucy is the ten-year-old in question accused and questioned about the tragedy involving Mia, and when reporter Tom gets hold of the story, we see how a family can be scapegoated for no reason other than their position in society.
Through wonderfully rich character portrayals and descriptions, we learn how a series of ordinary human failings can compound a family, how shame and secrecy can feed off each other and over time smother a family and stop any growth. As we learn about the various members, we see how alcoholism and addiction can burn deep, we see how dreams and hopes can be buried in a culture of shame and failure and ultimately how it takes an open and brave confrontation with truth to break the cycles that can keep a family bound.
While this was quite a dark book, it was nuanced in its tone. The characters were very believably portrayed; ordinary humans who were neither vilified nor deified but who were navigating this life as best they could.
Overall this was a rich and immersive read and the Green family will stay with me for a long time and the quality of writing made it an enriching and enjoyable listen.
Content Warnings
Moderate: Addiction, Child abuse, Child death, Death, Emotional abuse, Infidelity, Sexual assault, Grief, Death of parent, and Pregnancy
alicroz34's review against another edition
dark
reflective
tense
medium-paced
4.5
I wish I spent more time writing down my favourite quotes, but I only clued in at the end how much I wanted to remember them. Here's two from the end:
She was trying to accept that she couldn't force her reactive honesty on others, couldn't speak into their silences for them.
She was trying to accept that she couldn't force her reactive honesty on others, couldn't speak into their silences for them.
The trying would be the life's work, they both understood this.
Content Warnings
Graphic: Abortion
Moderate: Addiction and Child death
victoria_catherine_shaw's review against another edition
challenging
dark
emotional
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Moderate: Addiction, Child death, Death, Death of parent, Pregnancy, Abandonment, and Alcohol
_inge's review against another edition
dark
hopeful
reflective
slow-paced
- Plot- or character-driven? Character
- Flaws of characters a main focus? Yes
3.5
This was a pageturner! And not necessarily because of the crime - this is the catalyst for uncovering the family’s story, the act itself doesn’t take center stage. I was invested in all the members of the Green’s family ánd Tom, so I was keen to keep reading to figure out how everyone related to each other.
This book doesn’t use quotation marks, and the numbered chapters usually indicate a shift in perspective. This does make it a bit confusing to follow sometimes. You could be reading multiple chapters from Carmel’s perspective, only to find a chapter from Ritchie’s point of view following those up without a prior warning. There’s quite a few characters to keep up with too, initially. I had to backtrack sometimes, either to figure out who’s who, but also to see who’s perspective I’m reading from. It doesn’t help that certain segments are paragraphs filled with a character’s thoughts, either.
In the interview on the last pages of my paperback copy, the author states they’d decided to remove major parts featuring Tom’s perspective as the focus should be on the family, not on him. I do get where this is coming from, but at the same time I thought Tom was always meant to be the one tying the story together. He’s the only character completely outside of the family, and he’s pretty one-sided most times (which the family isn’t either). He’s downright awful! But that’s what made his perspectives a nice change. He’s the only character who’s this full of himself, thinks this lowly of others and who has ulterior motives. I found his character fascinating and would’ve liked to see more of him. Once again during my Women’s Prize For Fiction 2024 reading I’m also noticing the blurb doesn’t really do this justice. The blurb made it out to be like Tom is the main focus here, so going into this I thought we’d get a deep delve into how the press works and what they’re capable of to get to a story first. These elements were there, but they never felt that important now.
Similarly, Lucy’s perspective wasn’t needed, in my opinion. In the interview Nolan says she wrote from her perspective when Lucy becomes a teen, to avoid having to write for a kid. But because the writing style doesn’t change from any of the (adult) characters in this book whatsoever, Lucy’s perspective felt a bit off. I knew she wouldn’t be thinking in the way she’s described to be doing here, which is lengthy sentences and an expansive vocabulary for how she really feels.
This is a really captivating read, every character felt alive to me. I would’ve liked less of Lucy and more of Tom, but that’s all personal preferences and I get why the author chose to go in this direction instead.
This book doesn’t use quotation marks, and the numbered chapters usually indicate a shift in perspective. This does make it a bit confusing to follow sometimes. You could be reading multiple chapters from Carmel’s perspective, only to find a chapter from Ritchie’s point of view following those up without a prior warning. There’s quite a few characters to keep up with too, initially. I had to backtrack sometimes, either to figure out who’s who, but also to see who’s perspective I’m reading from. It doesn’t help that certain segments are paragraphs filled with a character’s thoughts, either.
In the interview on the last pages of my paperback copy, the author states they’d decided to remove major parts featuring Tom’s perspective as the focus should be on the family, not on him. I do get where this is coming from, but at the same time I thought Tom was always meant to be the one tying the story together. He’s the only character completely outside of the family, and he’s pretty one-sided most times (which the family isn’t either). He’s downright awful! But that’s what made his perspectives a nice change. He’s the only character who’s this full of himself, thinks this lowly of others and who has ulterior motives. I found his character fascinating and would’ve liked to see more of him. Once again during my Women’s Prize For Fiction 2024 reading I’m also noticing the blurb doesn’t really do this justice. The blurb made it out to be like Tom is the main focus here, so going into this I thought we’d get a deep delve into how the press works and what they’re capable of to get to a story first. These elements were there, but they never felt that important now.
Similarly, Lucy’s perspective wasn’t needed, in my opinion. In the interview Nolan says she wrote from her perspective when Lucy becomes a teen, to avoid having to write for a kid. But because the writing style doesn’t change from any of the (adult) characters in this book whatsoever, Lucy’s perspective felt a bit off. I knew she wouldn’t be thinking in the way she’s described to be doing here, which is lengthy sentences and an expansive vocabulary for how she really feels.
This is a really captivating read, every character felt alive to me. I would’ve liked less of Lucy and more of Tom, but that’s all personal preferences and I get why the author chose to go in this direction instead.
Content Warnings
Graphic: Addiction, Adult/minor relationship, Alcoholism, Child death, Death, Drug use, Mental illness, Abortion, Pregnancy, Abandonment, and Alcohol
Moderate: Drug use, Eating disorder, Infidelity, Physical abuse, Self harm, Violence, Vomit, and Death of parent
grunbean's review against another edition
dark
emotional
hopeful
mysterious
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
I read this with a book club, and this is a firm first five star of the year. It is deeply emotional. I have never read the ‘ordinary human failings’ of life like this.
Though centred around a tragic event, this story isn’t focused on this and the answer to it. It explores the stories of the family members and what made them who they are. I wanted to cry when I read the paths the characters were taking. I think it’s very much a book to be read than explained. I will be looking into the others books from this author.
My final thought is a sincere f@!# you to Tom Hargreaves.
Though centred around a tragic event, this story isn’t focused on this and the answer to it. It explores the stories of the family members and what made them who they are. I wanted to cry when I read the paths the characters were taking. I think it’s very much a book to be read than explained. I will be looking into the others books from this author.
My final thought is a sincere f@!# you to Tom Hargreaves.
Content Warnings
Graphic: Addiction, Adult/minor relationship, Alcoholism, Child death, Death, Suicidal thoughts, Death of parent, Pregnancy, Alcohol, and Classism
carolineolesky's review
dark
emotional
sad
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Flaws of characters a main focus? Yes
4.0
I quite liked this book, which focused on a family's trauma and how it unfolds in a mysterious incident amongst children. I feel like the character of Tom had a weird amount of development, you knew quite a bit about him but not enough, personally I would have liked his character to be a it more or less developed. Overall, very well written and a good expose on intergenerational trauma.
Content Warnings
Graphic: Addiction, Alcoholism, Emotional abuse, Mental illness, Abortion, and Alcohol
nrldyer's review against another edition
challenging
dark
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
I shouldn't have read so many reviews of this book as it raised my expectations. However, it was a gripping story and she writes/wrings out character very well. It is v much a book of the sad Irish genre, reminded me of Annie Mac's similar book. I liked the 30 year old timing as it allowed reflections on the media then and the deep interest in depravity which then was somehow deflated through the hacking inquiry. Tom as a character felt like a device rather than a rounded character, the story is really about the family and the tensions that toreqnd what neglect can do to a child. Impressive nonetheless.
Content Warnings
Graphic: Addiction, Adult/minor relationship, Alcoholism, and Abandonment
reads_eats_explores's review against another edition
challenging
dark
emotional
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Set in the 1990s, ambitious reporter Tom Hargreaves stumbles across a scoop: a dead child on a London estate. At the centre of the suspicions are one reclusive family of Irish immigrants; others on the estate call them ‘degenerates’, ‘bad apples’. But are they even to blame, or is this a modern day witch hunt?
Fiercely ambitious Tom is determined to get to the bottom of the events, but he has a brisk disregard for the ‘peasants,’ i.e. anyone, not a celebrity or journalist; he believes that nothing should get in the way of a good story, particularly none of the ‘ordinary human failings’.
Tom convinces the newspaper to put the family up in a hotel with all expenses paid. In the conversations that follow, the family are forced to confront the secrets, prejudices and silences that have trapped them for generations.
Told in a stream-of-consciousness style from various characters' points of view, this adds intimacy and depth to the narrative that would otherwise be difficult to achieve so well here. The author's exploration of love, desire, and mental health is poignant and beautifully done.
Nolan’s characters are tangible and diverse in their physicality and emotion. There is a grittily true sense of the familial ties of the Green family; Nolan’s observation of their inner and outer emotional lives and the predispositions to why they act as they do are spot on.
Ultimately this is a stunning portrait of what it is to struggle in the face of incomprehensible circumstances, of repression, and its resulting damage.
I expected this book to be more like ‘Acts’ a "messy woman" book which I adored, but this is much more of a thriller/mystery. And I loved it; utterly compelling reading. 4.5 ⭐
Thank you to the publisher for an advance copy.
Fiercely ambitious Tom is determined to get to the bottom of the events, but he has a brisk disregard for the ‘peasants,’ i.e. anyone, not a celebrity or journalist; he believes that nothing should get in the way of a good story, particularly none of the ‘ordinary human failings’.
Tom convinces the newspaper to put the family up in a hotel with all expenses paid. In the conversations that follow, the family are forced to confront the secrets, prejudices and silences that have trapped them for generations.
Told in a stream-of-consciousness style from various characters' points of view, this adds intimacy and depth to the narrative that would otherwise be difficult to achieve so well here. The author's exploration of love, desire, and mental health is poignant and beautifully done.
Nolan’s characters are tangible and diverse in their physicality and emotion. There is a grittily true sense of the familial ties of the Green family; Nolan’s observation of their inner and outer emotional lives and the predispositions to why they act as they do are spot on.
Ultimately this is a stunning portrait of what it is to struggle in the face of incomprehensible circumstances, of repression, and its resulting damage.
I expected this book to be more like ‘Acts’ a "messy woman" book which I adored, but this is much more of a thriller/mystery. And I loved it; utterly compelling reading. 4.5 ⭐
Thank you to the publisher for an advance copy.
Content Warnings
Moderate: Addiction, Adult/minor relationship, Alcoholism, Body shaming, Bullying, Child death, Chronic illness, Cursing, Death, Drug use, Eating disorder, Mental illness, Misogyny, Racism, Self harm, Sexual content, Suicidal thoughts, Toxic relationship, Violence, Medical content, Grief, Medical trauma, Abortion, Death of parent, Murder, Pregnancy, Toxic friendship, Alcohol, Dysphoria, Injury/Injury detail, and Classism