Reviews tagging 'Confinement'

The Daughters of Izdihar by Hadeer Elsbai

7 reviews

verinvaldez's review against another edition

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adventurous dark medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.0

I nearly DNFed this book but since it's so short and I was already halfway through I decided to finish it. It wasn't the book I was expecting, I was told it was like Avatar the Last Airbender in an Egyptian-inspired fantasy world and therefore was expecting a major focus on the magic aspect. However this is a book primarily focused on politics, women's suffrage, class and female weavers stuggling to control their abilities.

As other reviews have said, the magic system is the exact same as bending in ATLA. A certain plot point was taken directly from ATLA. 
Spoiler There is a reveal where the waterweaver main character Nehal  accidentally bloodweaves and bloodweaving is highly forbidden and kept secret, I'm pretty sure the reason she gets kidnapped at the end of the book is because she is a bloodweaver and she is going to be used by the enemy kingdom as a weapon.
Which unfortunately made the magic aspect fairly dull because it was too derivative, I expected inspired by ATLA not exactly the same system.

Nehal was a very irritating character, highly stubborn and I found her impossible to like as she appears to be completely disconnected from reality, failing to understand the consequences of her actions and only proceeds to get even angrier when things don't go her way. Nico barely felt like a character, he has somewhat progressive opinions in this world but he just does whatever the plot is asking of him and most of the time he's just pining after Giorgina. Giorgina was the most interesting character to me because she is far more grounded in reality than Nehal and Nico are, however she wasn't compelling.

I am not invested enough in these characters or this world to have any interest in reading the upcoming second book in this duology. Absolutely nothing is resolved by the end of this book, it is all just setup for the next book so don't expect a satisfying ending going into this.

On the positive side, I enjoyed reading a book where the setting is inspired by Egypt, the descriptions of the clothing were fascinating and the political ideas were interesting but the themes weren't married together well.

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quinnyquinnquinn's review against another edition

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adventurous emotional inspiring medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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fromjuliereads's review against another edition

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adventurous challenging tense medium-paced
  • Plot- or character-driven? N/A
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.75

I have too many thoughts so will update with a review later. 

My biggest thought right now: not sure why the magic system was literally lifted out of Avatar the Last Airbender with the only change being "bending" called "weaving" instead...

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ender24's review against another edition

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adventurous emotional informative mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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starrysteph's review against another edition

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dark emotional tense fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.5

The Daughters of Izdihar is filled with elemental magic, female rage, and freedom fighters. However, to me it fell a bit flat and didn’t bring anything new to the genre.

We follow two young women from very different backgrounds in an Egyptian-inspired magical world. 

Nehal is the wealthy daughter of an aristocrat, forced into an arranged marriage in order to save her family from financial ruin. But what she truly wants is to nurture her waterweaving skills and someday join the first ever all-female regiment of the army. 

Giorgina is a poor bookshop worker, struggling to suppress her uncontrollable earth weaving power. She’s in love with a man who cannot publicly be with her and secretly writes for the Daughters of Izdihar, a women’s rights group.

Both women connect unexpectedly as they yearn for women’s equality and struggle to make their own choices and live (& love) freely.

The writing wavered at times - it feels very clear to me that this is a debut. Sentences were often a bit choppy or repetitive, dialogue was unnatural, and the plot felt familiar to many other fantasy reads (elemental magic has been done so often & it wasn’t really included in a new way here).

It was a bit draining to input all the sexism, and to see the women’s rights group fall into the same cycles. New protest idea, it gets squandered by men and/or corrupt politicians and police, women have to reformulate, and so on. This is most of the book, and it’s copied & pasted straight from history.

I also felt like Nehal was a stronger character - with a bit more character development. I was antsier reading from Giorgina’s POV, and didn’t care much for her conflict with her love interest. It felt like she was just one-dimensionally tossed in to suffer at the hands of various men. Contrastingly, Nehal’s growth (both in uncovering the realities of her world and discovering her sexuality) was more engaging.

But even so - the queer plotlines (Nehal’s and a random side character who shows up at two convenient moments) felt underdeveloped. And Nehal’s impulsivity grew a little tiring, alongside her unbelievably fast rise in skill with waterweaving. She also NEVER faced any consequences for her harmful actions … and it’s not particularly clear why she desires to be part of the women’s rights movement in the first place. She can’t even be bothered to read the magazines. 

I felt like there were interesting ideas here - with the setting and with the characters - that simply weren’t explored enough. 

CW: sexism, misogyny, murder, death, homophobia, lesbophobia, police brutality, sexual harassment, sexual assault, classism, gun violence, grief, war, abortion

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(I received a free copy of this book; this is my honest review.)

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incipientdreamer's review against another edition

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adventurous dark emotional hopeful informative inspiring reflective tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25

Buckle up everyone, because this is going to be a loong review. This book fueled my feminist rage and I was in a constantly ranty mode while reading this. A phenomenal debut; I cannot wait to read the sequel after that cliffhanger of an ending!

The Daughters of Izdihar was everything I wanted by a novel marketed as "two women's quest to fight for women's rights in an Egypt-inspired world with elemental magic". I have read a couple of fantasy books that tackle sexism on a large scale, centring on a group of women fighting for their basic human rights, and while I usually enjoy most of them, The Daughters of Izdihar hits home more than those other books. Part of the reason might be because the world feels so real and close to me. I grew up in a conservative South Asian Muslim country where religious dogma and extremism meant that women were treated as sub-human creatures. A lot of the struggles depicted in Elsbai's book are still rampant/normalized in countries such as my own. Not to mention the feminist revolution taking place in Iran is eerily similar to how the Daughters are treated in this book. Elsbai shows us the ugly truth of the patriarchal society we live in, a place where women are denied the right to vote, go out on their own, sign legal documents, and not be allowed to pursue education. This is the reality faced by women and young girls in Afghanistan and Saudia Arabia. Women who dare to speak out are jailed and beaten and abused.

Both of Elsbai's leading characters are unique perspectives on how sexism affects women differently depending on their social class. Nehal, a wealthy sheltered woman, who doesn't really care about the consequences of her actions because she has her wealth and privilege to fall back on is a study of how most rich women might not care about misogyny in society because they are so sheltered. Meanwhile, Giorgina coming from a poor household, and having no security in life has a more muted or hesitant perspective in fighting for her rights. Not to mention the numerous other members of the Daughters who each have their own circumstances and choose to fight their battles accordingly. I feel like depictions like this, show that there is no such thing as a bad feminist.

I loved the character development of both characters, how Nehal eventually opens her eyes to injustice, and how Giorgina finally gains the courage to live her own life, by stepping out of the shadow cast by her controlling father. Another thing I found interesting was how Nico, Giorgina's love interest was shown to be a very passive person when it came to matters that did not affect him that deeply. It showed the lack of initiative by many men who claim to be "allies".

This book is also unapologetically queer which given the community it's set in, hits painfully home for me. The writing is nothing extraordinary but for a debut book, I would say it's still pretty good given other recent debuts. The worldbuilding is lush and you can see the author's love for her culture in the way she describes the foods and architecture. The magic system is very Avatar-style elemental magic, and I'm excited to learn more about Nehal and Giorgina's growing powers in book two.

The Daughters of Izdihar takes the patriarchy and rips it to shreds. We desperately need more WOC writing books about feminism because they shed light on how underprivileged women in underdeveloped countries are still suffering. Unfortunately, the racist bias in the publishing industry is obvious, given the lack of marketing this book had. Seems like people only care about domestic violence when Collen Hoover rights about it...

Thank you to Netgalley and Little Brown Book Group for sending me an e-ARC in exchange for an honest review. All thoughts and opinions are my own 

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gigireadswithkiki's review against another edition

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adventurous emotional tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.75

I loved that this book told a story set in a more modern Egypt! The Daughters of Izdihar tells a harrowing tale of two girls, Nehal and Georgina, both on a journey towards freedom and choice, in a country on the brink of war. I enjoyed role of the technological levels of this story, the juxtaposition between trains and palanquins showcasing a country seemingly on the path to the future while being heavily held back by restrictions on women and their personhood. The colorful descriptions of the fashion, the cuisine, and the architecture were immersive and aids in pulling the reader into the story. 

I liked the magical weaving element of the story, though I felt that at times, this component of the story felt more like an afterthought. The beginning of Nehal's story leads with a burning desire to attend the Weaving Academy due to her struggle to learn the skills of weaving on her own. Yet, the very moment she attains everything she had been striving for, Nehal never has to struggle to rise in strength and skill. Further on in the story, Nehal's fast-learned ability quickly culminates to dire consequences, but I would've liked to see a little more of the Weaving Academy. 

Georgina's journey with weaving, while featuring a wildly contrasting story, had similar tones to Nehal's. With Georgina, I liked that her story showed the difficulties of weaving while coming from a less privileged background. But again, at times, it felt like her weaving abilities only come into the story as a method to lead into the next act of the book and I would've liked to see more of her relationship with her weaving abilities. 

One of my struggle with the story was feeling like there were times when the actions and thoughts of the characters were told to the reader, as opposed to being showed to the reader, leading to the characters occasionally feeling very one-dimensional. For example, upon being given new information, the reader is told Nehal is reflecting on the consequences, without further delving into her thought process involved in the choices she must make about the issue at hand. 

In a story showcasing police brutality and the escalation of violence at the hands of cops, I found it odd and a little distasteful that there was pro-cop rhetoric within this book. When the characters have to deal with the police force, Nehal reflects that "... there were some like Shaaban who were honorable and dedicated to maintaining the peace.." While not being a full endorsement for police, this line of thinking is all too similar to rampant "not all cops" arguments, and I did not enjoy that the issue is not reflected upon further in the story. 

In the end, I did like this book for the magic elements and the setting, and the cliffhanger has me waiting impatiently for the sequel!

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