beldaran1224's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
The world is well rooted in SWANA (South West Asia, North Africa) elements, which gives it a great deal of life and authenticity. The magic system is fun and will appeal to anyone who enjoys "elemental" magic.
The characters were perfectly selected as a lens to view the Daughters of Izdihar (the suffrage organization) through. I also particularly enjoyed the way the author wrote the responses of the various men in the story to the Daughters.
I look forward to the second book in the planned duology!
More details about content warnings: this book goes over a host of issues that women face, many of which can be traumatic for women who have experienced them. Among these are abortion, purity tests (and the sexual violation associated with them), sex shaming, and homophobia. The book does not treat them flippantly, but nor does it linger on them in graphic detail. At all times, the book condemns these things. The book deals honestly with very heavy topics, but it isn't interested in holding them up as entertainment.
Graphic: Sexism and Misogyny
Moderate: Police brutality, Abortion, Domestic abuse, Sexual violence, Religious bigotry, and Murder
Minor: Homophobia, Lesbophobia, and Fire/Fire injury
verinvaldez's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.0
As other reviews have said, the magic system is the exact same as bending in ATLA. A certain plot point was taken directly from ATLA.
Spoiler
There is a reveal where the waterweaver main character Nehal accidentally bloodweaves and bloodweaving is highly forbidden and kept secret, I'm pretty sure the reason she gets kidnapped at the end of the book is because she is a bloodweaver and she is going to be used by the enemy kingdom as a weapon.Nehal was a very irritating character, highly stubborn and I found her impossible to like as she appears to be completely disconnected from reality, failing to understand the consequences of her actions and only proceeds to get even angrier when things don't go her way. Nico barely felt like a character, he has somewhat progressive opinions in this world but he just does whatever the plot is asking of him and most of the time he's just pining after Giorgina. Giorgina was the most interesting character to me because she is far more grounded in reality than Nehal and Nico are, however she wasn't compelling.
I am not invested enough in these characters or this world to have any interest in reading the upcoming second book in this duology. Absolutely nothing is resolved by the end of this book, it is all just setup for the next book so don't expect a satisfying ending going into this.
On the positive side, I enjoyed reading a book where the setting is inspired by Egypt, the descriptions of the clothing were fascinating and the political ideas were interesting but the themes weren't married together well.
Graphic: Sexism, Misogyny, and Confinement
Moderate: Homophobia, Lesbophobia, Violence, Classism, and Biphobia
Minor: War, Gun violence, Abortion, Grief, and Kidnapping
fromjuliereads's review against another edition
- Plot- or character-driven? N/A
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.75
My biggest thought right now: not sure why the magic system was literally lifted out of Avatar the Last Airbender with the only change being "bending" called "weaving" instead...
Graphic: Misogyny, Police brutality, Sexism, and Gaslighting
Moderate: War, Confinement, Emotional abuse, Homophobia, Lesbophobia, Fire/Fire injury, Abortion, Classism, Grief, Gun violence, Outing, Physical abuse, Pregnancy, Death, Injury/Injury detail, Murder, Stalking, and Violence
ender24's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Abandonment, Alcohol, Classism, Domestic abuse, Gaslighting, Gore, Murder, Sexual assault, Toxic friendship, War, Xenophobia, Ableism, Biphobia, Blood, Bullying, Child abuse, Child death, Fire/Fire injury, Genocide, Infidelity, Toxic relationship, Alcoholism, Grief, Gun violence, Lesbophobia, Mass/school shootings, Mental illness, Miscarriage, Misogyny, Outing, Pedophilia, Physical abuse, Religious bigotry, Sexual harassment, Sexual violence, Abortion, Adult/minor relationship, Confinement, Cursing, Death, Death of parent, Hate crime, Homophobia, Injury/Injury detail, Kidnapping, Police brutality, Pregnancy, Rape, Sexism, and Violence
starrysteph's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
Graphic: Sexual assault, Murder, Sexual harassment, Classism, Body shaming, War, Abortion, Misogyny, Gun violence, Death, Homophobia, Confinement, Lesbophobia, Police brutality, Sexism, and Grief
mxkanteven's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
That is all.
This book is perfection, I have no notes and I want the sequel yesterday.
It’s exploration of social misogyny and the relationship between oppressive policies and religious prejudice is nothing short of skillful.
Beyond just that, Hadeer’s commentary on privilege and privileged people’s apathy and cowardice regarding challenging social inequity is brilliant.
Graphic: Misogyny and Violence
Moderate: Sexual harassment, Lesbophobia, Police brutality, and Gun violence
Minor: Homophobia
azrah786's review against another edition
4.5
**I received a proof copy from Orbit Books UK in exchange for an honest review**
CW: violence, gun violence, blood, injury, murder, death, police brutality, sexual harassment, medical trauma, sexism, misogyny, classism, homophobia, lesbophobia, fire/fire injury, grief, abortion
--
An unputdownable debut, The Daughters of Izdihar is a story with captivating magic and a stirring fight for independence.
Set in a lush, historic Egypt inspired fantasy world where a profoundly patriarchal society is as prejudiced to those with rare elemental ‘weaving’ powers as it is to its women, two women’s lives intertwine through the activist group The Daughters of Izdihar and their fight for their rights as both women and weavers.
Our protagonists are Nehal, a noble woman with a fiery disposition coerced into an arranged manage to get her family out of debt, who craves the opportunity to better learn to control her water weaving powers and join the Alamaxa Weaving Academy. And Giorgina, a more reserved and subtly defiant working class woman with earth weaving powers of her own, who’s solace in life comes from contributing to the Daughters of Izdihar and working at a local bookshop.
“There are times when you must speak. Even if you can’t change the other person. If you don’t speak, then they have succeeded in changing you.“
Hadeer Elsbai has done a fantastic job at narrating an engaging storyline that cuts deep at your emotions and the parallels to real world prejudices made it hit all the more harder. I think the mastery particularly comes from how the two perspectives we follow were not only distinct in their personalities, but having two protagonists of different social backgrounds gave the story that much more significance.
They may be different in status and demeanour but Nehal and Giorgina have much in common when it comes to the challenges they face with their families, their relationships/love, their powers and wider society. I found myself equally infuriated and inspired by their individual journeys and the situations they faced and the very real endurance of women that this story lays bare.
“Didn’t the reality of the oppression matter more than the language they used to fight it?”
My main criticism is that while the descriptions and sense of atmosphere of the settings are captured pretty well, I thought the worldbuilding was a little loose especially when it came to the magic system. Though the handful of abilities used throughout the book made for some exciting moments of action, they weren’t really explained or developed on much. We get a few details on the pantheon of Gods that the powers are said to come from and a few training scenes at the academy but the magic definitely had less of a focus than the overarching political plot.
The intrigue here was twofold, that of the more personal human rights level and then the machinations relating to international relations occurring in the background that slowly gained more prominence. The tensions, fast moving narrative and compelling determination of these characters will keep you hooked to the very end. And with how everything closes off in this first instalment I am now going to be counting the days until I can get my hands on book 2!
Final Rating – 4.5/5 Stars
Moderate: Death, Injury/Injury detail, Murder, Police brutality, Medical trauma, Grief, Violence, Blood, Homophobia, Gun violence, Fire/Fire injury, Sexism, Misogyny, Classism, and Lesbophobia
Minor: Sexual harassment and Abortion
gigireadswithkiki's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.75
I liked the magical weaving element of the story, though I felt that at times, this component of the story felt more like an afterthought. The beginning of Nehal's story leads with a burning desire to attend the Weaving Academy due to her struggle to learn the skills of weaving on her own. Yet, the very moment she attains everything she had been striving for, Nehal never has to struggle to rise in strength and skill. Further on in the story, Nehal's fast-learned ability quickly culminates to dire consequences, but I would've liked to see a little more of the Weaving Academy.
Georgina's journey with weaving, while featuring a wildly contrasting story, had similar tones to Nehal's. With Georgina, I liked that her story showed the difficulties of weaving while coming from a less privileged background. But again, at times, it felt like her weaving abilities only come into the story as a method to lead into the next act of the book and I would've liked to see more of her relationship with her weaving abilities.
One of my struggle with the story was feeling like there were times when the actions and thoughts of the characters were told to the reader, as opposed to being showed to the reader, leading to the characters occasionally feeling very one-dimensional. For example, upon being given new information, the reader is told Nehal is reflecting on the consequences, without further delving into her thought process involved in the choices she must make about the issue at hand.
In a story showcasing police brutality and the escalation of violence at the hands of cops, I found it odd and a little distasteful that there was pro-cop rhetoric within this book. When the characters have to deal with the police force, Nehal reflects that "... there were some like Shaaban who were honorable and dedicated to maintaining the peace.." While not being a full endorsement for police, this line of thinking is all too similar to rampant "not all cops" arguments, and I did not enjoy that the issue is not reflected upon further in the story.
In the end, I did like this book for the magic elements and the setting, and the cliffhanger has me waiting impatiently for the sequel!
Graphic: Panic attacks/disorders, Police brutality, and Sexism
Moderate: Blood, Body shaming, Bullying, Classism, Confinement, Death, Homophobia, Lesbophobia, Misogyny, Murder, Outing, and Violence
Minor: War