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vedpears's review against another edition
adventurous
dark
emotional
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.75
Content Warnings
Graphic: Alcoholism, Child abuse, Cursing, Death, Domestic abuse, Physical abuse, Sexism, Toxic relationship, Blood, Grief, Death of parent, Pregnancy, Fire/Fire injury, Abandonment, and Alcohol
Moderate: Classism
Minor: War
nerdatlas5's review against another edition
emotional
hopeful
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
It was an interesting read. The whole books is about how secrets and trauma linger between generations and follow Ann and her mom healing their relationship after Grandma's death, with little inserts from Grandma's ghost as she tells us the secrets that they will never fully know. They are all messy people, but the book has us and them make peace with that. I'd also call the book light on plot. The book moves forward as time moves forward for the characters and the greatest influence on the characters is simply that passage of time. This isn't to say nothing happened, but reading this kinda just felt like floating along through almost a year of Ann's life. Thao Thai does a great job threading the themes of the book throughout the characters' arcs and the plot of the book
The shifting narratives did get in the way a little by halting the momentum of the previous pov, but not enough to make me truly dislike it.
The shifting narratives did get in the way a little by halting the momentum of the previous pov, but not enough to make me truly dislike it.
Content Warnings
Graphic: Domestic abuse and Death of parent
Moderate: Child abuse, Death, Genocide, Physical abuse, Toxic relationship, and Fire/Fire injury
Minor: Infidelity and Racism
marioosa517's review against another edition
emotional
hopeful
mysterious
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: Alcoholism, Child abuse, Death, Domestic abuse, Emotional abuse, Physical abuse, Racism, Violence, Xenophobia, Blood, Grief, Death of parent, Pregnancy, and Injury/Injury detail
Moderate: Animal death, Body horror, Cursing, Infidelity, Mental illness, Sexual content, Medical content, and Fire/Fire injury
Minor: Abandonment
I’bea_reads_books's review against another edition
challenging
emotional
hopeful
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
I can’t believe this is a debut novel 😦 This is genuinely such an incredible book I don’t even know how to put most of my thoughts into words. It kind of reminds me of Hula by ‘Iolani Hakes which I read earlier this month. There are similar themes of generational trauma, imperfect people just doing their best, and the rifts that form between mothers and daughters and how they change over time. There were so many emotional moments, so much I relate to despite being little like these women outside of also being a mother.
Content Warnings
Graphic: Physical abuse and Violence
Moderate: Child abuse, Domestic abuse, Emotional abuse, Infidelity, Toxic relationship, Blood, Grief, Death of parent, and Pregnancy
Minor: Misogyny, Racism, Sexual content, Medical content, Murder, Fire/Fire injury, Gaslighting, Alcohol, War, and Injury/Injury detail
aksmith92's review
emotional
hopeful
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
The Setup: Banyan Moon is a moving and intricately woven debut novel that delves into the lives of three generations of Vietnamese American women: Minh, her daughter Huong, and her granddaughter Ann. From 1960s Vietnam to present-day Florida, the novel explores legacy, identity, and the fraught yet tender relationships between mothers and daughters.
The narrative unfolds with the passing of Minh, the Tran family's matriarch, which prompts Ann to return to her childhood abode, the enigmatic Banyan House, to reconcile with her estranged mother, Huong. Ann, a successful artist grappling with an unexpected pregnancy and a turbulent relationship, embarks on a journey of self-discovery as she and Huong sift through Minh's belongings, unearthing long-buried family secrets.
Through alternating timelines, Thai reveals the rich backstories of each woman. Minh's narrative takes readers from her youth in Vietnam to her struggles as a single mother in America, and even after her death. Huong's story highlights her escape from an abusive marriage, while Ann's journey focuses on her search for identity and understanding within the context of her family's history.
What I Liked: I adored Thai's writing—it was atmospheric and had such emotional depth. There were so many beautiful analogies, metaphors, and quotes. I felt seeped in this novel, and it was a stunning read. Thai also captured the Tran women's complexities through their relationships and individual struggles. The narrative's dual timelines enhanced the reader's understanding of how past traumas and sacrifices shaped the present, making Banyan Moon resonant and thought-provoking. I thoroughly enjoyed Thai's exploration of cultural heritage and family dynamics - there were incredible details in this novel that made it feel real.
Lastly, the novel was infused with a unique blend of magical realism and Southern Gothic elements. Though not essential to the plot, these elements added an ethereal and original touch to the story. They created a world where the boundaries between reality and the supernatural were blurred, enhancing the reader's experience. The poignant examination of love, grief, and forgiveness, combined with this unique blend of genres, made Banyan Moon a captivating read.
What I Didn't Like: While the writing was terrific and the overall storyline was beautiful, where I think it fell flat was character development and nuance. Minh, Huong, and Ann all seemed similar in their emotional capacity, character development, and overall decision-making. In a way, they all seemed emotionally detached from everyone and everything but each other, and I felt like something was missing. Maybe that was the point: generations of women continued the cycle repeatedly. But it was frustrating and didn't provide a lot of nuance to their own individual characters - they just all seemed the same. Additionally, they were not necessarily likable characters, which I could have gotten on board with if they were exciting and nuanced. I think that was lacking here, and I had trouble rooting for (or against) them - I was simply disinterested in their progression. I was thankful to have the plot with a couple of twists along the way to keep me vested because, without that, this would not have been a good read for me. Take it with a grain of salt, though, because I heavily err on the importance of connecting with the characters, their nuance, and their uniqueness.
Also, unexpected pregnancies are not my jam (not a spoiler!); however, it had little sway on my rating because it truly was part of the point.
Lastly, all the trauma, frustration, and anger were tied up so neatly at the end. I don't mind this per se, but I think it made the last 10% feel slightly rushed and thrown together.
Overall, though, this was a beautiful read, and I look forward to seeing what Thao Thai produces in the future.
The narrative unfolds with the passing of Minh, the Tran family's matriarch, which prompts Ann to return to her childhood abode, the enigmatic Banyan House, to reconcile with her estranged mother, Huong. Ann, a successful artist grappling with an unexpected pregnancy and a turbulent relationship, embarks on a journey of self-discovery as she and Huong sift through Minh's belongings, unearthing long-buried family secrets.
Through alternating timelines, Thai reveals the rich backstories of each woman. Minh's narrative takes readers from her youth in Vietnam to her struggles as a single mother in America, and even after her death. Huong's story highlights her escape from an abusive marriage, while Ann's journey focuses on her search for identity and understanding within the context of her family's history.
What I Liked: I adored Thai's writing—it was atmospheric and had such emotional depth. There were so many beautiful analogies, metaphors, and quotes. I felt seeped in this novel, and it was a stunning read. Thai also captured the Tran women's complexities through their relationships and individual struggles. The narrative's dual timelines enhanced the reader's understanding of how past traumas and sacrifices shaped the present, making Banyan Moon resonant and thought-provoking. I thoroughly enjoyed Thai's exploration of cultural heritage and family dynamics - there were incredible details in this novel that made it feel real.
Lastly, the novel was infused with a unique blend of magical realism and Southern Gothic elements. Though not essential to the plot, these elements added an ethereal and original touch to the story. They created a world where the boundaries between reality and the supernatural were blurred, enhancing the reader's experience. The poignant examination of love, grief, and forgiveness, combined with this unique blend of genres, made Banyan Moon a captivating read.
What I Didn't Like: While the writing was terrific and the overall storyline was beautiful, where I think it fell flat was character development and nuance. Minh, Huong, and Ann all seemed similar in their emotional capacity, character development, and overall decision-making. In a way, they all seemed emotionally detached from everyone and everything but each other, and I felt like something was missing. Maybe that was the point: generations of women continued the cycle repeatedly. But it was frustrating and didn't provide a lot of nuance to their own individual characters - they just all seemed the same. Additionally, they were not necessarily likable characters, which I could have gotten on board with if they were exciting and nuanced. I think that was lacking here, and I had trouble rooting for (or against) them - I was simply disinterested in their progression. I was thankful to have the plot with a couple of twists along the way to keep me vested because, without that, this would not have been a good read for me. Take it with a grain of salt, though, because I heavily err on the importance of connecting with the characters, their nuance, and their uniqueness.
Also, unexpected pregnancies are not my jam (not a spoiler!); however, it had little sway on my rating because it truly was part of the point.
Lastly, all the trauma, frustration, and anger were tied up so neatly at the end. I don't mind this per se, but I think it made the last 10% feel slightly rushed and thrown together.
Overall, though, this was a beautiful read, and I look forward to seeing what Thao Thai produces in the future.
Content Warnings
Graphic: Cursing, Domestic abuse, Emotional abuse, Mental illness, Physical abuse, Toxic relationship, Grief, Death of parent, Pregnancy, Fire/Fire injury, Abandonment, Injury/Injury detail, and Classism
Moderate: Alcoholism, Misogyny, Sexual content, Terminal illness, Blood, Murder, and War
Minor: Child abuse, Drug use, and Racism
kappafrog's review against another edition
dark
emotional
informative
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
This book felt like an instant classic. I was totally drawn into the story and read it in two days. It was my first time in a long time reading a family saga like this, and I really enjoyed it.
The writing style is really beautiful. I highlighted so many different passages. Here are a few favourite quotes:
"We would never have to lean on our stories to save us. We'd never need saving at all. Our roots would lift from the earth and carry us someplace where the dread would not pull us down."
"I see Banyan House for what it is: a home for women, a shaggy, worn, and vicious protector of the bruised, the tender."
"How love, for all its treachery, finds me in the last, unexpected moments of light."
"And I didn't tell him that none of it had been wasted at all, because I knew he would not see it that way."
Each of the three main characters was so complicated. Ann was the least sympathetic, as she had a coldness towards her mother that was hard to read at times, but her character growth was really great. My favourite of the three was Huong.I wish we had gotten her voice once again at the end, after the Banyan House burned down. I could tell that a weight had been lifted off her after it was gone, the room where Vinh died finally destroyed like she'd wanted it to be for all those years. I suspect she knew that Phuoc was the one who burned the house down, from some of the hints we got in the dialogue. Whether she confronted him about it and that was why he moved away, I'm not sure. I was really glad that Ann came to appreciate her mother more by the end.
Minh's passages were always so interesting, looking back on her long life. With each of these women, you understood why they did the things they did. I wish I had a more eloquent way of describing how rich the relationships in this book are. You can really feel the weight of the atmosphere of the places described in the book too. The heat and humidity of the Florida summer hangs down over everyone like bugs dancing on the water of a swamp. The Banyan House had such personality, and I loved the way that the folk tale about the moon was woven through.
I was glad that Ann and Wes didn't end up together. Their scenes were often really nice, but Crystal talking about how unhappy Fiona had been made me very wary of him at the end. I was a little disappointed that some of the secrets the Tran women kept weren't communicated to each other, after the ominous passages about how the Banyan House couldn't handle the weight of all the secrets, and neither could they. I also had very mixed feelings about Ann naming her son Bính. It felt like a root to the past that wasn't needed, especially since we knew what a cad the original Bính was, though she of course didn't. It was an odd note for me and I'm not sure how it'll sit with me over time. There was also one mystery that was never addressed, the cryptic references Minh made to "the Lady" who had once owned the house.
I highly recommend this book for anyone who likes family sagas. This one feels like it will be talked about for a long time to come, read in classes and book clubs with discussions of all the symbolism, layers of truth, and revelations that come as the story goes on. It was hard to read at times and is very sad, but the three women were so interesting to read about.
The writing style is really beautiful. I highlighted so many different passages. Here are a few favourite quotes:
"I see Banyan House for what it is: a home for women, a shaggy, worn, and vicious protector of the bruised, the tender."
"How love, for all its treachery, finds me in the last, unexpected moments of light."
"And I didn't tell him that none of it had been wasted at all, because I knew he would not see it that way."
Each of the three main characters was so complicated. Ann was the least sympathetic, as she had a coldness towards her mother that was hard to read at times, but her character growth was really great. My favourite of the three was Huong.
Minh's passages were always so interesting, looking back on her long life. With each of these women, you understood why they did the things they did. I wish I had a more eloquent way of describing how rich the relationships in this book are. You can really feel the weight of the atmosphere of the places described in the book too. The heat and humidity of the Florida summer hangs down over everyone like bugs dancing on the water of a swamp. The Banyan House had such personality, and I loved the way that the folk tale about the moon was woven through.
I highly recommend this book for anyone who likes family sagas. This one feels like it will be talked about for a long time to come, read in classes and book clubs with discussions of all the symbolism, layers of truth, and revelations that come as the story goes on. It was hard to read at times and is very sad, but the three women were so interesting to read about.
Content Warnings
Graphic: Death, Domestic abuse, Misogyny, Physical abuse, Sexual content, Terminal illness, Toxic relationship, Blood, Grief, Death of parent, Murder, Pregnancy, Fire/Fire injury, and Abandonment
Moderate: Alcoholism, Animal death, Child abuse, Cursing, Infidelity, Miscarriage, Racism, Vomit, Medical content, Gaslighting, Alcohol, Sexual harassment, War, Injury/Injury detail, and Classism
Minor: Body horror, Bullying, Drug use, Rape, Sexual assault, Sexual violence, Xenophobia, Stalking, Colonisation, and Pandemic/Epidemic
mj_86's review against another edition
emotional
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Domestic abuse, Murder, and Pregnancy
Moderate: Infidelity, Death of parent, Fire/Fire injury, and War
Minor: Alcoholism, Child abuse, and Miscarriage
machenn's review against another edition
reflective
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Content Warnings
Moderate: Child abuse, Death, Domestic abuse, Death of parent, Pregnancy, and Fire/Fire injury
fkshg8465's review against another edition
emotional
hopeful
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Looks like I’m getting my fill of Vietnamese literature this year. This one was very good. A departure from the model minority story and an irreverence for purity culture. Minh’s perspective was my favorite, and I really loved that she was still narrating after she wouldn’t normally.
Content Warnings
Graphic: Cancer, Child abuse, Domestic abuse, Emotional abuse, Infidelity, Misogyny, Physical abuse, Toxic relationship, Grief, Car accident, Death of parent, Murder, Pregnancy, Fire/Fire injury, Abandonment, and Sexual harassment
futuretreeman's review against another edition
dark
emotional
hopeful
inspiring
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
This book, man. Wrenched at my heart in every way possible. I am a sucker for complicated parental relationships! And does this book have that! The characters are maybe some of the most complex characters I've ever read. They are so full of flaws and can be quite awful to each other. I loved getting to read from each of their POVs. If the story was only written from the perspective of one, I would be inclined to think of the others as the villains of the story. But you just can't, each one makes mistakes and some of them horrible but . . .
I read this book as I am in the folds of moving on from my own broken relationships. We were horrible to each other, in many ways me more than them, just as these characters were horrible to each other. But it was wonderful to see that they could still love, care, and support each other anyway.
My critque?
Thai used a lot of metaphors in her writing and many were beautiful! But there were also many that did not make a whole lot of sense to me. And those little moments took me out of the book a little bit. They multiplied in a way that sometimes made it hard to see past their cliche and into the powerful thoughts they were supposed to be.
This next bit is not a critique to the author. Some of the chapters from Minh's POV also took me away from the story a bit. And I don't think it was because they were poorly written or nonvaluable. I think it was maybe my own afterlife beliefs. Everything in the story is so raw and real, but hearing from the ghost of somebody in that context was strange. I think that because I don't believe in an afterlife, it was hard for those chapters to feel as real to me as the others.
Though I am sure someone who does believe in the afterlife would not have the same qualms with the chapters as I did.
I did find those chapters illuminating to Minh's character though. And when she took us back to her past in Vietnam, how everything started, I was able to fall back into the story; those were wonderful moments.
Every chapter brought us a new twist. Some, granted, quite a lot bigger than others. Thai keeps you coming back from the moment meet our 3 badass women choking on red tide toxins.
Thank you Thao Thai.
I read this book as I am in the folds of moving on from my own broken relationships. We were horrible to each other, in many ways me more than them, just as these characters were horrible to each other. But it was wonderful to see that they could still love, care, and support each other anyway.
My critque?
Thai used a lot of metaphors in her writing and many were beautiful! But there were also many that did not make a whole lot of sense to me. And those little moments took me out of the book a little bit. They multiplied in a way that sometimes made it hard to see past their cliche and into the powerful thoughts they were supposed to be.
This next bit is not a critique to the author. Some of the chapters from Minh's POV also took me away from the story a bit. And I don't think it was because they were poorly written or nonvaluable. I think it was maybe my own afterlife beliefs. Everything in the story is so raw and real, but hearing from the ghost of somebody in that context was strange. I think that because I don't believe in an afterlife, it was hard for those chapters to feel as real to me as the others.
Though I am sure someone who does believe in the afterlife would not have the same qualms with the chapters as I did.
I did find those chapters illuminating to Minh's character though. And when she took us back to her past in Vietnam, how everything started, I was able to fall back into the story; those were wonderful moments.
Every chapter brought us a new twist. Some, granted, quite a lot bigger than others. Thai keeps you coming back from the moment meet our 3 badass women choking on red tide toxins.
Thank you Thao Thai.
Content Warnings
Graphic: Death, Domestic abuse, Emotional abuse, Violence, Grief, Death of parent, Murder, Pregnancy, and Fire/Fire injury
Moderate: Racism, Sexism, and Medical content
Minor: Child abuse, Gaslighting, Alcohol, Colonisation, and Classism