Reviews with content warning for Injury/Injury detail - Banyan Moon

I can’t believe this is a debut novel 😦 This is genuinely such an incredible book I don’t even know how to put most of my thoughts into words. It kind of reminds me of Hula by ‘Iolani Hakes which I read earlier this month. There are similar themes of generational trauma, imperfect people just doing their best, and the rifts that form between mothers and daughters and how they change over time. There were so many emotional moments, so much I relate to despite being little like these women outside of also being a mother.

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aksmith92's review

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emotional hopeful reflective sad medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? No
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.5

The Setup: Banyan Moon is a moving and intricately woven debut novel that delves into the lives of three generations of Vietnamese American women: Minh, her daughter Huong, and her granddaughter Ann. From 1960s Vietnam to present-day Florida, the novel explores legacy, identity, and the fraught yet tender relationships between mothers and daughters.

The narrative unfolds with the passing of Minh, the Tran family's matriarch, which prompts Ann to return to her childhood abode, the enigmatic Banyan House, to reconcile with her estranged mother, Huong. Ann, a successful artist grappling with an unexpected pregnancy and a turbulent relationship, embarks on a journey of self-discovery as she and Huong sift through Minh's belongings, unearthing long-buried family secrets.

Through alternating timelines, Thai reveals the rich backstories of each woman. Minh's narrative takes readers from her youth in Vietnam to her struggles as a single mother in America, and even after her death. Huong's story highlights her escape from an abusive marriage, while Ann's journey focuses on her search for identity and understanding within the context of her family's history.

What I Liked: I adored Thai's writing—it was atmospheric and had such emotional depth. There were so many beautiful analogies, metaphors, and quotes. I felt seeped in this novel, and it was a stunning read. Thai also captured the Tran women's complexities through their relationships and individual struggles. The narrative's dual timelines enhanced the reader's understanding of how past traumas and sacrifices shaped the present, making Banyan Moon resonant and thought-provoking. I thoroughly enjoyed Thai's exploration of cultural heritage and family dynamics - there were incredible details in this novel that made it feel real.

Lastly, the novel was infused with a unique blend of magical realism and Southern Gothic elements. Though not essential to the plot, these elements added an ethereal and original touch to the story. They created a world where the boundaries between reality and the supernatural were blurred, enhancing the reader's experience. The poignant examination of love, grief, and forgiveness, combined with this unique blend of genres, made Banyan Moon a captivating read.

What I Didn't Like: While the writing was terrific and the overall storyline was beautiful, where I think it fell flat was character development and nuance. Minh, Huong, and Ann all seemed similar in their emotional capacity, character development, and overall decision-making. In a way, they all seemed emotionally detached from everyone and everything but each other, and I felt like something was missing. Maybe that was the point: generations of women continued the cycle repeatedly. But it was frustrating and didn't provide a lot of nuance to their own individual characters - they just all seemed the same. Additionally, they were not necessarily likable characters, which I could have gotten on board with if they were exciting and nuanced. I think that was lacking here, and I had trouble rooting for (or against) them - I was simply disinterested in their progression. I was thankful to have the plot with a couple of twists along the way to keep me vested because, without that, this would not have been a good read for me. Take it with a grain of salt, though, because I heavily err on the importance of connecting with the characters, their nuance, and their uniqueness.

Also, unexpected pregnancies are not my jam (not a spoiler!); however, it had little sway on my rating because it truly was part of the point.

Lastly, all the trauma, frustration, and anger were tied up so neatly at the end. I don't mind this per se, but I think it made the last 10% feel slightly rushed and thrown together.

Overall, though, this was a beautiful read, and I look forward to seeing what Thao Thai produces in the future.

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kappafrog's review against another edition

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dark emotional informative reflective sad tense slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.25

This book felt like an instant classic. I was totally drawn into the story and read it in two days. It was my first time in a long time reading a family saga like this, and I really enjoyed it.

The writing style is really beautiful. I highlighted so many different passages. Here are a few favourite quotes:

"We would never have to lean on our stories to save us. We'd never need saving at all. Our roots would lift from the earth and carry us someplace where the dread would not pull us down."

"I see Banyan House for what it is: a home for women, a shaggy, worn, and vicious protector of the bruised, the tender."

"How love, for all its treachery, finds me in the last, unexpected moments of light."

"And I didn't tell him that none of it had been wasted at all, because I knew he would not see it that way."

Each of the three main characters was so complicated. Ann was the least sympathetic, as she had a coldness towards her mother that was hard to read at times, but her character growth was really great. My favourite of the three was Huong.

I wish we had gotten her voice once again at the end, after the Banyan House burned down. I could tell that a weight had been lifted off her after it was gone, the room where Vinh died finally destroyed like she'd wanted it to be for all those years. I suspect she knew that Phuoc was the one who burned the house down, from some of the hints we got in the dialogue. Whether she confronted him about it and that was why he moved away, I'm not sure. I was really glad that Ann came to appreciate her mother more by the end.

Minh's passages were always so interesting, looking back on her long life. With each of these women, you understood why they did the things they did. I wish I had a more eloquent way of describing how rich the relationships in this book are. You can really feel the weight of the atmosphere of the places described in the book too. The heat and humidity of the Florida summer hangs down over everyone like bugs dancing on the water of a swamp. The Banyan House had such personality, and I loved the way that the folk tale about the moon was woven through.

I was glad that Ann and Wes didn't end up together. Their scenes were often really nice, but Crystal talking about how unhappy Fiona had been made me very wary of him at the end. I was a little disappointed that some of the secrets the Tran women kept weren't communicated to each other, after the ominous passages about how the Banyan House couldn't handle the weight of all the secrets, and neither could they. I also had very mixed feelings about Ann naming her son Bính. It felt like a root to the past that wasn't needed, especially since we knew what a cad the original Bính was, though she of course didn't. It was an odd note for me and I'm not sure how it'll sit with me over time. There was also one mystery that was never addressed, the cryptic references Minh made to "the Lady" who had once owned the house.

I highly recommend this book for anyone who likes family sagas. This one feels like it will be talked about for a long time to come, read in classes and book clubs with discussions of all the symbolism, layers of truth, and revelations that come as the story goes on. It was hard to read at times and is very sad, but the three women were so interesting to read about.

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mtnest's review against another edition

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challenging dark reflective sad tense slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

3.0

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gondorgirl's review against another edition

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emotional hopeful mysterious reflective sad tense slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

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brynpemery's review against another edition

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emotional reflective sad medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.25

A good debut, but it was a bit underwhelming. I felt like the characters’ lack of communication throughout was unrealistic and there only as a plot device. I also found most of the twists pretty predictable. It was compelling reading though, and I enjoyed the exploration of mother/daughter relationships and generational secrets

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