Reviews with content warning for Racism - Catch-22

Reviews tagging 'Racism'

Catch-22 by Joseph Heller

14 reviews

mvegag's review against another edition

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dark funny reflective slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.5

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erebus53's review against another edition

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adventurous challenging dark emotional funny lighthearted reflective sad tense slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.25

I knew that this was a story about war, but I really had n idea what sort of flavour it was going to have. The whole idea of Catch-22 as I understood it, is that a crazy person is not fit for military duty, but to claim that you are crazy, so as to get out of service, just proves that you are sane.

This is a dark and twisted comedy. The dialogues feel like a twisted conglomeration of Monty Python, Alice in Wonderland, and M* A* S* H* with a peppering of Dr Seuss, Billy Wilder, and Abbot and Costello. From the outset you feel sure that the protagonist is a little mentally unwell, and slightly paranoid, but you soon see that there is a lot of it going around, and that they are all crazy like foxes. I kept being reminded of that quote from the movie Pump up the Volume, "you're not screwed up.. you're an un-screwed up reaction to a screwed up situation".

I think this book is about equal parts gut-bustingly hilarious and unsettlingly horrific. Through satire and parody it jabs ceaselessly at the heroism of industry and Capitalism, corruption, the glory of war murder, the need to rescue women who are in charge of their own lives, the confusion of love and lust, confusion, certainty, certain confusions, and confusing certainty.

Parts of the story are clearly hyperbole. The absurdism is rife. I'm astounded that I haven't heard more of the punchlines of these jokes in my everyday life, but maybe I have and I was just not keyed into it. It's all incredibly convoluted. The story is told in anecdotes from the points of view of various people around the protagonist. There are recurrent gags, and retellings of parts of the plot from different people, and this all feeds into the feeling of being unsettlingly adrift, and carrying on through a haze of unreality peppered with déjà vu (or déjà vécu, or presque vu..) where you see things twice, or miss them altogether.

The entire army situation is painted as blustering generals vying for status, while underfunded and overworked conscripts are roped into unwinnable situations, glory projects cost lives, bureaucratic shuffling means everything is officially lost in translation, or redacted, or just lost, and side-hustlers make out like bandits. Every sensible supposition is questioned and turned on its head, even the useful ones.. and it's all incredibly frustrating. You have to laugh or you cry and that combat, high-tension gallows humour is all you are left with... that and the haunting echos of trauma.

This is probably well worth a reread, or I may leave it on as background noise if I want a certain sort of dark chuckle.

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allyofshalott's review against another edition

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challenging dark emotional funny lighthearted sad slow-paced

Plot- or character-driven? A mix
Strong character development? No
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.5

Okay - after finishing this I understand why it has the position it does in ~literature, but this was a slog for me. Funny and emotionally affecting at times, but took a while for me to see the pattern because of the lack of plot.

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milo10000's review against another edition

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adventurous dark emotional inspiring reflective fast-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

5.0

I never read this in high school, choosing Vonnegut instead when it was offered. I don't know if I would've enjoyed it as much then, but reading it now, it's a wonderful book.

Heller's exploration of absurdism and the evils that can be perpetuated by "just going with the flow" is masterful. Yossarian's journey out of the hospital and back into it again is at times both hilarious and hopeless. Highly recommend to anyone who doesn't mind a bit of impropriety

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cgibson25's review against another edition

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They used the n-word and the plot didn't seem to be moving anywhere. The narrator didn't have a good personality and the speech was extremely repetitive.

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seanml's review against another edition

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challenging dark funny slow-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.25

Reading anything called a ‘classic’ is a gamble; you don’t have to go too far back for them to be super problematic. In this instance, Joseph Heller’s Catch-22 ended up being a mixed bag. It’s a comedy novel that takes place during World War II, and was written in the 1960s. It is very much a product of its time. The book is “clever,” but clever in the way that a high school freshman would ask you “Is water wet?” and then once you answer they’re prepared to argue the complete opposite point in order to confuse you. In Catch-22 the military is basically run by the Marx Brothers: misunderstandings are frequent, and nothing is safe from being a gag to the point of death. Each chapter is in a way a skit focusing on a soldier or a commander, one of the handful that the book revolves around. They range from entertaining to infuriating. Luckily our protagonist is a soldier named Yossarian who happens to be the only sensical character throughout the entire thing. So as I went crazy from the never-ending chapters, Yossarian was right there with me. Unfortunately, I couldn’t relate to him in the chapter when he sexually assaults a nurse out of the blue. Yeah, this is the 1960s and every female character has at least one line about the shape of their breasts. This does not in any way pass the Bechdel test. In any case, the book does a good job at portraying the mania-fueled spiral of someone told to die for the good of their country again and again and again. Did I misunderstand most of it? Maybe. Should I read it again? Maybe, it depends on if it was good. Was it good? I’d have to read it again. Catch-22. 6.5/10.

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elmewhy's review against another edition

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adventurous challenging dark funny informative fast-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

2.5

~~2.5 Stars~~ 11th September 2022
*rounded to 3 stars

I think it’s fair to say that this review is a modern Gen Z take on a classic that was not written for me or for people of my time. This book was just not for me. While I appreciate that this book was written at a different time, I couldn’t forgive some parts of it. I decided to split my review into a pro and con list.

Pro
It’s a classic for a reason. The origins and concept of the term ‘Catch 22’ is genius. After researching this book, I can see why it was so popular, especially with young people during the Vietnam War.
War Representation. I did appreciate the insanity of war portrayal and the desperateness this led to. I’ve not seen a lot of portrayals of this in classic or modern media, and it was an interesting take to see.
Format. Polarising, but I enjoyed the format. It is disjointed with sporadic short stories mentioned, which are revealed later in the book, the re-read ability is huge, and you can reread parts with a brand new understanding. There are many characters, but this format taught me whos who much more quickly. Although not comparable, I did get a Grand Budapest Hotel vibe from the format/humour/visualisation.

Con
Misogyny. There’s a lot of this; in fact, I don’t believe a female character is mentioned in a way that wasn’t sexual or perverse or made them out to be less than deranged. Here are some examples:
One character is named “Nately’s Whore”, who is a prop prostitute for a character until they get mentioned more and becomes a psycho stalker killer. Lots of inappropriate touching, mostly sexual assault and the women don’t always seem to care?! Mentions of underage women (as young as 12) and virgins are sexualised - although we never see this, it is idolised heavy. **Trigger!** A very heartless and glossed-over mention of a rape where the female dies from it and gets thrown out of a window, with no consequence even though the police turn up, but they chose to focus on other topics rather than the raped and murdered women lying in the street.
Racism. N-word usage - only really in the beginning. Again, something which is more prominent in older books as it was the norm during this time but does not hold up in the modern day.
Humour. I just did not get the humour, there were parts in which I thought ohh I get why people think it's funny, but I definitely wouldn’t call this hilarious. The humour was repetitive (the same word play humour beat to death), the context was just not funny, and, for me, the misogynistic, classism and racist overtones overshadowed the book for it to be funny.
If you’re a fan of adult-level pantomime jokes, you’ll be fine.

Ultimately, while you get to say you’ve read this notorious classical book and boast to all your friends that you’re smart and read more than YA/fantasy/preferred genre, you actually have to put yourself through it - so how’s that for a Catch 22?

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