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lemonfrog's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Flaws of characters a main focus? Yes
4.75
Graphic: Gore and War
Moderate: Racial slurs, Rape, Sexual assault, Murder, and Sexual harassment
Minor: Animal cruelty, Child abuse, and Vomit
jujubeans's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.75
I don’t know how I feel about it to be honest.
Graphic: Addiction, Adult/minor relationship, Cursing, Death, Drug abuse, Drug use, Genocide, Gore, Gun violence, Infidelity, Mental illness, Misogyny, Pedophilia, Physical abuse, Rape, Sexism, Sexual assault, Sexual content, Sexual violence, Violence, Blood, Vomit, Medical content, Kidnapping, Grief, Medical trauma, Gaslighting, Alcohol, Sexual harassment, War, Injury/Injury detail, and Classism
This is not a book for light reading. It will disgust you and horrify you. The sexual violence was most disturbing to me. I’m gonna say that again for good measure: repeated, horrifying, insane degrees of sexual violence all throughout the book.erebus53's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
This is a dark and twisted comedy. The dialogues feel like a twisted conglomeration of Monty Python, Alice in Wonderland, and M* A* S* H* with a peppering of Dr Seuss, Billy Wilder, and Abbot and Costello. From the outset you feel sure that the protagonist is a little mentally unwell, and slightly paranoid, but you soon see that there is a lot of it going around, and that they are all crazy like foxes. I kept being reminded of that quote from the movie Pump up the Volume, "you're not screwed up.. you're an un-screwed up reaction to a screwed up situation".
I think this book is about equal parts gut-bustingly hilarious and unsettlingly horrific. Through satire and parody it jabs ceaselessly at the heroism of industry and Capitalism, corruption, the glory of war murder, the need to rescue women who are in charge of their own lives, the confusion of love and lust, confusion, certainty, certain confusions, and confusing certainty.
Parts of the story are clearly hyperbole. The absurdism is rife. I'm astounded that I haven't heard more of the punchlines of these jokes in my everyday life, but maybe I have and I was just not keyed into it. It's all incredibly convoluted. The story is told in anecdotes from the points of view of various people around the protagonist. There are recurrent gags, and retellings of parts of the plot from different people, and this all feeds into the feeling of being unsettlingly adrift, and carrying on through a haze of unreality peppered with déjà vu (or déjà vécu, or presque vu..) where you see things twice, or miss them altogether.
The entire army situation is painted as blustering generals vying for status, while underfunded and overworked conscripts are roped into unwinnable situations, glory projects cost lives, bureaucratic shuffling means everything is officially lost in translation, or redacted, or just lost, and side-hustlers make out like bandits. Every sensible supposition is questioned and turned on its head, even the useful ones.. and it's all incredibly frustrating. You have to laugh or you cry and that combat, high-tension gallows humour is all you are left with... that and the haunting echos of trauma.
This is probably well worth a reread, or I may leave it on as background noise if I want a certain sort of dark chuckle.
Graphic: Animal cruelty, Body horror, Body shaming, Bullying, Chronic illness, Confinement, Cursing, Death, Emotional abuse, Gore, Gun violence, Infidelity, Mental illness, Misogyny, Panic attacks/disorders, Pedophilia, Physical abuse, Racial slurs, Racism, Rape, Sexism, Sexual assault, Sexual content, Sexual violence, Suicidal thoughts, Torture, Violence, Forced institutionalization, Blood, Vomit, Police brutality, Medical content, Kidnapping, Grief, Medical trauma, Stalking, Death of parent, Murder, Schizophrenia/Psychosis , Fire/Fire injury, Gaslighting, Alcohol, Sexual harassment, Colonisation, War, Injury/Injury detail, Classism, and Deportation
seapotatohowisitalrtaken's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.25
Graphic: Bullying, Cancer, Chronic illness, Cursing, Death, Gore, Gun violence, Infidelity, Mental illness, Panic attacks/disorders, Physical abuse, Sexism, Sexual content, Terminal illness, Violence, Blood, Police brutality, Medical content, Grief, Murder, Sexual harassment, Dysphoria, War, and Injury/Injury detail
Moderate: Alcoholism, Animal cruelty, Child abuse, Gun violence, Rape, Sexual violence, Suicide, Vomit, Kidnapping, Religious bigotry, Stalking, Murder, Schizophrenia/Psychosis , Fire/Fire injury, Gaslighting, Alcohol, Colonisation, and Classism
Minor: Adult/minor relationship and Antisemitism
friesenag's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
The way Heller writes gave me a headache though, as the plot would go back and forth I had to keep my spark notes open to make sure I was really comprehending what was happening. The first half of the book there is no chronological order and the repetition of words, phrases, or actions also created maximum confusion. When I think about it more it definitely is a plot device to give the book a lack of structure and repeat things which gives the reader a sensation of the chaos that is occurring in every single characters brains and on the base. Insanity and deja vu are major plot points in the book and I think Heller wanted to amplify it in the readers, which did give me the feeling that I was going crazy while reading this book. I see the genius and deliberate work that he put into it, but that does not mean I have to enjoy it.
I want to preface this last part by saying I know that this guy is like a boomer and it was written in 1961, but the MISOGYNY in this book was APPALLING. Women were only mentioned in a sexual connotation and used as a plot device and weren't really well thought out in my opinion. There was a character that wasn't even given a name and just referred to as "Nately's Whore" the whole time and she was bored and not interested in Nately until he "saved her" and then tried to control her and THEN he DIED and all of a sudden she cared enough about him to try to kill Yossarian???? Idk, there was just not a single female character that wasn't a sex object or stupid or a plot device.
Overall this book is good on the pretense that it was anti-war and the structure of the book makes you feel sick to your stomach, much like the structure of war and American bureaucracy, but I can't look past the misogyny, sexism, racism, etc. to give this more than three stars. I know I'm looking at this in a modern lens but there's not way I can separate the good and bad of this book. I would be very concerned if a man said this was their favorite book, its definitely an interesting read but I would classify it as pretty problematic.
Graphic: Death, Gore, Misogyny, Racial slurs, Sexism, Sexual assault, Suicide, Violence, Vomit, Schizophrenia/Psychosis , Sexual harassment, and War
Moderate: Antisemitism, Grief, Fire/Fire injury, and Gaslighting
Minor: Infidelity, Mental illness, Misogyny, Medical content, Medical trauma, Alcohol, and Classism
alterdd's review against another edition
4.75
- 10% lusting about women
- 85% absurd shit happening
- 5% brutal depictions of henious crimes and war
Graphic: Death, Rape, War, and Injury/Injury detail
Minor: Vomit
yeah_sure's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Graphic: Death, Gore, and War
Moderate: Misogyny, Sexual content, Suicide, and Violence
Minor: Rape, Vomit, and Murder
seanml's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.25
Graphic: Death, Gore, Panic attacks/disorders, Sexism, and Injury/Injury detail
Moderate: Adult/minor relationship, Alcoholism, Animal cruelty, Body horror, Confinement, Cursing, Gun violence, Infertility, Mental illness, Misogyny, Physical abuse, Racism, Rape, Sexual assault, Torture, Vomit, Medical content, Grief, Murder, Gaslighting, Alcohol, and War
Minor: Cannibalism
elmewhy's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.5
*rounded to 3 stars
I think it’s fair to say that this review is a modern Gen Z take on a classic that was not written for me or for people of my time. This book was just not for me. While I appreciate that this book was written at a different time, I couldn’t forgive some parts of it. I decided to split my review into a pro and con list.
Pro
It’s a classic for a reason. The origins and concept of the term ‘Catch 22’ is genius. After researching this book, I can see why it was so popular, especially with young people during the Vietnam War.
War Representation. I did appreciate the insanity of war portrayal and the desperateness this led to. I’ve not seen a lot of portrayals of this in classic or modern media, and it was an interesting take to see.
Format. Polarising, but I enjoyed the format. It is disjointed with sporadic short stories mentioned, which are revealed later in the book, the re-read ability is huge, and you can reread parts with a brand new understanding. There are many characters, but this format taught me whos who much more quickly. Although not comparable, I did get a Grand Budapest Hotel vibe from the format/humour/visualisation.
Con
Misogyny. There’s a lot of this; in fact, I don’t believe a female character is mentioned in a way that wasn’t sexual or perverse or made them out to be less than deranged. Here are some examples:
One character is named “Nately’s Whore”, who is a prop prostitute for a character until they get mentioned more and becomes a psycho stalker killer. Lots of inappropriate touching, mostly sexual assault and the women don’t always seem to care?! Mentions of underage women (as young as 12) and virgins are sexualised - although we never see this, it is idolised heavy. **Trigger!** A very heartless and glossed-over mention of a rape where the female dies from it and gets thrown out of a window, with no consequence even though the police turn up, but they chose to focus on other topics rather than the raped and murdered women lying in the street.
Racism. N-word usage - only really in the beginning. Again, something which is more prominent in older books as it was the norm during this time but does not hold up in the modern day.
Humour. I just did not get the humour, there were parts in which I thought ohh I get why people think it's funny, but I definitely wouldn’t call this hilarious. The humour was repetitive (the same word play humour beat to death), the context was just not funny, and, for me, the misogynistic, classism and racist overtones overshadowed the book for it to be funny.
If you’re a fan of adult-level pantomime jokes, you’ll be fine.
Ultimately, while you get to say you’ve read this notorious classical book and boast to all your friends that you’re smart and read more than YA/fantasy/preferred genre, you actually have to put yourself through it - so how’s that for a Catch 22?
Graphic: Death, Misogyny, War, and Injury/Injury detail
Moderate: Racial slurs, Racism, Rape, and Medical content
Minor: Suicide and Vomit
haleyd's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
2.25
Graphic: Gore, Mental illness, Misogyny, Panic attacks/disorders, Sexual content, Violence, Forced institutionalization, Medical content, Medical trauma, Sexual harassment, War, and Injury/Injury detail
Moderate: Confinement, Physical abuse, Racial slurs, Sexual assault, Excrement, Trafficking, and Alcohol
Minor: Adult/minor relationship, Alcoholism, Animal cruelty, Child abuse, Cursing, Domestic abuse, Homophobia, Infidelity, Rape, Sexual violence, Terminal illness, Vomit, Police brutality, Kidnapping, Religious bigotry, Stalking, and Classism
A sometimes humorous, sometimes depressing classic full of paradoxes and contradictions that only prove themselves true, this take on WWII was a bit difficult for me to get through. Once I knew the writing style was to intentionally include these opposites, I became bored and would fall asleep after a few pages. It went more quickly toward the end, but then it was just so sad in some of the final pages, it was that what became the challenge for me. I'm reading this as part of a goal to get through several lists of "banned books" I've found. While I don't think any books should be truly banned, this one made me think several times, "Eek. This is part of the reason this was banned." Most of that is because it is so repulsive and very graphic. But also, things were quite different when this book was written which is evidenced by some of the behaviors wherein described. It could possibly be argued that children's minds are too vulnerable, but I would personally argue that I'd be confident letting my own teenage child read this, knowing that I've raised her well. However, I would definitely warn her that she likely wouldn't want to.