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erebus53's review against another edition
adventurous
challenging
dark
emotional
funny
lighthearted
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
I knew that this was a story about war, but I really had n idea what sort of flavour it was going to have. The whole idea of Catch-22 as I understood it, is that a crazy person is not fit for military duty, but to claim that you are crazy, so as to get out of service, just proves that you are sane.
This is a dark and twisted comedy. The dialogues feel like a twisted conglomeration of Monty Python, Alice in Wonderland, and M* A* S* H* with a peppering of Dr Seuss, Billy Wilder, and Abbot and Costello. From the outset you feel sure that the protagonist is a little mentally unwell, and slightly paranoid, but you soon see that there is a lot of it going around, and that they are all crazy like foxes. I kept being reminded of that quote from the movie Pump up the Volume, "you're not screwed up.. you're an un-screwed up reaction to a screwed up situation".
I think this book is about equal parts gut-bustingly hilarious and unsettlingly horrific. Through satire and parody it jabs ceaselessly at the heroism of industry and Capitalism, corruption, the glory of war murder, the need to rescue women who are in charge of their own lives, the confusion of love and lust, confusion, certainty, certain confusions, and confusing certainty.
Parts of the story are clearly hyperbole. The absurdism is rife. I'm astounded that I haven't heard more of the punchlines of these jokes in my everyday life, but maybe I have and I was just not keyed into it. It's all incredibly convoluted. The story is told in anecdotes from the points of view of various people around the protagonist. There are recurrent gags, and retellings of parts of the plot from different people, and this all feeds into the feeling of being unsettlingly adrift, and carrying on through a haze of unreality peppered with déjà vu (or déjà vécu, or presque vu..) where you see things twice, or miss them altogether.
The entire army situation is painted as blustering generals vying for status, while underfunded and overworked conscripts are roped into unwinnable situations, glory projects cost lives, bureaucratic shuffling means everything is officially lost in translation, or redacted, or just lost, and side-hustlers make out like bandits. Every sensible supposition is questioned and turned on its head, even the useful ones.. and it's all incredibly frustrating. You have to laugh or you cry and that combat, high-tension gallows humour is all you are left with... that and the haunting echos of trauma.
This is probably well worth a reread, or I may leave it on as background noise if I want a certain sort of dark chuckle.
This is a dark and twisted comedy. The dialogues feel like a twisted conglomeration of Monty Python, Alice in Wonderland, and M* A* S* H* with a peppering of Dr Seuss, Billy Wilder, and Abbot and Costello. From the outset you feel sure that the protagonist is a little mentally unwell, and slightly paranoid, but you soon see that there is a lot of it going around, and that they are all crazy like foxes. I kept being reminded of that quote from the movie Pump up the Volume, "you're not screwed up.. you're an un-screwed up reaction to a screwed up situation".
I think this book is about equal parts gut-bustingly hilarious and unsettlingly horrific. Through satire and parody it jabs ceaselessly at the heroism of industry and Capitalism, corruption, the glory of war murder, the need to rescue women who are in charge of their own lives, the confusion of love and lust, confusion, certainty, certain confusions, and confusing certainty.
Parts of the story are clearly hyperbole. The absurdism is rife. I'm astounded that I haven't heard more of the punchlines of these jokes in my everyday life, but maybe I have and I was just not keyed into it. It's all incredibly convoluted. The story is told in anecdotes from the points of view of various people around the protagonist. There are recurrent gags, and retellings of parts of the plot from different people, and this all feeds into the feeling of being unsettlingly adrift, and carrying on through a haze of unreality peppered with déjà vu (or déjà vécu, or presque vu..) where you see things twice, or miss them altogether.
The entire army situation is painted as blustering generals vying for status, while underfunded and overworked conscripts are roped into unwinnable situations, glory projects cost lives, bureaucratic shuffling means everything is officially lost in translation, or redacted, or just lost, and side-hustlers make out like bandits. Every sensible supposition is questioned and turned on its head, even the useful ones.. and it's all incredibly frustrating. You have to laugh or you cry and that combat, high-tension gallows humour is all you are left with... that and the haunting echos of trauma.
This is probably well worth a reread, or I may leave it on as background noise if I want a certain sort of dark chuckle.
Content Warnings
Graphic: Animal cruelty, Body horror, Body shaming, Bullying, Chronic illness, Confinement, Cursing, Death, Emotional abuse, Gore, Gun violence, Infidelity, Mental illness, Misogyny, Panic attacks/disorders, Pedophilia, Physical abuse, Racial slurs, Racism, Rape, Sexism, Sexual assault, Sexual content, Sexual violence, Suicidal thoughts, Torture, Violence, Forced institutionalization, Blood, Vomit, Police brutality, Medical content, Kidnapping, Grief, Medical trauma, Stalking, Death of parent, Murder, Schizophrenia/Psychosis , Fire/Fire injury, Gaslighting, Alcohol, Sexual harassment, Colonisation, War, Injury/Injury detail, Classism, and Deportation
seapotatohowisitalrtaken's review against another edition
adventurous
dark
emotional
funny
hopeful
inspiring
mysterious
reflective
relaxing
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Bullying, Cancer, Chronic illness, Cursing, Death, Gore, Gun violence, Infidelity, Mental illness, Panic attacks/disorders, Physical abuse, Sexism, Sexual content, Terminal illness, Violence, Blood, Police brutality, Medical content, Grief, Murder, Sexual harassment, Dysphoria, War, and Injury/Injury detail
Moderate: Alcoholism, Animal cruelty, Child abuse, Gun violence, Rape, Sexual violence, Suicide, Vomit, Kidnapping, Religious bigotry, Stalking, Murder, Schizophrenia/Psychosis , Fire/Fire injury, Gaslighting, Alcohol, Colonisation, and Classism
Minor: Adult/minor relationship and Antisemitism
friesenag's review against another edition
adventurous
challenging
dark
emotional
funny
mysterious
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
This book is so interesting considering that the author himself was a B25 bombardier and that this is not speculation and the plot isn't too far fetched because it is based on his personal experiences in the war. I think Heller perfectly balanced the humor of the absurdity of how the U.S. Air Force was run and the gruesomeness of what war does to a person. He highlights the silliness of rank and order and doing things just because you're told and how that has more control on weather a man lives or dies rather than his own actions and how those actions along with the trauma of their compatriots dying makes them all go insane.
The way Heller writes gave me a headache though, as the plot would go back and forth I had to keep my spark notes open to make sure I was really comprehending what was happening. The first half of the book there is no chronological order and the repetition of words, phrases, or actions also created maximum confusion. When I think about it more it definitely is a plot device to give the book a lack of structure and repeat things which gives the reader a sensation of the chaos that is occurring in every single characters brains and on the base. Insanity and deja vu are major plot points in the book and I think Heller wanted to amplify it in the readers, which did give me the feeling that I was going crazy while reading this book. I see the genius and deliberate work that he put into it, but that does not mean I have to enjoy it.
I want to preface this last part by saying I know that this guy is like a boomer and it was written in 1961, but the MISOGYNY in this book was APPALLING. Women were only mentioned in a sexual connotation and used as a plot device and weren't really well thought out in my opinion. There was a character that wasn't even given a name and just referred to as "Nately's Whore" the whole time and she was bored and not interested in Nately until he "saved her" and then tried to control her and THEN he DIED and all of a sudden she cared enough about him to try to kill Yossarian???? Idk, there was just not a single female character that wasn't a sex object or stupid or a plot device.
Overall this book is good on the pretense that it was anti-war and the structure of the book makes you feel sick to your stomach, much like the structure of war and American bureaucracy, but I can't look past the misogyny, sexism, racism, etc. to give this more than three stars. I know I'm looking at this in a modern lens but there's not way I can separate the good and bad of this book. I would be very concerned if a man said this was their favorite book, its definitely an interesting read but I would classify it as pretty problematic.
The way Heller writes gave me a headache though, as the plot would go back and forth I had to keep my spark notes open to make sure I was really comprehending what was happening. The first half of the book there is no chronological order and the repetition of words, phrases, or actions also created maximum confusion. When I think about it more it definitely is a plot device to give the book a lack of structure and repeat things which gives the reader a sensation of the chaos that is occurring in every single characters brains and on the base. Insanity and deja vu are major plot points in the book and I think Heller wanted to amplify it in the readers, which did give me the feeling that I was going crazy while reading this book. I see the genius and deliberate work that he put into it, but that does not mean I have to enjoy it.
I want to preface this last part by saying I know that this guy is like a boomer and it was written in 1961, but the MISOGYNY in this book was APPALLING. Women were only mentioned in a sexual connotation and used as a plot device and weren't really well thought out in my opinion. There was a character that wasn't even given a name and just referred to as "Nately's Whore" the whole time and she was bored and not interested in Nately until he "saved her" and then tried to control her and THEN he DIED and all of a sudden she cared enough about him to try to kill Yossarian???? Idk, there was just not a single female character that wasn't a sex object or stupid or a plot device.
Overall this book is good on the pretense that it was anti-war and the structure of the book makes you feel sick to your stomach, much like the structure of war and American bureaucracy, but I can't look past the misogyny, sexism, racism, etc. to give this more than three stars. I know I'm looking at this in a modern lens but there's not way I can separate the good and bad of this book. I would be very concerned if a man said this was their favorite book, its definitely an interesting read but I would classify it as pretty problematic.
Content Warnings
Graphic: Death, Gore, Misogyny, Racial slurs, Sexism, Sexual assault, Suicide, Violence, Vomit, Schizophrenia/Psychosis , Sexual harassment, and War
Moderate: Antisemitism, Grief, Fire/Fire injury, and Gaslighting
Minor: Infidelity, Mental illness, Misogyny, Medical content, Medical trauma, Alcohol, and Classism
mahamsiddiqui's review against another edition
dark
emotional
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
When the book first came out in 1961, the notion that war is bad might have been something new to the reader and awakening too. But, in this day and age, when there are so many opinions and lived examples available, we all know and can say with assurance that war is bad, except for fascists and dictators. So, as for the concept of 'Catch-22', it's not novel anymore.
I felt like the novel dragged in places, it also felt like I'm reading someone's diary instead of a novel, sometimes felt like a college student looked up the synonyms in a thesaurus and put every word that they could find in the book.
The book certainly is witty and funny. The characters are well written. Their humanness and fallibility and their complexities make you think or forces you to think, human beings are not black and white. War is evil. Human beings are mere pawns in it, and at the mercy of the fascists, who invoke wars to stroke their tiny egos. Through Yosarrian you see how a person in trying to do the right thing is always caught in exasperating circumstances. The skepticism of Yosarrian is something that I guess all of us go through after a certain point in life. It's relatable and quite understanding.
Moving on, I absolutely did not like and was quite frankly disgusted by the rape and sexual assault scenes. They were described jn graphic details, and I believe for which there was no need. The treatment of women as mere sex toys was very disturbing. And we know that, that's how men treat women especially those who go to war. Women and children and elderly suffer the most. Women and children are raped, brutally assaulted and all because the men who go to war think that it is their right for defending their country to gain sexual pleasures by hook or crook. I just wish that the sexual scenes were described to a minimum.
All in all, book is good, okay. 3.5 stars, .5 extra for Yosarrian. I loved him till the end. You cannot predict that the characters will have this human aspect to them when you first start the book but as you go by and the book explore similar scenes from different POVs you understand them and mildly condemn yourself for judging them too hastily.
I felt like the novel dragged in places, it also felt like I'm reading someone's diary instead of a novel, sometimes felt like a college student looked up the synonyms in a thesaurus and put every word that they could find in the book.
The book certainly is witty and funny. The characters are well written. Their humanness and fallibility and their complexities make you think or forces you to think, human beings are not black and white. War is evil. Human beings are mere pawns in it, and at the mercy of the fascists, who invoke wars to stroke their tiny egos. Through Yosarrian you see how a person in trying to do the right thing is always caught in exasperating circumstances. The skepticism of Yosarrian is something that I guess all of us go through after a certain point in life. It's relatable and quite understanding.
Moving on, I absolutely did not like and was quite frankly disgusted by the rape and sexual assault scenes. They were described jn graphic details, and I believe for which there was no need. The treatment of women as mere sex toys was very disturbing. And we know that, that's how men treat women especially those who go to war. Women and children and elderly suffer the most. Women and children are raped, brutally assaulted and all because the men who go to war think that it is their right for defending their country to gain sexual pleasures by hook or crook. I just wish that the sexual scenes were described to a minimum.
All in all, book is good, okay. 3.5 stars, .5 extra for Yosarrian. I loved him till the end. You cannot predict that the characters will have this human aspect to them when you first start the book but as you go by and the book explore similar scenes from different POVs you understand them and mildly condemn yourself for judging them too hastily.
Content Warnings
Graphic: Bullying, Rape, Sexual violence, Torture, Violence, Schizophrenia/Psychosis , Sexual harassment, and War
Minor: Injury/Injury detail