percys_panda_pillow_pet's review against another edition

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adventurous dark hopeful reflective sad tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated

4.0

Almost a year ago I picked up Max Brooks' book, Devolution. I hadn't even realized it was a horror book, nor that it was by the same author who wrote the New York Times Bestseller World War Z. Since, finishing Devolution in all its gory, terrifying glory, I decided I had to check out his previous, most famous work. 

Despite being written 14 years prior to Devolution, I didn't see much change in style and prose. It's not unusual to feel like an author's previous books are less well-written than their latest, many authors grow into their craft like any other author. However, World War Z was just as well written as the later book, which I really have to commend him for. This is not to say the books aren't different.

While World War Z took a more global perspective on the events within it, Devolution was much smaller and more personal. This heavily affected the horror in both books. The latter book was much more terrifying for its close perspective and heavy circumstances. The former, however, had a bit of a lighter tone at times, as there were so many victories to weigh out the losses in the war on Zombies. I would say that while Devolution is more frightening and makes for a better horror book, World War Z makes for a great introspection into humanity and has a bit more hope in it, which I actually preferred. I have to note that I actually rated Devolution lower because it was so heavy at times that I had to take mental breaks, which made the experience not as much fun.

I really liked the retrospective I had while reading this book post-COVID and many other important events that have happened between now and 2006 when the book was first published. I think it's amazing how Brooks actually captured certain pandemic ideologies that cropped up during COVID, and the way the government didn't do as much until trouble was beyond the doorstep and into the house, so to speak. So many plague/apocalyptic books failed to accurately predict what pandemic life was actually like, but Brooks got fairly close. I also really enjoyed the meta aspect as well and all the worldbuilding.

I think my only gripe was that I had an issue remembering all the new names for countries, as well as the names and places where the "author" was interviewing various characters. I had known that several of them repeated eventually, but I was only able to follow a few. I think perhaps a character list and map would've really helped this book.

Otherwise, I had a great time reading this and could picture myself rereading it in the future. I definitely want to check out the movie that was made and see how that is.

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rynstagram's review against another edition

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4.5

This book was a pleasant surprise. I didn't think it was gonna be bad by any means, but it really surpassed all expectations. The narrative is so wide-reaching and exhaustive, discussing things about a zombie war/infestation that I never would have thought of--religious repercussions both personal and community-wide, people who take advantage of disaster situations for personal gain, feral children and animals, new mental illnesses, etc. The "interviewer" goes all over the world to interview people who were involved in the war in all sorts of different places--not just different countries and regions, but different climates, under the sea, in isolation in the wilderness, even at the International Space Station. If this were real, I would be impressed by the interviewer's thoroughness. 

I think the main thing that was missing was more exploration of more indigenous communities. There's not a dearth of indigenous characters, but the communities' responses to the zombie plague isn't really explored. 

I like how self-aware this book is. There's bigotry, but only on the part of the characters. The author seems to include bigotry or fanaticism or general assholery to give a more comprehensive view of humanity dealing with a crisis. Without this, I wouldn't believe the story, even if it's not fun to read that part. 

The biggest problem I have with this book is that characters' POVs are rarely repeated. Only a couple have more than one interview section throughout the book until the last chapter called "Good-Byes". I ended up forgetting names easily because of this, and when they showed up in other people's stories or as interviewees, I had to do a lot of flipping back. In order to get the full experience, I think I would need to reread this book at least once more. 

All the interviewees sounded like real people, and sounded different from each other, which is hard to do just with a couple POVs, let alone dozens. And I am a big fan of the whole meta-media thing where creators pretend that their fiction is a real thing, hence the "oral history" part of the title and the "Introduction" describing the circumstances of the collection of these interviews. I love a good footnote, and the organization of interviews into related sections made the narrative more cohesive. 

Damn, who knew a zombie book could be so cool? (Not me, that's for sure!)

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