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kbairbooks's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Graphic: Body horror, Confinement, Cursing, Death, Genocide, Torture, Violence, Blood, Police brutality, Grief, Murder, Fire/Fire injury, Colonisation, War, Injury/Injury detail, and Classism
cinnamonandpancakes's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.25
For what it's worth, I think a fan of YA Romantasy would likely enjoy this much more than I.
Graphic: Confinement, Death, Violence, Grief, Colonisation, War, and Injury/Injury detail
Moderate: Animal death
Minor: Alcoholism, Child abuse, Racism, Sexism, Torture, Xenophobia, Police brutality, Sexual harassment, and Injury/Injury detail
sophiesmallhands's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Graphic: Colonisation
Moderate: Animal death, Death, Gore, Racism, Sexual violence, Blood, Police brutality, Murder, and Injury/Injury detail
Minor: Child abuse, Child death, Domestic abuse, Slavery, Torture, Death of parent, Sexual harassment, and War
joygarcialim's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
1.25
None of the characters were likeable, I’m going so far as to say most of the characters are unlikeable. Even if they were on the side of the morally ambitious, they didn’t have many dimensions or layers, and were mostly just annoying. The only character which had any enticement to them was Qayn.
Examples of bad writing from the book:
Graphic: Addiction, Animal death, Child abuse, Child death, Death, Emotional abuse, Hate crime, Physical abuse, Racism, Rape, Sexual assault, Sexual violence, Slavery, Suicidal thoughts, Toxic relationship, Violence, Blood, Police brutality, Medical content, Kidnapping, Murder, Gaslighting, Toxic friendship, Alcohol, Sexual harassment, Colonisation, War, and Classism
ashli's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Flaws of characters a main focus? No
4.25
Moderate: Animal death, Bullying, Child death, Slavery, Grief, Abandonment, Colonisation, and War
Minor: Death, Domestic abuse, Torture, Police brutality, and Suicide attempt
espressoreader's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Animal death, Bullying, Racism, Slavery, Torture, Toxic relationship, Xenophobia, Grief, Gaslighting, Toxic friendship, Colonisation, and Classism
Minor: Addiction, Child abuse, Confinement, Emotional abuse, Sexual assault, Police brutality, Death of parent, and Murder
marleywrites's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Animal death, Death, Violence, Blood, Grief, Colonisation, War, and Injury/Injury detail
Moderate: Torture, Vomit, Police brutality, Murder, and Fire/Fire injury
Minor: Sexual harassment
Description of decomposing bodiescampisforever's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
5 word description: Lush. Gorgeous. Moving. Poignant. Inspiring.
This is such a lovely book with complex, dynamic characters. Ibrahim's skill with feelings, inspiring us to feel differently about different characters over the course of the story, is simply breathtaking! The story hits the major question at the heart of something like Black Panther--about isolation and solidarity. It marks the difference between an anti/decolonial narrative mediated by a white gaze versus one that isn't.
Graphic: Animal death, Death, Slavery, Violence, Xenophobia, Police brutality, Grief, Colonisation, and Classism
Moderate: Confinement, Racism, Sexual assault, Blood, Medical content, Trafficking, Murder, Fire/Fire injury, Cultural appropriation, and Injury/Injury detail
Minor: Child abuse, Torture, and War
All content warnings are in the context of an anticolonial narrative about resistance. It is worth noting that the classism is itself not contained to a colonizer/colonized divide, but a complex discussion of class oppression *within* a colonized society.azrah786's review against another edition
4.25
**I was provided with an ARC through Netgalley in exchange for an honest review**
CW: violence, blood, injury, death, animal death, colonisation, war, xenophobia, confinement, torture, slavery, police brutality, physical abuse, emotional abuse, domestic abuse, sexual assault, grief, toxic relationship, vomit
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An exciting debut, Spice Road is a story exploring themes of family, privilege and colonialism that centres on characters from a hidden magical city venturing outside on a mission to the real world to save one of their own. Don’t you just love it when common tropes are switched up a little?
The leading protagonist Imani is a member of the Shields, a group of warriors who defend Qalia from the monsters and creatures that lurk in the city’s borders with the help of Misra – a magical spice that when infused in tea gives the drinker an affinity over a certain element. Imani’s has an affinity for steel which allows her to have an extraordinary mastery with weapons.
Imani’s elder brother was also an acclaimed Shield but upon being accused of stealing Misra - an act that has brought much shame to their family name - he disappeared and was presumed dead. However, when Imani stumbles upon evidence that her brother could still be alive she is determined to be part of the team sent outside the city walls to retrieve him, both out of love for him and in order to ensure the safety and security of her home from outsiders.
Through Imani’s quest Maiya Ibrahim gives us the lay of the vast Arabian inspired world that she has created, from the magic that these character’s lives are already accustomed to to the unknowns of everything outside of the Swallowing Sands that they come to face.
Magic based around tea will always instantly fascinate this tea lover and pair it with an elemental based power system and I am sold! However, as an already established part of the story I did feel like we didn’t get the full scope of it in this one book. With Imani being the solo POV that we follow throughout this story we mainly get an account of her power over steel – which was so cool, don’t get me wrong – but I’m definitely hoping that we get more extensive details and development of the world’s magic in the books to come.
The plot was without a doubt the strongest part of the story, Ibrahim is a really skilled storyteller. The journey from Qalia into the outside world was brilliantly paced and really well put together and I was immediately hooked in by all the action and the tensions of the mission. Despite the dialogue and inner monologue of the MC making the story feel a little clunky at times, I really enjoyed following Imani’s journey.
She is the impulsive sort, always charging in to do what she wants without much forethought of the consequences and a lot of her development comes down to unlearning her privilege. Of becoming more aware of the world around her and seeing the disparity in both the outside world as well as within her own community.
There was an interesting range of character dynamics and each supporting character informed Imani’s development in a different way. Her relationship with Taha is one of those that people are either going to be on board with or not. I have to say I wasn’t fully on board with the romance side of things but for the most part I enjoyed their back and forth and how it played a part in Imani’s character arc.
Sometimes things happened in the story a little too conveniently for how high the stakes were but all in all I had fun reading this book and I’m excited for more!
Final Rating – 4.25/5 Stars
Graphic: Animal death, Confinement, Death, Emotional abuse, Physical abuse, Slavery, Torture, Toxic relationship, Violence, Xenophobia, Blood, Police brutality, Grief, Colonisation, and Injury/Injury detail
Minor: Sexual assault and Vomit
alyssasaurus's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
The world is fascinating and dark, and the mysteries around how it became what it is kept me guessing throughout. The magic system is unusual. I love the method of attaining magic through tea!
Ibrahim clearly is a talented writer. When she is on point, her prose is lovely and poignant. She doesn’t overdo the language, steering clear of the flowery descriptors often present in epic fantasy stories. The result for me was an easy-to-read book with lots of passages highlighted.
Where this book excelled was in depicting the horrors of oppression and colonization. It’s clear from the beginning Imani is going to need to go through a paradigm shift to succeed on her journey. She has such deep-seeded trust in the messages she has been told her whole life, that she has no idea how others could have a different perspective. Her starting point in the novel promises huge opportunity for her to grapple with privilege and lack, and what happens when the powerful abuse their position. This is the most realistic and insightful conflict in the book. I’d love for people to read it if only to get a compelling perspective of a character interrogating her own beliefs she once thought irrefutable facts.
Where this book faltered for me was in the character development. The characters are oddly changeable…they seem to have a basic defined identity, but the book rushes them through conflict and all the ensuing emotions at an unnatural pace. The result was characters I liked most of the time behaving in completely confusing and nonsensical ways for their circumstances and who they seemed to be. And once you step away from the main cast of travelers, the supporting characters start to feel somewhat thin and left me wanting…Farida in particular felt like a thin copy of an archetype I’ve seen time and again in stories.
I think I will likely read the next one. I hope that the character development and behavior improves as Ibrahim continues to write, because she really has created a vibrant cast of characters. I would like to see them grow and continue on their adventures.
Graphic: Animal death, Body horror, Cancer, Child abuse, Child death, Confinement, Death, Domestic abuse, Drug use, Emotional abuse, Genocide, Gore, Hate crime, Misogyny, Physical abuse, Sexual assault, Slavery, Suicidal thoughts, Torture, Violence, Xenophobia, Excrement, Vomit, Police brutality, Islamophobia, Medical content, Grief, Gaslighting, Colonisation, Injury/Injury detail, and Classism