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hiddenfallacies's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Come and Get It follows three perspectives over the course of an undergraduate fall semester, with glimpses into the past added as necessary to explain how they got into their current situation. Agatha, a mid-30s journalist working a year of residency at the University of Arkansas. Millie, a super senior RA looking to finish her degree, land a job, and buy a house. And Kennedy, a junior looking for a fresh start as a transfer student. As the innocuous moments of their lives intertwine, a descent towards their ruin begins. Its arrival is sudden and swift, the kind of downfall that makes all too much sense in hindsight.
The greatest strength of this narrative lies in these characters, who are written so realistically that they feel as if they walked out of your life rather than the mind of Reid. Crafting this kind of realism is supremely difficult, so the fact that even minute dialogue and quirks feel true-to-life is an accomplishment. This makes you, as the reader, feel as if you've truly participated in the scene rather than acted as an observer.
Rather than construct the plot around traditional forms of conflict, Come and Get It is propelled forward through the interpersonal lives of its characters. At no point does it feel like a scene is wasted, even if it only serves to capture simple moments of life such as dorm conversations or a trip to Target. Although this structure might not work for everyone, I found it a natural extension of its focus on the inner lives and decisions of its main characters.
Themes of class, race, sexuality, and gender are all on display within this novel, engaged with in the same way you'd talk about the subjects with friends - without formality and with a certain level of disdain towards the world. What it has to say is layered and worth discussing.
If none of this interests you, I urge you to at least give the first chapter or two a go. The writing pulled me in before I realized it - it might do the same for you.
Graphic: Animal death, Mental illness, Racism, Sexual content, Suicidal thoughts, Toxic relationship, Blood, Car accident, Suicide attempt, and Injury/Injury detail
Moderate: Death, Drug use, Homophobia, Infidelity, Panic attacks/disorders, Sexism, Vomit, Grief, Death of parent, Alcohol, and Classism
Minor: Body shaming, Cancer, Cursing, Self harm, Medical content, and Religious bigotry
meredith_williams_'s review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Graphic: Animal death, Suicidal thoughts, Toxic relationship, Blood, and Injury/Injury detail
Moderate: Cursing, Drug use, Sexual content, Grief, Death of parent, Cultural appropriation, and Classism
Minor: Cancer and Vomit
katelynprice's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Reid writes about murky ethics and microaggressions masterfully. The flawed characters are believable and relatable, and the overall mood is more hopeful than bleak. Nicole Lewis did a fantastic job with the audio narration. At first her Southern accent made me cringe, but I grew to appreciate the over-the-topness of it.
Graphic: Racism
Moderate: Animal death
Minor: Cancer, Drug use, Self harm, Sexual content, Suicidal thoughts, Blood, Suicide attempt, and Death of parent
inkylabyrinth's review
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Animal death and Blood
Moderate: Suicidal thoughts
Minor: Cancer, Death, and Death of parent
missy_reading's review
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
First let's talk about the characters we are following Agatha a middle-aged lesbian college professor who has come to Arkansas to write a book about weddings, Millie the RA in the college's scholarship dorm, and Millie one of the residents of Millie's dorm who has a secret from her past. All three of these characters were interesting on their own and I found their backstories separately interesting. I feel like there was so much going on in these women's lives that didn't make sense to me in the overarching plot.
I felt like for me this book wasn't meant to have a plot other than being a slice-of-life story about these three women and their experiences during the first semester of the school year. I don't know what I wanted more of but I just wanted more of a plot to the story.
The writing on the other hand I believe is one of the stronger parts of this book. Reid knows how to keep the reader engaged and to make the reader think. That is one of my favorite things about this author is that the topics that she brings up in her writing make me as a reader ponder what my views are on certain situations.
The setting of the college dorm and college town was great it felt like the author had spent time in a college town to be able to get the vibes of what those places look like which I appreciated.
My overall enjoyment was just the middle of the road. I was reading and kept wondering when we were going to get the story moving and I feel like the story didn't take off until the 60% mark. I think that this has important topics that need to be discussed but I think the execution could have been better.
Graphic: Animal death, Drug use, Sexual content, Suicidal thoughts, Blood, and Suicide attempt
Minor: Cancer, Drug use, Homophobia, Mental illness, Death of parent, and Classism