Reviews tagging 'Fire/Fire injury'

Brutes by Dizz Tate

8 reviews

jane_moriarty's review

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challenging dark mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

Feral Girl Summer: book edition. Do you remember the days when you ran around with a crew of kids, never anything to do, always in the way of the grown-ups and still invisible at the same time? The horizon of your neighbourhood so narrow and yet the world of the adults so mysterious? 

This book perfectly conveys the feeling of those days. It feels more like a movie (maybe a Harmony Korine one?), drifting through the setting of endless Florida summer with dark clouds gathering, seen through the collective eyes of a group of thirteen year old girls who keep a close watch on everything happening in their neighbourhood. While the girls seem to understand more about the events than the adults around them, they are at the same time cut off from forming a full picture, the way children are.

Maybe this discrepancy is the reason why it seems like the book has no plot. We are left with a hazy feeling and a vague grasp of what seems to have happened. The inbetween chapters from the girls grown-up (very depressing) perspective hardly change that. I think I would have liked less metaphors and more plot resolutions, but the descriptions of the weirdness of girlhood and the Florida Gothic Ethel Cain vibes were so so good, the writing just sucked me in. Next Dizz Tate publication will be preordered.

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madelinequinnee's review against another edition

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dark mysterious reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.5

The epitome of no plot just vibes. I enjoyed the prose of this book, and the setting was very appealing to someone who loves that ‘ethel cain southern gothic’ vibe, but i was confused the entire time i was reading this and i’m not sure if it was in a good or bad way? That may have been the point of the book, that girlhood and growing up is a confusing experience, so if that’s the case then i absolutely got that, but if it wasn’t then i have no idea what the point of the story was. 

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samanthaleereads's review against another edition

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dark mysterious reflective tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


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uhhjeepers's review against another edition

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dark emotional funny mysterious medium-paced
  • Plot- or character-driven? A mix
  • Loveable characters? It's complicated
  • Flaws of characters a main focus? Yes

3.75

I’m finding it difficult to rate this book.

It was such a unique reading experience for me. I’ve never really read something this ambiguous or collective. I’ve left feeling like I hardly know these characters, hardly know what happened, but that doesn’t really feel bad the way you’d think.

Part of me feels like that’s intentional. The repetition of “we” throughout the book implies they hardly know themselves without each other. They only know the whole. As adults they still don’t really know. They all seem stuck and confused and generally unhappy in one way or another. 

I think I feel fondly about it because that’s the type of girlhood I feel I’m always experiencing. Being brutish and hardly girly to the point where girl becomes subjective and questionable. Feeling sad and confused and lost yet still at wonder with the world. 

This book isn’t at all what you’ll expect going into it, but if you need it, you’ll know.

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bowelhaus's review against another edition

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challenging dark emotional mysterious sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.0

lowkey genius. i kinda wanted more and that was really the only flaw.

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seventhswan's review

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dark mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.5

I've seen other reviewers describe this as a "no plot, just vibes" book, but I thought there was actually a very clear storyline! It was creative and nuanced, reminding me of Stewart O'Nan's Ocean State and, as was clearly intended, The Virgin Suicides. That's not to say the vibes weren't immaculate - a sort of "pretty horror" - and Tate is an extremely talented descriptive writer who made my skin crawl at times with her imagery. I thought the shared narration worked extremely well throughout, but especially in making the conclusion of the novel extremely impactful. I cried multiple times. 

This would have been the perfect book for me, ticking all the boxes - well-written, evocative, personally meaningful, distinctive characters - had it not then relied on
the existence of an actual monster
at the end... magical realism strikes again. Sex traffickers and child neglect are monstrous enough! Introducing fantastical elements cheapened these very real issues a little for me. 

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orlagal's review against another edition

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challenging dark emotional mysterious sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

3.5


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rionstorm's review against another edition

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dark emotional mysterious sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5

I don't know if I loved this book, but I flew through it because I couldn't look away, like when you see a car crash or something really gross. 

The plot is hard to follow and each new thread that seems like it will be the new main direction inevitably gets abandoned for whatever the characters are more fixated on at that moment, with a fickleness that is thematically appropriate. That being said, the author probably introduced more elements than she could realisticslly or satisfyingly pull off. 

The two main characters, in my opinion, are the setting of Florida and the amalgamation/superorganism that is The Girls. The sensory descriptions are delicious and disgusting, and the sense of place is overpowering. This feels like a horror about being a teenage girl - everything is grubby and decorated and fascinating and boring and pointless and achingly intensely meaningful. The characters are fixated on being seen and chosen, with the two possible outcomes (achieving this or not) both anticipated as equally nightmarish. 

The tension between their vulnerability, longing for tenderness, cruelty, and disgust at any softness or kindness feels sharply accurate to the experience of teenage girlhood - particularly the teenage girlhood of children who have been profoundly traumatised but don't have any way to confront or desk with that reality. The way that the narrators dance around their traumas without making direct eye contact with it, both as an unconscious survival mechanism and as a conscious denial, put words on an experience I'd seen play out among my peers as a teenager, but never identified. 

Overall I found this book interesting, if confusing, and enjoyed the uneasy atmosphere it created. Reccomend to people who love gross, cruel, painful, conflicting portrayals of girlhood, to people who love descriptions of rot and bugs and swamps, and to fans of Ethel Cain. Do not reccomend to people who want a solid plot or any conclusions.

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