Reviews tagging 'Death'

Breakfast at Tiffany's A short novel and three stories by Truman Capote by Truman Capote

19 reviews

haleysversion's review against another edition

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lighthearted reflective fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.0

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c_dmckinney's review against another edition

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lighthearted reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

1.0

Technically the book is well written and Michael C Hall's narration is perfect for the nameless narrator. I just hated the story the whole way through.

Holly Golightly is something like a proto-Manic-Pixie-Dream-Girl. She's flighty and traumatized and profoundly unwell and all the men in her life are obsessed with her and using her for various purposes all their own. I have a lot of pity and empathy for her and a lot of frustration and what is probably disdain for most of the men in her life. 

I definitely understand that a major issue I have with this is that I am a woman in the year 2024 with a history of trauma  of my own and a background in mental healthcare education and I am unable to fully remove my context from this story from 1958.
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mysimas's review against another edition

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  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No

1.5

How are people tagging this as light-hearted is beyond me, this is a story of a sad little girl - runaway child bride who'd slept with people, or should I say had been sexually taken advantage of, even before she married at 14 - who's all alone in the world and goes through all kinds of bad things in the present-time plotline of the book, including
miscarriage, numerous unwanted sexual advances, abandonment, the death of her beloved brother, a (probably accidental) entanglement with mafia and her subsequent interrogation, and more
... Light-hearted, where??

Also, for the most part, it was just boring. Yet another bleh manic pixie dream girl fantasy. I did perk up at the
mafia twist
, but by then the story was over. :(

Last but not least, heads up for a lot of racism and for some reason hate against lesbians (???).
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malebrina's review against another edition

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dark funny reflective sad fast-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.5

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lucyrudd's review against another edition

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emotional funny mysterious medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5

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caribbeangirlreading's review against another edition

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fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.5

Full disclosure - I have never watched the movie adaptation with Audrey Hepburn. However, I did go into reading Breakfast at Tiffany's with pre-conceived notions. I expected this to be a lighthearted novella. It was not. For starters, Truman Capote sure does love him some racial slurs. And Holly Golightly was just a sad train wreck of a character. But also, boy was this campy and very, very gay.
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sfx_naike's review against another edition

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emotional reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5

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mulders's review against another edition

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funny inspiring reflective fast-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

I loved her enough to forget myself, my self-pitying despairs, and be content that something she thought happy was going to happen.

How I adore Truman Capote. My love affair with Breakfast at Tiffany's began on a transatlantic flight, Frankfurt to California, when I was about 14. I watched the film, transfixed by the colours and music and romance of it, despite never having been much of a rom-com fan. I was enamoured with Audrey in her role, I loved the cat, and I loved the simple beauty of lines such as "I’ll tell you one thing, Fred, darling… I’d marry you for your money in a minute. Would you marry me for my money?" / "In a minute." / "I guess it’s pretty lucky neither of us is rich, huh?" Which is why it may be surprising that I am grateful such an exchange was never uttered in the book, and why you can trust me when I say it is so infinitely better than the film adaptation.

The love story in the novel is a different, in my eyes deeper, truer kind of love; the unconditional kind that comes from a true friend, the kind whose only expectation is that same kind of care and tenderness in return. As wonderful as Audrey is, the Holly of the book is something else entirely. She is almost more alive on the page than she is on the screen. She's vibrant and funny and tragic and brave. Where Audrey's Holly is poised, book-Holly has an unruly childishness to her, a quality that at once shows fragility and strength. She is, in many ways, just a kid, and your heart goes out to and breaks for her. In that way we as the readers are much like the narrator; unlike in the film, where Paul sets out to tame a wild party girl with romantic love and belonging to one another, the book's narrator simply sees Holly for what she is, and loves her fiercely for it, and does not want anything with keeping or taming or belonging; simply to love, protect, and be loved back. That same kind of protectiveness comes over the reader when faced with Holly's character, with the depth of her beauty and her grief. She is not the stunning socialite from the screen, she's just a girl trying her hardest to survive. As is said within the book itself, “You've got to be sensitive to appreciate her: a streak of the poet”. The ending of the novel differs from the film as well; there is no picture-perfect, happily ever after. Instead it is real and bittersweet and hopeful and pinches your heart in a way that I think stays with you much, much longer.

But you can't give your heart to a wild thing: the more you do, the stronger they get. Until they're strong enough to run into the woods. Or fly into a tree. Then a taller tree. Then the sky. That's how you'll end up, Mr. Bell. If you let yourself love a wild thing. You'll end up looking at the sky.
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charmingcapybara's review against another edition

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emotional inspiring lighthearted fast-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

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nanc_282's review against another edition

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funny lighthearted fast-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0

I picked up this book because I’ve never read anything by Truman Capote. It’s an okay short story about a woman who lives in the same apartment block as the (male) narrator and she dazzles him. It has a lighthearted style which is supposed to reflect the girls cookie nature. However, it does touch in a number of challenging themes, prostitution, child-marriage, sexual exploration,  organised crime, for example. But these are only referred to obliquely. The narrator is too enchanted by Holly herself to really engage with the sadness within her story. 
Contains racial and sexual language contemporary with 1950s America. 
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