Reviews tagging 'Hate crime'

Dagar utan slut by Sebastian Barry

5 reviews

maddummel's review against another edition

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dark tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

2.25

Zupełnie czegoś innego spodziewałam się po tej książce. 85% to opisy brutalnego ludobójstwa i wojny, które do niczego nie prowadzą. Niestety parę tych rozdziałów, które bardziej skupiały się na życiu głównego bohatera nie były na tyle dobre, żeby książkę uratować. A szkoda, bo koncept generalnie nie był zły.

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marxxx's review against another edition

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dark reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? It's complicated

3.75

most of this book left me sitting with a weird discomfort—the narrator and his partner are both complicit in a lot of really heinous things, and violence against Black and Indigenous people abounds. but I found it informative, and found the discomfort to be something worth examining, and the end of the book made me cry. 

The writing style takes some getting used but it adds something very unique and personal to the book. 

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macaronis_telegraph's review against another edition

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slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? No

1.0

Format of the book is frustrating - While Barry does succeed at crafting a distinct voice for his main character, it also for some reason meant that every paragraph was multiple pages long, creating a constant wall of text on every page, allowing for an uninviting read. 

Author also fails to address in any light the horrendous parts of the past he writes about. He writes in detail his characters partaking in the repeated slaughter of Native Americans both before and after the civil war, but because the characters partaking in the murder are gay and rescue one little girl, everything is okay right? I think not.

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veronicats's review against another edition

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adventurous dark emotional sad fast-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5


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dosymedia's review against another edition

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challenging reflective slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

3.75

For that lyrical prose packed with western imagery, for the choice of protagonists (Thomas McNulty, an Irish immigrant who comes to identify as a woman, and John Cole, their mixed race lover and constant companion of 20+ years), for the devastating brutality laid directly beside the sublime, I was reminded of A Little Life by Hanya Yanagihara.

This is a crucible of suffering that follows the lives of career soldiers through two wars and their settling in the western frontier. That suffering is the point; its immersion uses beauty to make the inane hurt. Despite its choice of characters, those characters only underline the danger of this developing America, as each member of the queer family formed is uniquely othered and thus, at risk in certain company.

They themselves are held back from the reader. We don't come to know Thomas, John, or their adopted daughter all that well. We're thirty percent into the book before we are absolutely certain of Thomas and John's relationship, revealed unceremoniously with a kiss that is special due to its need to be hidden, and regular, since its ease implies our first witnessing of it is only one of many for them.

And I didn't mind that here, perhaps because Aidan Kelly so beautifully rendered Thomas' narration, it only felt like a quirk of Thomas' character to keep their private life from the audience. 

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