The design and UX isn't done, Rob and Abbie, okkurrrr! š
sefrahudman's review against another edition
Graphic: Sexual content, Forced institutionalization, and Sexism
jbpalumbo's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.25
Graphic: Medical content, Grief, Forced institutionalization, Gaslighting, Confinement, Abandonment, Cancer, Classism, Child death, War, Violence, Sexual violence, Rape, Religious bigotry, Mental illness, Medical trauma, Death, Alcohol, Alcoholism, Blood, Body horror, and Bullying
Moderate: Xenophobia, Injury/Injury detail, Sexism, Torture, Terminal illness, Racism, Racial slurs, Islamophobia, and Infidelity
Minor: Vomit, Pregnancy, Panic attacks/disorders, and Abortion
The racism and islamophobia are challenged to a degree. There is also a favorable depiction of an open marriage where criticism thereof is challenged.lolaslalaland's review against another edition
4.0
I don't usually read historical fiction. I often find it quite repetitive and boring ("if you've read one World War II book, you've read them all" kind of mindset), but this book really made me reconsider my view on historical fiction. These three women were so unique and different and their friendship was genuine and filled with hurdles and arguments, but also trust and love and dedication. They were brilliant and smart in a time where women were not meant to be recognized for those talents and you could feel just how much that weighed on them on top of the war and the secrecies they needed to keep. I loved each of them so much and felt horribly sad for the many injustices they suffered.
If you've watched the movie The Imitation Game with Benedict Cumberbatch, then you will probably see a lot of parallels with the movie, but the fact is that hundreds of brilliant minds worked at Bletchley Park and not all of them shared their experiences from it. Again, due to their government bullying them and threatening them to secrecy. The author's note at the end of this book clarifies a lot of why she chose to write this book and I think she did a phenomenal job.
I also recommend the audiobook highly! The narrator did a phenomenal job with all the characters, translating their personalities into her voice acting and she performed so many accents. Can we nominate her for some kind of academy award? Wow!Ā
Graphic: Medical trauma
Moderate: War, Misogyny, and Sexism
Minor: Sexual assault and Rape
inked_in_pages's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Graphic: Sexual violence, War, and Xenophobia
Moderate: Grief, Sexism, Death, and Child death
rc05's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
Graphic: War, Murder, Confinement, Death, Child death, Forced institutionalization, Injury/Injury detail, Mental illness, Terminal illness, Grief, Panic attacks/disorders, and Sexism
fifteenthjessica's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
World War II is in full swing, and decrypting German and Italian messages may be the difference between victory and defeat. Bletchley Park becomes a center of British Intelligence activity, and with many men at war, women are among the people brought in to help. Three of the women--Osla Kendall, a witty socialite who aspires to be seen as more than a ditzy debutante; Mab Churt, a jaded young woman from the poor side of London determined to make a better life for herself; and Beth Finch, a spinster near Bletchley Park who after years of bullying from her mother thinks she's not good for much else other than household help and solving crossword puzzles--form a strong friendship that breaks before the end of the war. A few years later, as the world prepares to watch Osla's war time beau Philip marry Princess Elizabeth, Osla and Mab receive coded letters from Beth saying that there was a traitor at Bletchley Park who was behind her commitment to an insane asylum, and she needs their help get out and catch them.
The novel is overall excellent, most of the characters are lovable (although the traitor felt very two-dimensional), and Quinn shows skill with the genres she blends for this. As someone who isn't that big on romance, I did find myself rooting for most of the couples, even to a certain extent Philip and Osla's doomed romance, however, it would have been nicer if there was more code breaking and mystery worked in. At times, Bletchley Park feels like it's only present in the novel to put higher stakes into the 1947 portion. Another thing is that Quinn paints a great portrait of how, even in relatively egalitarian places like Bletchley Park, misogyny still rears its ugly head.
I was initially going to give it 5 stars, but looking back over my notes, I remembered some pacing issues. At times the narrative switching between the war years and the madcap hunt for the traitor before Philip and Elizabeth's wedding (as well as between the three main characters' POV) was well done, other times it was questionable. Probably the worst incident of this is Beth coming to a (false) conclusion of who the traitor is, only for the very next chapter to reveal the traitor's real identity when they literally show up and tell her. Not to mention, chapter 3 gave such a strong portrait of Mab and Osla's characters that Chapters 1 and 2 seemed extraneous except for bring up some important relationships they have with people outside of Bletchley Park.
Graphic: Forced institutionalization and Confinement
Moderate: Panic attacks/disorders, War, Medical trauma, Misogyny, Medical content, Child death, Death, Physical abuse, Sexism, Sexual content, Violence, Alcohol, and Emotional abuse
Minor: Animal cruelty, Homophobia, Blood, Chronic illness, Genocide, and Racism
beautifulpaxielreads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
3.5
The novel follows three women who worked there - socialite Osla Kendall, working-class Mabel "Mab" Churt, and shy but brilliant local girl, Bethan "Beth" Finch who today would probably be diagnosed as autistic.
Kate Quinn excels in creating a vivid atmosphere, rich in historical detail with characters who feel three-dimensional.Ā These characters are either composites of real people, fictionalised versions of real people, or actual historical figures - such as the late Prince Philip
But even though it's clear that Quinn did her homework on history, I found that upon reading the extensive author's note, I disliked the way she adapted characters and historical events to suit the plot. I know most authors of historical fiction do this, and normally I don't have a problem with it, but somehow it kind of rubbed me the wrong way. Maybe it's because the backdrop of the novel is set in (relatively) recent times. I don't know - maybe it's just me.
Anyway, The Rose Code is still a beautifully written and excellently-paced novel - but if you're a historical purist, it might not be your cup of tea.
Graphic: Child death, Forced institutionalization, Physical abuse, Medical trauma, Medical content, Mental illness, Violence, War, Grief, Infidelity, Injury/Injury detail, and Sexism
Moderate: Sexual violence, Xenophobia, Bullying, Racism, Gaslighting, Religious bigotry, Domestic abuse, Emotional abuse, Gore, Racial slurs, Ableism, Sexual assault, and Sexual content
Minor: Antisemitism and Genocide
amandas_bookshelf's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.75
Graphic: Child death, Classism, Forced institutionalization, Grief, Emotional abuse, Death, Racial slurs, Sexism, Injury/Injury detail, Racism, and War
Moderate: Infidelity, Rape, Sexual content, Alcoholism, and Alcohol
Minor: Slavery
leahrosiee's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Graphic: Emotional abuse, Forced institutionalization, Grief, Sexual assault, Abandonment, Death, and War
Moderate: Medical content, Sexual content, Alcohol, Medical trauma, and Sexism
Minor: Animal cruelty, Toxic relationship, Pregnancy, Abandonment, Bullying, and Mental illness
linesiunderline's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
I donāt think The Rose Code was as tense a read as The Huntress, however the way that Quinn brings the three central female characters to life is every bit as satisfying as the page turning quality of her previous novel. I couldāve read an entire book about each one of the code breaking women at the heart of The Rose Code.
One of the most tantalizing qualities of great historical fiction is how it gives the reader a feeling of being transported, and Quinn excels at this. When I read her books, I am temporarily pulled away from the present time and I sink down into an experience from the past, and I love that sense of traveling away into the story. I can get lost in her books.
Absolutely brilliantly narrated on audio, and certainly worthy of rereading, this will be one of my favourite books of the year!
Graphic: Child death, Confinement, Death, Fire/Fire injury, Forced institutionalization, Grief, Injury/Injury detail, Medical content, Mental illness, Racial slurs, Rape, Sexism, Sexual content, Suicide, Toxic relationship, Violence, Xenophobia, and War