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kaneebli's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Cursing, Misogyny, Grief, and Murder
Moderate: Death, Domestic abuse, Emotional abuse, Infidelity, Sexual content, Toxic relationship, and Violence
Minor: Body horror, Child abuse, Suicidal thoughts, Suicide, Torture, Fire/Fire injury, and War
prismatical's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
1.5
The tagline and synopsis are very misleading; this is a romance novel that happens to take place in a fantasy world, and the paladin stuff is more there as backstory than anything else. If that isn't a deal breaker for you, you should also know that the plot is pretty weak and takes a back seat to the oddly juvenile romance. A not-insignificant part of the first half of the novel is just Grace and Stephen really, REALLY wanting to fuck each other instead of developing as characters. Grace's backstory in particular feels like an afterthought.
I didn't like that the female paladins got so little focus. Wren gets ONE LINE of dialogue and a couple of throwaway lines about her, and I don't think we even learn Judith's name in this book. I didn't even realize that there were two female paladins until I looked it up. All the male paladins at least get to be introduced, if not more. That was really disappointing because rage when expressed by a man and rage when expressed by a woman are treated very differently in reality, so I wanted to see how T. Kingfisher would tackle that issue. The way she chose to handle it was to not mention it at all. If Wren and Judith don't get their own books or they have to share one book, I'm really not going to be very happy about that. It's also worth noting that Stephen mentions that he wants to stay close to his brothers in arms, but he makes no mention of sisters. Hmph.
The POV switches around too often for my taste. I'm totally fine with POV changes at chapter breaks, but mid-chapter POV changes are just not my cup of tea, especially when they happen in the middle of a scene. The POV changes made it harder to get to know Stephen and Grace because we don't get to stay inside their heads for very long before switching back. I think T. Kingfisher wanted that to line up with the nature of the murder mystery. We do a lot of headhopping, and the serial murderer is beheading people. Unfortunately, while it was an interesting idea it still doesn't add much to the story as a whole.
And finally, my biggest criticism despite not being much of a romance reader: it's actually not very romantic and I didn't believe that Stephen and Grace had a connection beyond wanting to fuck each other and finding commiseration in feeling "broken." The sock scene was very cute, but that was it. This novel also conflates romantic and sexual attraction like you wouldn't believe, which I personally found annoying. I'm too aroace for this.
Graphic: Death and Murder
Moderate: Sexual content, Toxic relationship, and Violence
Minor: Child abuse and Infidelity
fatherprozac's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Body horror, Child abuse, Confinement, Cursing, Death, Emotional abuse, Gore, Infidelity, Panic attacks/disorders, Physical abuse, Sexual content, Suicidal thoughts, Toxic relationship, Violence, Blood, Grief, Murder, Gaslighting, and Injury/Injury detail
booksthatburn's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Grace is so genuinely trusting that she needs someone more cynical and observant around to keep things from turning out badly when people take advantage of her. She can, and has, reset her life after betrayal, but it's so nice to see a part of her life where people help her rather than leaving her to sink or swim in the wake of abuse and betrayal. Stephen and his fellow paladins are living each day without their god, trying to be helpful rather than letting the black tide swallow them. It's nice to read a story where the main characters have lives separate from each other, but it's obvious how their lives are enriched by each other's company and possible affection. Zale is a fantastic wit and an even better lawyer, it's great to see them again.
While technically not a sequel, this is set in the world of the White Rat, mentions places featured elsewhere, and includes at least one character from SWORDHEART. The story itself is entirely new. The worldbuilding focuses on just a couple of locations, but describes places in a way that provides relevant information for this story while giving details which complement what that other White Rat books established. I recommend reading at least SWORDHEART before this, but the main thing that will affect is whether Zale is a new or familiar character.
Graphic: Death, Gore, Sexual content, Violence, Blood, and Grief
Moderate: Confinement, Cursing, Emotional abuse, Infidelity, Suicide, Toxic relationship, Vomit, Medical content, and Murder
Minor: Ableism, Animal death, Child abuse, Child death, Mental illness, Physical abuse, Suicide, Terminal illness, Excrement, Cannibalism, Death of parent, Pregnancy, Fire/Fire injury, Alcohol, and Sexual harassment