Reviews tagging 'Classism'

The Book of Form and Emptiness by Ruth Ozeki

6 reviews

ka_cam's review against another edition

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challenging dark emotional hopeful mysterious reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25

Weaving an omnicient Book narrator with a youthful young man who hears voices of objects and unseen entities (including the Book) as him and his mom grieves the loss of his father and finds his way through early adolescence. Some of the characters felt a bit flat/different from a teen boy narrator, but otherwise a solid read. The self proclaimed ‘big question’ is “what is real?” But themes of family, friendship, mental health, anti-capitalism, suffering, zen, substance use/abuse, and family/care.

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chamomiledaydreams's review against another edition

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dark emotional reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

This is the second Ruth Ozeki book that I've read, and while I prefer "A Tale for the Time Being," I can't deny how poignant and well-crafted "The Book of Form and Emptiness" is.  I love the way that it splits its focus between Benny and his mother Annabelle, and I like how a book narrates the majority of the plot, with Benny's own voice gradually becoming more book-like as he matures.  Having a book as a character in a book—and establishing that that book is the same one we're reading—seems like an easy way for an author to come across as obnoxiously meta or to confuse their audience.  But Ruth Ozeki incorporates such elements with skill and to a beautiful effect.

The Zen Buddhist elements in this novel are fascinating, as well, and I appreciate how we get snippets of books within a book.  The characters' struggles and their stories prompted me to reexamine my own life, and they made me feel inspired and galvanized in a way that not many books accomplish.  I wrote down at least a dozen quotes while reading, and I'm impressed by how attached I grew to Annabelle and how quickly, too.  It's not a question of her versus Benny, but at many points in the novel, I understood Benny's embarrassment but still felt firmly on Annabelle's side, wanting to tell Benny things, like, "She's trying her best!" and, "Do you have any idea how amazing your mom is, dude?"

Overall, this is a fantastic book, and I'm looking forward to reading more by Ruth Ozeki in the future.  There's something about her style and the subjects that she chooses to focus on that makes the cogs in my brain whir like a symphony.  I hope to be able to write stories that are even a fraction as powerful and engrossing as hers someday! 

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michaelion's review against another edition

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emotional hopeful informative inspiring mysterious reflective sad tense slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.5

Very respectful of people with different minds. Very kind. Very well reseaeched into the intersections of people's lives and how their mental illnesses or impairities can / may be affected by outside factors. Very very, very real, living, loving book. 🥰 

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savvylit's review against another edition

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adventurous dark emotional slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

The Book of Form and Emptiness is a deep dive into the ills of consumerism, overwhelming grief, literature as refuge, and misunderstood mental illness. The two protagonists of Benny and his mother Annabelle are beautifully and unflinchingly portrayed. As Ozeki unveils their individual grief, it gradually morphs into distinct mental illnesses for each of them. Annabelle's hoarding happens so gradually and logically (to her) that readers come to see it for what it is: an entirely natural & unsurprising reaction to her loneliness. Similarly, Ozeki presents Benny's symptoms through the lens of magical realism. This allows readers to empathize with Benny's burden - rather than pity or judge. Also, two of the book's secondary characters are houseless individuals. Readers get to know both of them as Benny does - which is to come to understand the circumstances and pain that led to their ostracization from society at large.

In addition to Ozeki's masterful and nuanced portrayal of mental illness, this novel is a touching love letter to literature and public libraries. By the book's end, Benny learns what many of us already know: that literature and libraries can offer an incomparable refuge and that everyone has a story to tell.

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bethsbookshelf's review against another edition

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challenging dark emotional funny reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

I think the theme of the novels I’m reading this year is: masterpieces. That’s what this is. It was absolutely stunning, mesmerising, heart-breaking, heart-healing, unique and all around lovely. It exposed so many harsh truths about American culture, grief, motherhood, boyhood, mental illness and love. And it did so in a way that felt like the author was poking holes in each theme, one tiny pinprick at a time, until what she had was fractures of light in a dark canvas, giving the reader hope by the end of the book, though not a complete and tied-up happy ending (because that wouldn’t be realistic). 

I tabbed so many sections of this book: favourite quotes, favourite parts, characterisation, magic, grief, objects, romance, and parenthood. These are what I considered to be the main themes throughout the book, told through the eyes of the book itself.

That’s probably what I loved most about this book: it was multi-perspective between Benny and the physical book you’re holding in your hands. The book gives you insights into what it’s like to be a book, to live in a library, a bookshelf, on someone’s bedside table. It’s absolutely stunning and I’ve never read anything like it.

I love this book because it is special. It’s something I felt I lived through, thanks to the fine details throughout. I will never forget it, and I’ll definitely pick up another Ozeki since I’ve loved both books of hers I’ve read so far. 

The pacing is deliberately slow, but that’s the only thing I had trouble with. I appreciate the pacing for what it is, but it really bogged me down sometimes. I couldn’t just read 10 pages here or there; I had to really carve out 30-120 minute reading sessions to enjoy what I was reading. I would have maybe fared better with the book had 100-150 pages been cut, but it’s not my story to tell, so I would never ask Ozeki to change it. But that is the reason for dropping half a star.

If you want something different, something raw and vulnerable, something magic, something sad, something that highlights what it’s like to be a mother, to be a son, to be tormented, to be called to do something - then this is the book for you. 

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prettycloud's review against another edition

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adventurous dark emotional funny hopeful informative inspiring mysterious reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

She had me with the intriguing premise, but this book delivers a nuanced look at mental illness, a thoughtful exploration of grief (both individual and the climate change/post-Trump Weltschmerz), and a celebration of love in all its forms. If I could distill this book into a single idea, it would be the forces that divide us and the ways we can connect in spite of them. This book has a lot of pain and disconnection in it, but it gave me hope that we can all somehow make it out of *gestures vaguely* all of this.

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