Reviews with content warning for Racial slurs - A Manual for Cleaning Women

I really liked the first half but got really bored in the second half and I didn’t like how she wrote black boys and felt mixed about how she wrote Mexicans.

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owenwilsonbaby's review against another edition

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adventurous emotional funny hopeful reflective fast-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? It's complicated
Flaws of characters a main focus? It's complicated

5.0

"So what is marriage anyway? I never figured it out. And now it is death I don't understand. Not just Sally's death. My country, after Rodney King and the riots. All over the world, the rage and despair. Sally and I write rebuses to each other so she doesn't hurt her lung talking. Rebus is where you draw pictures instead of words or letters. Violence, for example, is a viola and some ants. Sucks is somebody drinking through a straw. We laugh, quietly, in her room, drawing. Actually, love is not a mystery for me anymore. Max calls and says hello. I tell him that my sister will be dead soon. How are you? he asks."

I keep changing my mind but I think my favourite read of this year is a tie between this collection of short stories and Alexander Chee's most recent essay collection.

Whilst some of Berlin's attitudes and language, particularly around race and orientation, can be hard to read, the stories in this collection are so moving and profound. She's not afraid to write about people often overlooked and marginalised, using truth and keen observation to draw out both the moments of beauty and ugliness in everyday life. Her imagery and use of little details create really evocative episodes. The insight into grief and addiction is incredible. My favourite stories were probably Strays, for its eerie and truthful portrayal of an early rehab programme, So Long, for its very painful portrait of grief and Let Me See You Smile for its stark depiction of addiction, police brutality and love. Berlin has an excellent knack for dialogue which makes her relationships feel organic and gripping - particularly in the titular story A Manual for Cleaning Women, all of her conversations with her husband ("I'll do macrame, punk!") are exquisitely funny and romantic. I'll forever be heartbroken by "Once he told me he loved me because I was like San Pablo Avenue." What a line. What a voice!

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drlove2018's review against another edition

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adventurous dark reflective medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.75

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thewordsdevourer's review against another edition

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dark reflective slow-paced

Plot- or character-driven? A mix
Loveable characters? It's complicated
Diverse cast of characters? Yes

3.75

this collection contains numerous short stories by lucia berlin, and while my liking for each of them varies in degrees, a manual for cleaning women nevertheless demonstrates why berlin's work is considered a classic in american literature.

though the stories are a mildly discombobulating mix and read very slow initially, the book's second half is markedly compelling and more intense somehow, w/ some of my favorites being "grief," "let me see you smile," and "here it is saturday."

berlin's trademark of - as a review on the back cover puts it - "brutal one-liners and swift reversals" always keeps the reader subconsciously on edge, and even make me flinch on occasion when the ball drops. there are no obvious happy endings or resolution of plot points, as the stories are akin to snapshot of moments in time, yet they also ring true, noted in their emotional resonance that are never gratuitous.

i also greatly appreciate the genuine portrayal and inclusion of society's marginalized, whether it be in terms of race, gender, class, the imprisoned, nationality, disability, etc. to be honest i was very surprised by how aware berlin is of all the aforementioned groups and issues, never reducing anyone to caricatures. esp considering the time period during which she wrote the stories, it seems like she's ahead of her time, and attests to the fact that pre-'woke' stories and literature can be diverse - it reflects the actual world, after all - and need not be blandly uniformed.

overall, i enjoy this book for its real stories, diverse rep (who would have thought?), unpredictability, though will have to reread it once im in the right headspace to more greatly appreciate the first half.

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