Reviews tagging 'Colonisation'

The Dictionary of Lost Words by Pip Williams

10 reviews

katharina90's review against another edition

informative reflective sad slow-paced

• Strong character development? It's complicated
• Loveable characters? It's complicated
• Diverse cast of characters? No

2.5

This novel conveyed a love for words and language while exploring the creation of the first Oxford English Dictionary.

I enjoyed this historical backdrop and was excited by the premise of a fictional companion dictionary of "lost words" aka entries rejected mostly for sexist and classist reasons.

What fell felt for me was the plot and characters. Everyone was fairly one-dimensional and relationships superficial. The plot was slow moving for the most part, but oddly rushed at times that feel crucial. 

Ultimately I think what bothered me the most was that the many tragic developments towards the end didn't serve a purpose that was satisfying to me, so the heartbreak felt pointless or at least unnecessary. 

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Content Warnings

Moderate: Death, Mental illness, Sexism, Death of parent, War, and Classism

Minor: Child abuse, Physical abuse, Sexual content, and Colonisation

knitswhilereading's review against another edition

emotional informative inspiring sad slow-paced

• Plot- or character-driven? A mix

3.5

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Content Warnings

Moderate: Sexism, Abortion, and War

Minor: Panic attacks/disorders, Sexual content, Pregnancy, and Colonisation

beautifulpaxielreads's review against another edition

challenging emotional reflective medium-paced

• Plot- or character-driven? A mix
• Strong character development? It's complicated
• Loveable characters? It's complicated
• Diverse cast of characters? No
• Flaws of characters a main focus? It's complicated

4.0

Pip Williams' The Dictionary of Lost Words is one of the most meaningful, thought-provoking novels I have ever read, and yet there were parts of it that I struggled with.

As the title suggests, this is a book about words, more specifically those words that are not considered important enough to be compiled into the first-ever edition of the Oxford English Dictionary (OED). Since the task of compiling the OED is largely left to older white men, inevitably their ingrained biases ensure that the dictionary is skewed towards a male view of the world, and this is writ large when it comes to the male attitude to women.

In the year 1901, one of the OED's loyal fans discovered that the word "bondmaid" was missing from the dictionary. It is from this factual nugget that Pip Williams has constructed the fictional character and heroine of the novel, Esme Nicoll. The story of the novel is the story of Esme's life,  covering  late Victorian-era Great Britain to the First World War. 

The novel was written almost entirely (

aside from the last two chapters

) from Esme's POV, and this was where I had the most difficulty. Even though I could see Williams had crafted Esme with great care, and I (mostly) liked and sympathised with her, she seemed passive in many ways and I struggled to truly understand her motivations and feelings. 

In terms of other characters, I most liked Harry, Esme's widowed father, Edith "Ditte" Thompson, Esme's mentor and mother figure, and Lizzie, a serving maid at  Murray household where Esme spends her childhood and whom Esme eventually

develops a close bond with

.

I also had some issues with the novel's structure and pacing, which seemed uneven to me. Even though the beginning of each chapter stated the year and the month in which it was set, the time jumps could be hours, days, weeks, or even months at a time. These jumps were not always consistent, leaving me confused as to just how much time had passed between the beginning and end of a chapter. It kind of felt a bit lumpy.

Ultimately, it was the themes of this novel that I most strongly resonated with - the way certain words were defined to degrade not only by gender but by social status, the way words could come to mean more than one thing, the development of slang and curse words, and most poignantly, the inadequacy of words to describe the human experience. 

This is a novel that, to me, asks two fundamental questions: Whose words matter? And almost more importantly, who gets to decide?

A moving, thought-provoking read.

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Content Warnings

Graphic: Death, Mental illness, Misogyny, Sexism, Medical content, Grief, Medical trauma, Death of parent, Pregnancy, War, Injury/Injury detail, and Classism

Moderate: Bullying, Child abuse, Confinement, Cursing, Emotional abuse, Physical abuse, Sexual content, Blood, and Colonisation

Minor: Fatphobia, Racism, Slavery, Fire/Fire injury, Alcohol, and Sexual harassment

This novel takes place during the rise of the first wave of feminism in the early 20th century. It includes a discussion and descriptions of

imprisoned suffragettes going on hunger strikes and being forcibly fed by prison staff

. There are also some pretty graphic descriptions of the carnage during the First World War, not only those experienced by soldiers fighting on the Western Front but there is also a graphic description of

the brutal murders of Belgian babies by German soldiers, who then went on to rape and mutilate these babies' mothers.

orlagal's review against another edition

emotional reflective sad medium-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? Yes
• Diverse cast of characters? Yes
• Flaws of characters a main focus? Yes

4.0

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Content Warnings

Graphic: Ableism, Body horror, Cursing, Death, Mental illness, Sexual content, Slavery, Violence, Blood, Vomit, Grief, Death of parent, Pregnancy, Abandonment, Colonisation, War, Injury/Injury detail, and Classism

zombiezami's review against another edition

emotional funny informative inspiring reflective sad medium-paced

4.75

Truly beautiful and informative. Knocking off .25 stars because there were some threads of the narrative that felt a bit tacked on, from which I would have appreciated greater continuity. For example, I kept forgetting about

the protagonist's daughter because we would only be reminded of her every few chapters.

By contrast, in The Book Eaters, a book that felt very similar to this one thematically, you never forgot

that the protagonist had a daughter who was taken away from her.

It was a big, emotional plot point.

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Content Warnings

Graphic: Cursing, Misogyny, Sexism, Fire/Fire injury, Injury/Injury detail, and Classism

Moderate: Confinement, Death, Gore, Sexual content, Blood, Police brutality, Medical content, Grief, Medical trauma, Death of parent, Pregnancy, and War

Minor: Child death, Infertility, Mental illness, Rape, Slavery, Abortion, and Colonisation

eleanor029's review against another edition

emotional informative medium-paced

• Plot- or character-driven? Plot
• Strong character development? Yes
• Loveable characters? It's complicated
• Diverse cast of characters? Yes
• Flaws of characters a main focus? No

4.0

I like this book a lot. I could tell that the author did a lot of research and put a lot of effort into it. At times I lost my enthusiasm when the plot got slow, but in the end it was so worth it. Honestly, the last quarter of the book brought it all together and was the best part. I would totally recommend this to any language nerd. 

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Content Warnings

Moderate: Pregnancy

Minor: Death, Misogyny, Sexism, Blood, Abortion, Colonisation, and Classism

friendly_neighborhood_grandma's review against another edition

dark emotional hopeful informative inspiring reflective sad slow-paced

• Plot- or character-driven? Character
• Strong character development? Yes
• Loveable characters? Yes
• Flaws of characters a main focus? Yes

5.0

I loved this so much. This book follows the life of Esme Nicoll, and her connection yo words, people and especially women and their experiences. This book is incredibly detailed, canning and engrossing. I loved every minute of it. I would recommend this to anyone who is interested in words and their direct and hidden meanings, and would like to feel what it's like to live in victorian times as an ordinary woman. Amazing book.

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Content Warnings

Graphic: Death, Misogyny, Sexism, Grief, Medical trauma, Death of parent, Pregnancy, and War

Moderate: Ableism, Cursing, Mental illness, Slavery, Forced institutionalization, Blood, Medical trauma, Abandonment, Colonisation, Injury/Injury detail, and Classism

Minor: Body horror, Cursing, Infertility, Miscarriage, Panic attacks/disorders, Self harm, Sexual content, Suicidal thoughts, Police brutality, Fire/Fire injury, and Alcohol

monnibo's review against another edition

emotional inspiring reflective medium-paced

• Plot- or character-driven? Character
• Strong character development? Yes
• Loveable characters? Yes
• Diverse cast of characters? Yes
• Flaws of characters a main focus? It's complicated

4.0

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Content Warnings

Graphic: Cursing, Death, Grief, and Death of parent

Moderate: Hate crime, Misogyny, Racial slurs, Racism, Sexism, Pregnancy, Fire/Fire injury, Colonisation, Injury/Injury detail, and Classism

Minor: Bullying, Sexual content, Slavery, Violence, Grief, Abortion, Colonisation, War, and Classism

katekatiekait's review against another edition

challenging dark emotional sad medium-paced

• Plot- or character-driven? A mix
• Strong character development? It's complicated
• Loveable characters? Yes
• Diverse cast of characters? It's complicated
• Flaws of characters a main focus? Yes

2.0

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Content Warnings

Moderate: Bullying, Death, Misogyny, Sexism, Violence, Blood, Grief, Death of parent, Fire/Fire injury, Colonisation, War, and Classism

Minor: Emotional abuse, Miscarriage, Medical content, Abortion, and Pregnancy

ntvenessa's review against another edition

emotional medium-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? No
• Diverse cast of characters? Yes
• Flaws of characters a main focus? No

2.5

I detested the first half, and then found it adequate by the end. I think the historical account and critique of dictionary making was done sufficiently, although without revelation beyond what is already broadly agreed in linguistics (although I am biased as I am linguistically trained, and perhaps these are not moot points to someone who is not). Ultimately I think its integration with a fictionalised story was its downfall. It simply wasn't convincing, and the tone was jarring. Especially when the author is writing from the first person voice of a child in 19th century England through the lens of a 21st century feminist moralist (but who am I to judge what a 19th century English child would sound like). To some extent you have to suspend your disbelief when reading historical fiction, but there is a fine line and too often events seemed to me too far fetched, too convenient, too formulaic. Bar one turn of events, the plot was rather too convenient. The writing was inelegant. It was not immersive. It is a sign of a clumsy novel when you can anticipate the plot devices as they come. It's like watching a rehearsal as opposed to opening night. I often felt that the crux of what needed to be said could have been compressed -- this is a novel written without economy of language and this I think is to its detriment. While it dilutes what I imagine to be points the author makes (and valid ones at that), I suppose it does also make the writing more accessible. All things said the latter half of the novel hit a chord, not for its storytelling but for its subject matter, which may also mean something to you, if you have ever

grieved

. Maybe this book just wasn't for me, but maybe it's for you?

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Content Warnings

Graphic: Confinement, Death, Infertility, Mental illness, Misogyny, Sexism, Medical content, Grief, Death of parent, Pregnancy, Fire/Fire injury, Alcohol, War, and Injury/Injury detail

Moderate: Miscarriage, Abortion, and Sexual harassment

Minor: Child death, Chronic illness, Slavery, Suicidal thoughts, Terminal illness, Car accident, and Colonisation