nofy's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Blood, Gore, Death, and Murder
Moderate: Sexism
ittybittyninja12's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Blood, Body horror, Death, Confinement, Gore, Medical content, and Murder
Moderate: Bullying, Sexism, and Misogyny
ocean_the_reader's review against another edition
- Plot- or character-driven? N/A
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
2.0
Graphic: Blood, Gore, Panic attacks/disorders, Mental illness, Medical content, Misogyny, Murder, and Sexism
sydneyluxford's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
5.0
Unlike the previous book, I literally had no idea who was responsible for the killings. WHEN WE FOUND OUT??? THE WAY WE FOUND OUT???? Never been more confused and scared in my life. So unexpected. Like, yeah I support women’s wrongs, BUT THIS IS TOO FAR.
Maniscalco really loves putting Audrey Rose and Thomas through absolute hell in the last 25% of her books. THE AMOUNT OF BRUSHES WITH DEATH THEY HAD IS SCARY. What they went through in the tunnels, I would’ve just given up and accepted death at that point.
If you thought the men in the first book were sexist, just wait until you read the first few chapters of this one. I want to slap them so bad.
The way Thomas’ love for Audrey Rose grows so much more in this book 😭😭😭😭😭. I didn’t even think it was possible. Not even joking, he’s actually my dream man. HE CARES SO MUCH FOR HER, IT’S INSANE. The love confessions at the end of this book killed me.
“For there are no limits to the stars; their numbers are infinite. Which is precisely why I measure my love for you by them. An amount too boundless to count.”
Someone literally KILL me.
THE LETTERS BETWEEN THOMAS AND HIS SISTER, DACIANA, AT THE END OF THE BOOK. THEY HAD ME CLOSING THE BOOK AND STARING AT MY WALL. THE WAY HE SPOKE ABOUT AUDREY ROSE IN THEM 🤭.
Bro, at some points in this book I was convinced it was a vampire doing these killings. Because why were two victims drained of all their blood?? HOW????
On to the next book because I have no life.
Graphic: Injury/injury detail, Violence, Death, Gore, Blood, and Body horror
Moderate: Sexism and Panic attacks/disorders
signebrum's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
This book took me much by surprise by being better than the first one, and honestly, I’m looking forward to reading the final two installments.
Graphic: Blood, Medical content, Sexism, Murder, Misogyny, Injury/injury detail, Gore, and Death
Moderate: Vomit and Kidnapping
Trigger warnings comes from the book being a whodunnit in the Victorian times with a female protagonist.hannah_clover's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
4.25
Graphic: Death, Murder, Blood, and Body horror
Moderate: Medical content
Minor: Sexism
semelos's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.75
Graphic: Blood, Death, Misogyny, Murder, Sexism, and Violence
starryorbit12's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
Conversely, the mystery held the same probably as the first in which I guess the murderer shortly after they are introduced. It's the problem of having a limited cast of characters and limiting actual interaction or development to only a few of that already limited cast. The murderer is never somebody that the main characters have never met or only briefly interacted with because then it feels out of nowhere. Realistically, there only a few characters with enough page time for it to be. It doesn't take much deducing from there.
Spoiler
The big give away for me was the fact that Audrey states that she thinks Anastasia's suggestion of not telling the headmaster was bad idea. Anastasia's had a strange insistence, and her reasons for not telling him we're pretty shallow compared to the benefit of potentially stopping a murder. Audrey Rose agrees despite feeling dreaded the idea for some reason. There's also the fact that she knew exactly what the book in the village girls house was, and no one could figure out that girl's connection to anything. The emphasis on how unrecognizable Anastasia's "body" was, and the fact that she didn't have an established connection to either of the motives murder. The fact that she takes the book, says nothing, and then just "leaves" for hungry based off of a vague connection found without talking to anybody.It's like the romantic conflict in this one. The conflict basically just boiled down to having Thomas act against the things that made a likable and memorable love interest. The thing about the relationship in the first book that was so great, especially for historical normal, was how much Thomas respected Audrey. He saw her as intelligent and capable, and he never coddled her like the other men in her life tried too. Even when they are about to do something dangerous, he taught her how to protect herself rather than trying to convince her or force her not to go through with her plan. This book he constantly tries to dicate her life, and he constantly goes around behind her back to do so. Is that Audrey is so clear that the one thing she wants from him is expect for her independence he keeps acknowledging that while simultaneously going behind her back, and it leads to her being humiliated in front of her classmates that already think her lesser because of sexism. He stops about halfway through the book, but the apology feels more like an excuse because the crux of it is him claiming not to have thought of the consequences in his bad attempts at emotional support. However, Audrey was very clear about what she did not want him to do. It's disheartening because the respect and admiration for Audrey was what distinguished Thomas from the countless other dark haired, sarcastic male love interests with a tragic backstory. The relationship recovers some of its charm near the end, but be prepared to want to kick Thomas for at least half the book.
Graphic: Blood, Death, Gore, Grief, Murder, and Violence
Moderate: Medical content, Misogyny, and Sexism
Minor: Death of parent and Kidnapping
juliette_95's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
4.25
Graphic: Blood, Medical content, and Murder
Moderate: Sexism
hazzy_'s review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
4.75
Graphic: Gore and Body horror
Moderate: Death, Murder, Sexism, and Misogyny
Minor: Lesbophobia